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Adorno On Science And Nihilism, Animals, And Jews, Babette Babich
Adorno On Science And Nihilism, Animals, And Jews, Babette Babich
Babette Babich
No less than Heidegger or Nietzsche, Adorno had his own critical notions of truth/untruth. But Adorno’s readers are unsettled by the barest hint of anything that might be taken to be anti-science. Thus it is argued that Adorno opposes not science but scientism. But, and here not unlike Arendt, Adorno argued that so-called “scientistic” tendencies are the very conditions of society and of scientific thought.” I ask how we are to read Adorno by exploring his thought on animals and nihilism.
The Ister: Between The Documentary And Heidegger’S Lecture Course Politics, Geographies, And Rivers, Babette Babich
The Ister: Between The Documentary And Heidegger’S Lecture Course Politics, Geographies, And Rivers, Babette Babich
Babette Babich
The Ister, the 2004 documentary by the Australian scholars and videographers, David Barison, a political theorist, and Daniel Ross, a philosopher, appeals to Martin Heidegger’s 1942 lecture course, Hölderlins Hymne «Der Ister»and the video takes us «backward» as the river flows: beginning from the Danube’s delta where it ends in the sea and «journeying» with it to its source in the Alps. the value of the Barison/Ross documentary for both political theory and philosophy is its illustration of the technological incursions or assaults on the river itself, that is to say: its representation of the ‘uses’ and hence of the …
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich
Babette Babich
To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …