Arts and Humanities Commons^™

Evolution Of Island, Dominique Kongsli

The STEAM Journal

Evolution of Island emerged from the depths of an ocean of blue paint. My process involves observation of nature: I remember scuba diving in Thailand in the Andaman Sea and having a spiritual experience underwater while observing Christmas-tree worms pop in and out of the coral.

Animal-Human Art, Trace Johansson

The STEAM Journal

Art work that shows the bond between animal and human

Dimensional Presence: Serdar Arat, T. Michael Martin

Faculty & Staff Research and Creative Activity

This catalog was produced on the occasion of the exhibition "Dimensional Presence: Serdar Arat" presented in The Clara M. Eagle Gallery from November 15, 2018 to February 7, 2019.

Serdar Arat is an artist from Istanbul, Turkey who has been living and working in New York since 1980. He received his M.F.A. in Painting at the State University of New York in Albany in 1984. His first solo exhibition was held in New York in 1986. Since then, he has presented many national and international solo- exhibitions and has participated in numerous group exhibitions in various cities across the US …

Tomtom Oracle, Grant B. Wells

Theses and Dissertations

TomTom Oracle explores the conceptual and material processes throughout my body of work as an expression of a psychological tethering to a digital visual experience that removes us from the physical world.

L, M, N, O, P, Matt Jones

Theses and Dissertations

A meditation on my painting and drawing practice in relation to the work of Philip Guston, Nancy Spero, and Frank Moore, among others, just before and during the start of the Covid-19 pandemic.

Waiting Room, Adam Lefebvre

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

Waiting can be exasperating, but sometimes that helplessness, knowing there is nothing to do but wait, is a comfort.

I have come to understand the value of the handmade through using and living with thoughtfully crafted objects. I am attracted to goods made by people who give voice to their material. When this is done well, I slow down and pay more attention to the object and the task they are performing.

Attraction and distraction. What are the differences between objects meant to attract our attention and those meant to distract? I would much rather lead a life full …

Making Christian Art In A Contemporary Setting, Raven Cordy

Undergraduate Honors Theses

Over the past 4 and a half years, I have studied contemporary art and seen countless artworks being made in an academic setting. In doing so, I have come to the realization that religious content is rare in today’s time. While it is not actively discouraged, the environment I am in and the current art community does not seem to be particularly interested in merging the two concepts. Without understanding why, I subconsciously kept art and my faith as separate entities for the first few years of my higher education. But as I matured and developed my own artwork, I …

Artists - Bowling Green, Kentucky (Sc 3574), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 3574. Interviews with Margie Helm, Elizabeth Coombs, and Jane (Hines) Morningstar, Bowling Green, Kentucky, on their knowledge of local artists, particularly women.

Several Houses, Anthony L. Cudahy

Theses and Dissertations

Within the context of the COVID-19 pandemic, the thinking that informed my painting practice fixated on the purgatorial temporal space of waiting, a questioning of utopian and apocalyptic impulses, and the preservation of deceased artists' archives.

For The Love Of Existence, Paul Joseph Vogeler

Theses and Dissertations

In this thesis, artist Paul Joseph Vogeler discusses his influences and current art practice. He covers topics like Catholicism and mortality, BDSM and erotic art, Tarot, spirits and the afterlife, photography and painting, and bones and relics.

Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison

Artizein: Arts and Teaching Journal

This article shares my process and reflection as a teaching artist on a specific project with the Chicago Opera Theater (COT). An extension of my personal and professional practices that aims to provide larger painting experiences for students than they are normally provided, this project takes place in Chicago public schools through a model of Arts Partnership in which COT brings in multidisciplinary arts education. Beyond being an educational program, this school-based artistic co-creation resulted in opportunities for professional learning, intracultural bonding, and empowering moments for youth. This article includes images of the art teaching process, arts integration program tools, …

