Arts and Humanities Commons^™

Ubuntu’S Ontological Account In African Philosophy And Its Cross-Tradition Engagement On The Issue Of Being Versus Becoming, Anthony Chimankpam Ojimba

Comparative Philosophy

This paper x-rays Ramose’s ubuntu ontological account in African philosophy and its cross-tradition engagement on the issue of being versus becoming (such as the Yin-Yang, Heraclitean, Nietzschean, Whiteheadean and the Buddhists’ accounts) with a view to showing how convergence and divergence of thoughts in the African, European, and Asian philosophy contexts can advance cross-cultural philosophizing or cross-tradition approach to doing philosophy. Ramose’s ubuntu ontology designates a reconstruction of reality within the framework of motion, as captured in his concept of be-ing-becoming, while the Heraclitean, Nietzschean, Whiteheadean and the Buddhists’ ontological accounts also conceive reality within the confines of endless …

“Imbedded” Belonging And Black Being: A Critical Analysis Of Blackness In Kendrick Lamar’S 2016 Grammy Awards Performance, Anwar Uhuru

Journal of Hip Hop Studies

This article argues that in a space of artistic performance Black people can fully imbed themselves in the space, despite the temporality of the performance itself. Therefore, in the act of performing, Black people are able to fully be recognized as a human whole. The goal of this article is to think of a Hip Hop beingness that fuses the temporal/body, consciousness/beyond the body, and the ancestral connections of orality and genetic memory. I do so by looking at how black performance disrupts dominant narratives of black bodies as being just flesh. This article brings together, Hip Hop studies, Africana …

The Introduction To Being And Time, David Good

Aristos

The clearest summary of Heidegger’s thought in the Introduction to Being and Time is provided by Thomas Sheehan, who says:

Heidegger made the point by pressing his students on what it is they first encounter in their lived experience. Is it things? Objects? Values? No, he insisted, it is:

the meaningful [das Bedeutsame] – that’s what is primary, that’s what is immediately in your face without any detour through a mental grasp of the thing. When you live in the world of first-hand experience, everything comes at you loaded with meaning, all over the place and all the time. Everything …

Appearance And Momentariness: The Nature Of Being Between Nāgārjuna, The Sarvāstivādins And Neo-Parmenidism, Federico Divino

Comparative Philosophy

In this article I will try to demonstrate the existence of points in common between the eternalist instances of Parmenidean philosophy and the Buddhist formulations made by some parts of the Abhidhamma, Nāgārjuna, and the Sarvāstivādins. These three philosophies have numerous points in common with Emanuele Severino’s formulations from the point of view of what is defined as neo-Parmenidism. The purpose of this article is to demonstrate that the points in common between these systems of thought are due to a basic affinity which, despite having led them to emphasize different themes, present similar reasoning and logical consequences, which allow …

Colorization Revisited, Julie C. Van Camp

Contemporary Aesthetics (Journal Archive)

This article is both philosophical and practical in its intent. It endeavours to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking about the 'making' of art. The art-making considered in this paper will concentrate exclusively on Western art and its historical and contemporary manifestations. I suggest that poiesis - that which "pro-duces or leads (a thing) into being'" - may enable practitioners in the varying art forms, and aestheticians who reflect upon them, to come to a deeper sense of how artworks work: that they realize themselves inter-dependently …

Poiesis And Art-Making: A Way Of Letting-Be, Derek H. Whitehead Ph.D.

Contemporary Aesthetics (Journal Archive)

This article is both philosophical and practical in its intent. It endeavors to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking about the 'making' of art. The art-making considered in this paper will concentrate exclusively on Western art and its historical and contemporary manifestations. I suggest that poiesis - that which "pro-duces or leads (a thing) into being'" - may enable practitioners in the varying art forms, and aestheticians who reflect upon them, to come to a deeper sense of how artworks work: that they realize themselves inter-dependently …