Arts and Humanities Commons^™

What's Past Is Prologue: Transforming Trauma, Rewriting Identity In Gloria Anzaldua's "Borderlands/La Frontera" And "Light In The Dark/Luz En Lo Oscuro", Richard Edward Riley

FIU Electronic Theses and Dissertations

Gloria Anzaldua’s Borderlands/La Frontera and Light in the Dark/Luz en lo Oscuro are widely acknowldged as groundbreaking texts across Latinx literary canons, invoking selfhood, spirituality, activism, and politics as a queer woman of color writer.

Her language around self-dispersion is still undertheorized in what it owes to traumatic experiences discoverable in the self, body, world, and culture Anzaldua hails from. The extent of colonizing and kyriarchal damage in her work has been recognized; but the exact character of how these breakages and corresponding imperatives to regenerate oneself resemble a traumatic shock remains to be written about.

This thesis sketches frameworks …

The Sanctuary Of Acceptance: Love And Identity Through The Letters And Poetry Of John Keats, Amanda Caridad Estevez Ms.

FIU Electronic Theses and Dissertations

In this thesis, I propose to explain how it is that the life and work of John Keats assists us in answering the question of how we create ourselves through the presence of others. I aim to do this through an analysis of the work that his relationship with Fanny Brawne inspired. In doing so, I hope to prove that romantic love creates a sort of metaphysical sanctuary for us to inhabit as we shift through the various incarnations of our identity throughout our lives. By synthesizing the theories of phenomenology and transgression, I hope to demonstrate how Keats’ rapid …

Listening/Reading For Disremembered Voices: Additive Archival Representation And The Zong Massacre Of 1781, Jorge E. Cartaya

FIU Electronic Theses and Dissertations

This thesis grapples with questions surrounding representation, mourning, and responsibility in relation to two literary representations of the ZONG massacre of 1781. These texts are M. NourbeSe Philip’s ZONG! and Fred D’Aguiar’s FEEDING THE GHOSTS. The only extant archival document—a record of the insurance dispute which ensued as a consequence of the massacre—does not represent the drowned as victims, nor can it represent the magnitude of the atrocity. As such, this thesis posits that the archival gaps or silences from which the captives’ voices are missing become spaces of possibility for additive representation. This thesis also examines the role voice …

A Deconstruction Of Elie Wiesel's The Time Of The Uprooted, Cristina T. Carbonell

FIU Electronic Theses and Dissertations

This thesis explores the implications of bearing witness as testimony, and the recuperation of community and identity in the wake of exile. Through a close reading of Elie Wiesel’s The Time of the Uprooted, alongside the theories of Jacques Derrida and Jean-Luc Nancy (among others), I argue that a True Testimony cannot exist, and yet despite this fact, there is a necessity to bear witness in the face of the Other. The realization suggests an imperative of a different order—one that steps back from the very notion of truth, to instead accept the impossibility of truth in any act of …