Arts and Humanities Commons^™

Thoughts On The Aesthetics Of Water, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Explication Of Events And Dialogues In Samuel Beckett’S Waiting For Godot, Erick Verran

Contemporary Aesthetics (Journal Archive)

No abstract provided.

From Things To Relationships: Architecture Of The Ecological Mind, Lejla Vujicic

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Thoughts On A Holographic Aesthetics Of Nature, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Using Soundscape Ecology In Design And Function, Wieteke Holthuijzen

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Positioning And Discernment: A Comment On Monique Roelofs's The Cultural Promise Of The Aesthetic, Kathleen M. Higgins

Contemporary Aesthetics (Journal Archive)

This essay offers replies to the critical commentaries on The Cultural Promise of the Aesthetic presented by Kathleen M. Higgins, Carolyn Korsmeyer, and Mariana Ortega. The essay shows how the probing questions and criticisms that the three commentators raise bring out details in the framework of relationality, address, and promises through which the book theorizes the aesthetic.

Editorial, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Absolute Pitch And Tone Identification, Gilead Bar-Elli

Contemporary Aesthetics (Journal Archive)

Absolute pitch (AP), besides the psychological and neurological interests it has, raises some conceptual difficulties that can teach us about the richness of our notion of musical tone and various aspects of its identification. It is argued that when AP is conceived under a slim notion of identifying the pitch of a crude sound, it is hardly meaningful and has no significance in music comprehension. The rich notion, which is the meaningful and important one, involves knowing the position of a tone in a tone-space and its relations. This is presented as experiential: hearing and identifying tones under concepts and …

Humor And Enlightenment, Part I: The Theory, Peter H. Karlen

Contemporary Aesthetics (Journal Archive)

Part I of this article advances a new theory of humor, the Enlightenment Theory, while contrasting it with other main theories, including the Incongruity, Repression/Relief/Release, and Superiority Theories. The Enlightenment Theory does not contradict these other theories but rather subsumes them. As argued, each of the other theories cannot account for all the aspects of humor explained by the Enlightenment Theory. The discussion is illustrated with examples of humor and explores the acts and circumstances of humor, its literary and artistic expressions, and its physical reactions. Part II shows how the Enlightenment Theory meets challenging issues in humor theory where …

Humor And Enlightenment, Part Ii: The Theory Applied, Peter H. Karlen

Contemporary Aesthetics (Journal Archive)

Part I of this article advanced a new theory of humor, the Enlightenment Theory, while contrasting it with other main theories, including the Incongruity, Repression/Relief/Release, and Superiority Theories. The Enlightenment Theory does not contradict these other theories but rather subsumes them. As argued, each of the other theories cannot account for all the aspects of humor explained by the Enlightenment Theory. Part II shows how the Enlightenment Theory meets challenging issues in humor theory where other theories falter, including failed humor, motivation for humor, tickling, laughing gas, and sadistic humor. Also mentioned are the Enlightenment Theory's application to literary and …

Symposium On The Cultural Promise Of The Aesthetic By Monique Roelofs: Introduction, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Cinempathy: Phenomenology, Cognitivism, And Moving Images, Robert Sinnerbrink

Contemporary Aesthetics (Journal Archive)

Some of the most innovative philosophical engagement with cinema and ethics in recent years has come from phenomenological and cognitivist perspectives. This trend reflects a welcome re-engagement with cinema as a medium with the potential for ethical transformation, that is, with the idea of cinema as a medium of ethical experience. This paper explores the phenomenological turn in film theory, emphasizing the ethical implications of phenomenological approaches to affect and empathy, emotion, and evaluation. I argue that the oft-criticized subjectivism of phenomenological theories can be supplemented by cognitivist approaches that highlight the complex forms of affective response, emotional engagement, and …

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Macabre Fascination And Moral Propriety: The Attraction Of Horror, Marius A. Pascale

Contemporary Aesthetics (Journal Archive)

Why does the horror genre serve as a source of pleasure, given its aim to induce fear in the audience? I examine two general solutions to this phenomenon, referred to as the paradox of horror, which differ based upon their position regarding the possibility of deriving pleasure from fear. Each of the possible solutions contains significant flaws. I argue that, by adjusting a meta-theory originally proposed by Susan Feagin, it is possible to craft a solution that addresses the paradox while preserving the idea that, at times, fear can be enjoyed. The article concludes by considering the moral status of …

Report On The Xxth International Congress Of Aesthetics " Aesthetics And Mass Culture" Seoul National University, Seoul, South Korea, 24-29 July 2016, Michael Ranta, Jale N. Erzen

Contemporary Aesthetics (Journal Archive)

Photos of the Congress.

The Plight Of Aesthetics In Iran, Majid Heidari

Contemporary Aesthetics (Journal Archive)

Richard Rorty believes that philosophy in the West is the result of a conflict between religion and science. In fact, philosophy seeks to clarify the border between religion and science, so neither of them would be able to overstep its explanatory or predictive potentialities. He remarks that we do not have such a thing as philosophy in the East. This paper intends to ask two questions: what is the nature of the comparable conflict in an Eastern country, Iran, and what are its effects on aesthetic studies? I will draw on the idea of the conflict between theology and mysticism. …

Aesthetics And Autobiography: Emotion And Style In The Book Of Disquiet By Fernando Pessoa / Bernardo Soars, Mikel Iriondo Aranguren

Contemporary Aesthetics (Journal Archive)

At the beginning of The Book of Disquiet, Bernardo Soares writes: “In these random impressions, and with no desire to be other than random, I indifferently narrate my factless autobiography, my lifeless history. These are my Confessions, and if in them I say nothing, it’s because I have nothing to say.”

Written a century ago, these words illustrate a great distance from the traditional way of writing an autobiography. They confront, however, the same paradox, which is how can any of our lives, constituted by different and unrelated events, be structured as a linear story looking for a meaning, …

The Aesthetic Experiences Of Aura, Awe, And Wonder: Reflections On Their Nature And Relationships, Russell Quacchia

Contemporary Aesthetics (Journal Archive)

The aim of this essay is to examine the semantic nature and linkage between the experiential phenomena of aura, awe, and wonder, central to matters of the aesthetic experience. In aesthetic commentary these terms are generally used rather loosely, often independently of each other and, most often, without regard to the connections between them. It would seem worthwhile to examine the nature of each of these terms to move toward understanding them and their mutual relationships. The conclusions drawn are that the aura effect appears to operate universally at the cognitive level of the aesthetic experience while those of awe …

Human Nature And Aesthetic Ecosystem Services: Nature In The Service Of Humankind And Humankind In The Service Of Nature, Yrjö Sepänmaa

Contemporary Aesthetics (Journal Archive)

The term “ecosystem services” refers to the material and spiritual benefits and goods that we receive from nature, or, in a broad sense, from all kinds of environment. The various forms of such benefits have begun to be called services. Nature serves people by producing the material and spiritual (intangible, non-material) prerequisites for life. This is also the foundation of our aesthetic well-being. Does humankind reciprocally serve nature, or only itself through nature, with the intention of exploiting it? We see when nature suffers or flourishes, and we also observe our own effect on its state. As much as our …

No-Media: Against The Coming Singularity, Gavin Keeney

Contemporary Aesthetics (Journal Archive)

A summary of the possible persistence of so-called useless humanistic research against the diktat of the Edufactory, the essay “No-media – Against the Coming Singularity” problematizes the complex field of forces and factors currently leading the life of universities toward the servicing of reduced aspirations for scholarship in an ultra-monetized society – plus neo-liberal academia’s penchant for the manufacturing of events and reputations at the expense of impersonal (confraternal) intellectual inquiry proper. An oblique critique of “vertical integration” strategies derived from corporate business models, foremost in media empires, and as applied to the production and management of knowledge, the essay …

The Importance Of The Artist's Intent, Daniel Conrad

Contemporary Aesthetics (Journal Archive)

Does considering artists' aesthetic intentions enrich our experience of art and enhance art’s aggregate value for human culture? By examining non-aesthetic intent, working motivations, biographical/historical context, and cases in which an announced intent drives aesthetic transformation, I argue that, while its specific value varies from case to case, aesthetic intent is a key part of our cumulative experience of art, correlates with specific neuroanatomical loci, and raises interesting and compelling questions specific to this age of automatized thinking.