The Modes Of Intervention In Alvin Lucier’S I Am Sitting In A Room, Daniel Fox

Dissertations, Theses, and Capstone Projects

Alvin Lucier’s I am sitting in a room (1969) is an icon of experimental music and sound art. The sizable literature addressing the aesthetic and philosophical implications of this piece rarely discusses the performance practice beyond what is indicated in the score itself. This is problematic for two reasons: 1) The meaning that is derived from the piece often hinges not just on what sounds are obtained, but on how they are obtained. 2) Over the past 50 years, changes in the performance practice have altered what constitutes the work: magnetic tape was used until 2000 when it was replaced …

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

Chicanx Murals: Decolonizing Place And (Re)Writing The Terms Of Composition, Nora K. Rivera

English Faculty Articles and Research

Drawing from an interpretive decolonial framework that understands multimodal writing as the act of creating co-composed knowledge, this article analyzes Chicanx murals as multimodal compositions that exemplify the continuation of the Aztec tlacuilolitztli practice of writing with images. This work also invites rhetoric and composition scholars to reexamine Western understandings of history, particularly the history of writing.

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Achieve

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn No. 2, Alone (Not Alone), and The Inauspicious Present No. 2.

Knights Of The Round Table Mesa: A Brief Study In The Paintings And Books On The American West, Mitchell A. Gehman

Bound Away: The Liberty Journal of History

This article investigates how printed material and visual arts helped create the image of the cowboy in American popular culture. This perception did much to influence the popular memory of the American West and had significant consequences for the development of American identity.

Daphne Odjig: Indigenous Art And Contemporary Curatorial Practices, Lucy Kay Riley

Theses and Dissertations

This thesis examines the history of curatorial practices and scholarship regarding the work and life of Daphne Odjig (1919-2016), a self-taught Canadian artist of Potawatomi and English ancestry, in order to situate her at the crux of the contemporary Indigenous art movement in Canada.

Surface Levels, Keisha Brathwaite

Electronic Theses and Dissertations

Surface Levels are depictions of unobserved and imperceptible realities of many phytoplankton exteriors. The exhibition explores various structures, textures, and repetitious forms from microscopic surfaces of objects that cannot be seen with unaided eyes. Electron microscopy is used to perceive and analyze these otherwise unseeable surfaces in depth. Magnifications provide a reference in creating three- and two-dimensional works that are minimalistic and abstract at a visible level. This abstract 3D/2D image collection is translated into material expressions using acrylic sheets, acrylic ink, and wood as the main media for construction of individual works. Collectively, they serve to make the invisible …

Integrating Art Into Life In Pursuit Of Occupational Balance, Jennifer K. Fortuna

The Open Journal of Occupational Therapy

Dr. Sharon Gutman, PhD, OTR, FAOTA, an occupational therapy professor and artist based in New York, provided the cover art for the Summer 2020 edition of The Open Journal of Occupational Therapy (OJOT). “Goldfish” is a 10” x 13” watercolor painting. Dr. Gutman has nearly 30 years of experience in clinical practice, higher education, research, and service to the profession. Dr. Gutman pursued a career in occupational therapy because it was a field where she could use her creativity. This decision led to an extraordinary career and a life of service to others. When the demands of a busy lifestyle …

The Branch On Which The Blossom Hangs, Thomas Sterling Coffey

Graduate Theses and Dissertations

The Branch on Which the Blossom Hangs is a body of paintings which address the relationship between landscape or physical presence and the primary experiences of emotion and perception. Through this examination of phenomenology and the malleability of the perceptual apparatus, the paintings express my feeling of dislocation caused by a cycle between depression, dissociation, and mental well-being. They question how an individual relates to their environment. The paintings seek to elicit the allusive and embodied qualities of poetry, framing and evoking a broader experience without defining it. By using the recognizable visual language of landscape, abstracted to the point …

The Persistence Of Hope In The Art Of Donald Keefe, Donald Keefe, Bonnie Dwyer

Faculty Works

Artist Donald Keefe is interviewed about his work and artistic development. His artwork Untitled Construct No. 4 is featured on the front cover of the magazine issue, and through out the interview section, pgs. 70-77. A biography and artist statement is also included in the inside cover of the publication. Other artworks featured are Mythos, Waiting, Consolation, Out-of-Work Horse, Revival, Autumn 2, Alone (Not Alone), and The Inauspicious Present No. 2.

