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We Can Work It Out: Forensic Musicology Methods, Joe Bennett

Faculty Works

In this chapter, I will argue that forensic musicology (FM) practice can answer this question by combining comparative musical analysis and repertoire research, contextualised within an understanding of how songwriters and composers create and how listeners hear. In doing so, I shall identify the methodological and phenomenological traps into which courts and juries can fall and suggest ways in which these can be anticipated and circumvented.