The Institutional Margins Of Aesthetics: A Study Proposal, Jozef Kovalčik, Max Ryynänen

Contemporary Aesthetics (Journal Archive)

A considerable number of classical texts in aesthetics and cultural philosophy were originally published outside of the framework of institutionalized academic scholarship. One can begin the modern story with two loners, Nietzsche and Kierkegaard, then continue with the Frankfurt School and end the short list with the French “wave” (Blanchot, Bataille). Contemporary aesthetics benefits also from the work of thinkers like Susan Sontag and Nicolas Bourriaud, who have a huge scholarly impact but who built their careers outside academia. We intend to 1) sketch out a short historical overview of the scholars within aesthetics who could be considered to have …

Address And The Lure Of The Aesthetic: Reflections On Monique Roelofs, The Cultural Promise Of The Aesthetic, Carolyn Korsmeyer

Contemporary Aesthetics (Journal Archive)

Monique Roelofs argues that some of the aesthetic power of art is traceable to the way that works address their audiences, promising the creation of cultural community. Such communities become exclusionary when modes of address presume and perpetuate social hierarchies. This paper explores this notion in works where moral and aesthetic precepts seem to conflict and whose address induces attitudes that one would reject in “reality” but that are required for the full appreciative grasp of a narrative.

The Difference That Art Makes, Mariana Ortega

Contemporary Aesthetics (Journal Archive)

In the following essay I discuss Monique Roelofs’s The Cultural Promise of the Aesthetic. I show that Roelofs’s rich and complex notion of the aesthetic, informed by promises, modes of address, and aesthetic relationality, offers an important and novel way of understanding the aesthetic within a context attuned to questions of difference. I point out that Roelofs’s analysis may be enhanced by notions theorized by Audre Lorde, Gloria Anzaldúa, and María Lugones. Moreover, I raise a question regarding the intricate link between Roelofs’s notion of the aesthetic and morality

The Aesthetic And Its Resonances: A Reply To Kathleen M. Higgins, Carolyn Korsmeyer, And Mariana Ortega, Monique Roelofs

Contemporary Aesthetics (Journal Archive)

This essay offers replies to the critical commentaries on The Cultural Promise of the Aesthetic presented by Kathleen M. Higgins, Carolyn Korsmeyer, and Mariana Ortega. The essay shows how the probing questions and criticisms that the three commentators raise bring out details in the framework of relationality, address, and promises through which the book theorizes the aesthetic.

Introduction, Stefan Deines, Mario Wenning

Contemporary Aesthetics (Journal Archive)

No abstract provided.

The Ethos Of Cinema, Martin Seel

Contemporary Aesthetics (Journal Archive)

The history of film has always been accompanied by a theoretical debate over its artistic potential. In the works of many theoreticians, more or less explicit anthropological speculations have played a significant role, focusing on the relation between cinema and formerly dominant modes of perception and living. Against this background, this paper addresses the position of film within the arts, and thus also the position of this art form vis-à-vis the role of art in relation to the human condition. One essential characteristic of films is that they are capable of bringing their audience into a specific state of being …

New Grand Narratives—The Metaphysical Worldview Of Avatar And Cloud Atlas, Josef Früchtl

Contemporary Aesthetics (Journal Archive)

Referring to the films Avatar (2009) and Cloud Atlas (2012), the author will demonstrate that a new era of metaphysical holism follows Postmodernism. These films celebrate a resurrection of the flesh with 3-D technology and a reincarnation of souls with the aesthetic technique of morphing. However apocalyptic their visions of the future might be, and however much they might seem to worship technical megalomania, they are also and again conveying a resounding ethical message and a taste of Utopia.

Philosophy With A Twist: La Rivière Du Hibou, Paisley Livingston, Trevor Ponech

Contemporary Aesthetics (Journal Archive)

This paper explores the category of films known as “twist films” in relation to distinctions between different modes of epistemic access to works. With reference to the case of Robert Enrico’s short film, La rivière du hibou (1961), the philosophical significance of different sorts of twist films is explored. Twists are also discussed in relation to emotive responses, with special attention to the paradox of suspense