Meanwhile, Samantha Combs

LSU Master's Theses

Meanwhile is an installation that explores the psychological and physical impact emotions have on individuals and the experienced struggle of restraining and letting go of them. Through the influence of Abstract Expressionism and use of metaphorical materials like soap and self-help book paper, each artwork embodies the intensity of this emotional struggle. Meanwhile represents and exposes the grotesque beauty of peoples’ psychic experience.

Three Strikes: The Evolution Of A Creative Practice Through Discovery, Connection, And Structure Or We Should All Be Artists, Anthropologists, And Feminists, Anne Barnes

MFA in Visual Arts Theses

By identifying the three areas that merge to form my artistic practice: discovery, connection, and structure; this thesis uses my creative process as a way to form the link between my intellectual and material impulses, and to identify the connections I make between what abstract painting means to me, my feminist ideals and how they are informed by the gender inequality persistent in the art world today, as well as thoughts I have around the concept of the “feminine” as viewed through the lens of art history. In this way, I demonstrate how these elements are woven together and the …

Being In The Place Of Possibility, Laura Domencic

MFA in Visual Arts Theses

This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …

Golden Photo And Media, Natalie Goldstein

Journalism

After discovering photography in 2018 and dedicating the past year of my life to this passion I want to turn it into a career. This paper looks into the necessary research it takes to start a photography business. After carefully conducting the research, I created a business proposal appropriate to our current pandemic situation. I looked at different ways COVID-19 will affect my desired profession and the events and music industry in which I hope to work. After thoroughly familiarizing myself with these industries, I was able to discern that a career in photography is possible if I market myself, …

Smoke And Mirrors, Kiernan Pazdar

Masters Theses

The impulse to make work from the residue of real life has been called many things throughout art history. In my thesis, I use some of these methods to discuss generative modes of creating work. I talk about Lucy Lippard’s proposal for a “way of making,” Disidentification, Camp, Appropriation, Termite Art, and Hito Steyerl’s call to create art that addresses the present in imaginative ways. Each process relies on a commitment to being in the world and building something on its uneven ground.

In Liary I discuss the relationship between my drawing practice and fiction writing. Since subjectivity is dependent …

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …

He Makes The Figs Our Mouths To Meet And Throws The Melons At Our Feet, Josh Meier

Masters Theses

He Makes the Figs Our Mouths to Meet and Throws the Melons at Our Feet investigates the relationship between the painted image and the cast subject. By compressing the visual contradictions of pictorial and physical space, my work argues for a simultaneity of conditions and emotions. I am interested in how two material realities can hybridize to produce a new, unanticipated, re-imagined self-portraiture. This thesis contextualizes my recent works within historical frameworks and discourses including other artists’ writings and artworks, philosophies of abjection, feminist and queer theories of embodiment, poetry, film, and stream-of-consciousness memoir.

Frankenstein, Ruins, & Twilight, Braden Bandel

Masters Theses

I am invested in the idea of painting as a container for the psychological. Much of my research is concerned with the role of gothic fiction as a means of processing individual and collective fears and anxieties during times of rapid social, technological, and political change. Drawing a connection between literary fiction and the fiction of the painted image, I attempt to translate some of the ambitions of fiction writing into the realm of painting. I have a proclivity for the fantastical and the melancholic, which have remained as abiding themes in my work at RISD. This thesis will consist …

This Side Of The Air, Madeline Peckenpaugh

Masters Theses

In my thesis, I have chosen to present a collection of stories throughout my life that continue to impact my practice, along with journal entries, gathered notes, and small to large conversations I've had with my peers, parents, visiting artists, and professors. These collection of stories take place in Wisconsin, Philadelphia, and Nepal, ranging in small moments to a span of seven years. I've been writing down words and clues that could lead me to find the thesis-worthy definition of my work and practice. As if someone or something else other than myself holds the knowledge I'm incapable of locating. …