Arts and Humanities Commons^™

A Thomistic Critique Of The Ethics Of Alasdair Macintyre, Marcus Otte

Electronic Theses and Dissertations

Alasdair MacIntyre argues in favor of a historicist Thomism in ethics and political philosophy. In his theory, sociological categories take up much of the space traditionally occupied by metaphysics. This peculiar feature of MacIntyre's Thomism, and its merits and demerits, is already a subject that has been taken up by many critics. In this thesis, these criticisms are supplemented and unified by identifying what is perhaps the most fundamental difficulty with MacIntyre's ethics: his version of Thomism is problematic because it treats epistemology as first philosophy. This misstep compromises MacIntyre's ability to provide a defense of moral objectivity, while also …

Toward A More Hospitable Conception Of Race & The Political: The Play Of Difference & Economy In A Politic Of Disruption, Zachary Thomas Settle

Electronic Theses and Dissertations

The body of this thesis is framed around Carl Schmitt's articulation of the political as the distinction between friend and enemy; more importantly, though, it revolves around opposition as the necessary foundation of the political. Making use of Derrida and

Agamben, this particular argument critiques/radicalizes Schmitt's notion.

After establishing the necessary limits and boundaries at play in the binary opposite embedded within Schmitt's understanding of the political, this essay aims to level a certain generative critique of Schmitt's definition. A certain appropriation of Agamben's homo sacer reveals that the presence of those bound up in the fate of the state …

"Another Way": The Pneumatology Of Deleuzean Minoritarian Communal Interpretation In Scripture, The 16th Century Radical Reformation, And Alternative 21st Century Anabaptist Community, Jeremy Garber

Electronic Theses and Dissertations

This dissertation proposes a constructive theology of the Holy Spirit called the "pneumatology of minoritarian communal interpretation," the alternative creation of meaning within an oppressive majority context. It illustrates the convergence of Deleuzean philosophy with Anabaptist pneumatology and media communal interpretation theory in three particular locations: 1) selected mentions of the Holy Spirit in the Hebrew Bible and Christian New Testament; 2) the 16th century Radical Reformation; and 3) "Another Way," a 21st century alternative Anabaptist group focused around the spiritual discussion of art and popular media. Chapter One outlines the three theories. Chapter Two examines the Holy Spirit in …

“For He Contained Within Him A Largenesss Of Spirit:” The Duality Of Billy’S Spirit, The Hope For Humanity In Cormac Mccarthy’S Border Trilogy, Jessica Y. Spearman

Electronic Theses and Dissertations

This paper focuses on the contradictory merging of the differentiating forces that drive the natural world and the people in McCarthy’s Border Trilogy, with the most prominent being Billy’s persistent naïve view of the world as he grows from a boy to a man on his journey. The Border Trilogy chronicles the coming of age journey of John Grady Cole and Billy Parham. The second installment, The Crossing, focuses on the various dichotomies that construct the natural world—all of which are mirrored in Billy’s relationships with the mystical she-wolf, his brother, Boyd, the various people that he meets on his …

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

Electronic Theses and Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …