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Full-Text Articles in Arts and Humanities
Composite Bodies: Construction And Deconstruction Of Our Identities Through Movement, Pauline Mosley
Composite Bodies: Construction And Deconstruction Of Our Identities Through Movement, Pauline Mosley
Honors Theses
This thesis examines some of the roles artists take on as humans, separate from their lives as artists and how said roles impact in the forming of our identity. Applying the deconstructionist theory by the French philosopher Jacques Derrida, phenomenology by Edmund Husserl and Maurice Merleau- Ponty, and the journals of students involved in the study, the idea that the body and mind must work as one in order to create movement is dissected and reconstructed. Beginning with investigating the roles artists are born into, create for themselves and think they have, dancers involved in the study use their own …
Idiosyncratic: The Formation Of Artistic Voice Through Movement Research And Choreographic Processes, Kerry Healy
Idiosyncratic: The Formation Of Artistic Voice Through Movement Research And Choreographic Processes, Kerry Healy
Honors Theses
This project seeks to answer how individual voices are formed through dance and choreography. The answer to this question was discovered through physicalized research and embodying concepts and tasks during my Senior Project choreography process. My dancers and I experimented with the idea of self versus society: how do we differentiate our own artistic voices from the voices of those around us? How do we remain ourselves when we are so greatly influenced by society? Artistic voice greatly influences and forms our identities as humans. The answers to these questions lie within personal aesthetics, the philosophical study of beauty and …
16:9 - A Study Of Manipulating Perceptions Through Movement, Samantha Weeks
16:9 - A Study Of Manipulating Perceptions Through Movement, Samantha Weeks
Honors Theses
This thesis explores the concepts of editing and manipulating through the deconstruction and rebuilding of ideas. Inspiration sprung through researching the job of a film editor, and noting how an editing action takes place in everyday life. Using Thelma Schoonmaker’s body of work, which includes her film editing on a number of Martin Scorcese's films, I examined this idea of manipulation through choreographing my Senior Dance Project. Titled 16:9, the dance also shows the power of deconstruction through a thoughtfully constructed short film, which is presented halfway through. A film editor can take documentary footage and make the end result …