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Full-Text Articles in Arts and Humanities
Vivacity And Hume's Impression-Idea Distinction, Prescott Christensen Jackson
Vivacity And Hume's Impression-Idea Distinction, Prescott Christensen Jackson
Theses and Dissertations
Hume famously grounds his foundational distinction between impressions and ideas on “force and vivacity.” However, he acknowledges that vivacity is sometimes imprecise for distinguishing impressions from ideas, in, for example, the phenomena madness. Therefore, interpreters question how impressions and ideas are really differentiated. Interpretations of the impression-idea distinction traditionally take one of two forms—either attempts to better-defined vivacity in other terms, or arguments that already better-defined distinctions, like the Copy Principle, suffice to distinguish impressions from ideas. However, both approaches create unpalatable problems for interpreting Hume. This paper gives a phenomenological account of vivacity and suggests that we should read …
Poetics, Not Pragmatics: Understanding Metaphors In A Poetic Context, Savannah Marciezyk
Poetics, Not Pragmatics: Understanding Metaphors In A Poetic Context, Savannah Marciezyk
Theses and Dissertations
The aim of this paper is to explain why the leading theories of metaphor fail when applied to metaphors which appear in poems. The ability to understand the true meaning of a metaphor in conversations relies on understanding speaker intention and extralinguistic context. This paper argues that because such material is not available to the reader of a poem, theories which rely heavily on pragmatics to explain metaphors cannot be successfully applied to metaphors which appear in poems. This paper makes use of the views on metaphor by John Searle and Paul Grice, and discusses how meaning is constructed in …