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Full-Text Articles in Arts and Humanities
Epistemological Realism And Onto-Relations, Max Lewis Edward Andrews
Epistemological Realism And Onto-Relations, Max Lewis Edward Andrews
Eleutheria: John W. Rawlings School of Divinity Academic Journal
The traditional concept of knowledge is a justified true belief. The bulk of contemporary epistemology has focused primarily on that task of justification. Truth seems to be a quite obvious criterion—does the belief in question correspond to reality? My contention is that the aspect of ontology is far too separated from epistemology. This onto-relationship of between reality and beliefs require the epistemic method of epistemological realism. This is not to diminish the task of justification. I will then discuss the role of inference from the onto-relationships of free invention and discovery and whether it is best suited for a foundationalist …
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Scientism, Satire, And Sacrificial Ceremony In Dostoevsky's "Notes From Underground" And C.S. Lewis's "That Hideous Strength", Jonathan Smalt
Masters Theses
Though the nineteenth-century Victorian belief that science alone could provide utopia for man weakened in the epistemological uncertainty of the postmodern era, this belief still continues today. In order to understand our current scientific milieu--and the dangers of propagating scientism--we must first trace the rise of scientism in the nineteenth-century. Though removed, Fyodor Dostoevsky, in Notes From Underground (1864), and C.S. Lewis, in That Hideous Strength (1965), are united in their critiques of scientism as a conceptual framework for human residency. For Dostoevsky, the Crystal Palace of London's Great Exhibition (1862) embodied the nineteenth-century goal to found utopia through the …