Open Access. Powered by Scholars. Published by Universities.®
- Publication
- Publication Type
Articles 1 - 3 of 3
Full-Text Articles in Arts and Humanities
La Pirogue De Moussa Touré: Une Réponse Humanitaire À Une Crise Postcoloniale, Whitney A. Drew
La Pirogue De Moussa Touré: Une Réponse Humanitaire À Une Crise Postcoloniale, Whitney A. Drew
Vernacular: New Connections in Language, Literature, & Culture
Le journal examine le film de Moussa Touré La Pirogue et le compare à la conversation actuelle concernant l’immigration du Sénégal vers les îles Canaries. En hommage aux victimes du périple tumultueux, La Pirogue attire l’attention sur l’autre face de l’immigration. Le film analyse les idées à travers le prisme des tropes médiatiques popularisés par le psychologue David Olsen et l’historien Hayden White. Dans le contexte du document, ces tropes explorent le message de Touré sur l’immigration.
The Disappearance Of The French New Wave, Emir Kulluk
The Disappearance Of The French New Wave, Emir Kulluk
CISLA Senior Integrative Projects
The French New Wave is considered to be one of the most influential waves within cinema history, starting from the end of the 1950s, going all the way through the 1960s. Thanks to the directors of this era, there have been a myriad of movies that challenged the norms of filmmaking, redefining the techniques used and the stories told within cinema. However, if this era was so fruitful and is deemed to be so valuable for cinema in general, then why did it not continue? In this paper, I will be taking a look at French society, external influences, as …
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …