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The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., Suellen Da Costa Coelho Apr 2021

The Second Line Parade And The Construction Of Identity Through Costume In The Group The Undefeated Divas, Gents And Kids., Suellen Da Costa Coelho

LSU Master's Theses

This research aims to investigate the role of costume in identity formation in the second line group The Undefeated Divas, Gents and Kids. The methodology used in this research was data collection through interviews with members of the group. Through these interviews, we seek to establish the importance of costume in reflecting and constructing a sense of community within the group.

While the existing literature focuses on the history of second line parades and their importance in Louisiana’s culture, this research intends to explore costume’s meaning and significance. The purpose of this work is to complement the existing literature in …


The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner Mar 2021

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …


Sound Glove: A Development In Collaboration, Emma E. Arends Mar 2021

Sound Glove: A Development In Collaboration, Emma E. Arends

LSU Master's Theses

Through design and technical work, the collaboration between the areas of Sound and Costume Design have been minimal. When these areas interact, it is usually for the small notes, like the shoes are too loud, or the jewelry is too much. However, in the following chapters I will propose a way to deepen the collaborative relationship between Sound and Costume through a prototype named the Sound Glove.The Sound Glove has been developed through researching previous products, researching for materials, constructing a budget, developing applications of the Sound glove and then creating a prototype. With these steps, the following chapters will …