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Articles 1 - 7 of 7
Full-Text Articles in Arts and Humanities
Smooth Moves: Schubert And Theories Of Modulation In The Nineteenth Century, Irene Girton
Smooth Moves: Schubert And Theories Of Modulation In The Nineteenth Century, Irene Girton
Irene Girton
No abstract provided.
Charles Nicholson – The Forgotten Flutist, Wendell Dobbs
Charles Nicholson – The Forgotten Flutist, Wendell Dobbs
Music Faculty Research
The recent fascination for the flutist-composers of the 19th century has brought to life much music by flute virtuosos such as Tulou, Demersseman, Boehm, Genin, and others. To this time, however, the colorful artistry of Charles Nicholson has been overlooked. His brief career, spanning but two decades, brought the flute to the forefront as a solo instrument in England and propagated numerous fantasies, variation, methods, and other works for flute. Indeed, his contributions as flute virtuoso and flute manufacturer have made an indelible mark on the history and development of the instrument. In the London of the 1820's and 1830's …
Verdi, Aroldo, And Music Drama, Steven W. Shrader
'Lnfin Che Un Brando Vindice': From Emani To Oberto, Roger Parker
'Lnfin Che Un Brando Vindice': From Emani To Oberto, Roger Parker
Verdi Forum
No abstract provided.
Text Setting In Verdi's Jérusalem And Don Carlos, Jeffrey Langford
Text Setting In Verdi's Jérusalem And Don Carlos, Jeffrey Langford
Verdi Forum
No abstract provided.
Danmono: A Type Of Japanese Koto Music, Jonathan Richard Besancon
Danmono: A Type Of Japanese Koto Music, Jonathan Richard Besancon
Honors Theses
Sokyoku (koto music) in Japan before the end of the seventeenth century is represented by only two genres: sets of solo songs with koto accompaniment which are called kurniuta, and koto solos called danrnono. Danrnono and kurniuta were the beginning of the sokyoku tradition which developed through the Tokugawa Period (1600-1868). It is the solo genre of sokyoku, the danrnono, which is the subject of this study. This genre is the most important of the few examples of Japanese music which are independent of literary influence. The danmono repertoire is also rather curious because it is limited today to only …
The Impact Of Language On Musical Composition In Ghana: An Introduction To The Musical Style Of Ephraim Amu, V. Kofi Agawu
The Impact Of Language On Musical Composition In Ghana: An Introduction To The Musical Style Of Ephraim Amu, V. Kofi Agawu
Publications and Research
In most cultures of the world, the creative act of composition may be defined simply as the transformation of pre-existing material into new, individualized structures. The precompositional resource may be a system such as the hierarchical arrangement of triads that forms the basis of Western tonality, a set of formulas that generates such genres as Gregorian chant and West African storytelling, or even a rigidly defined set of relationships such as those inherent in a twelve-tone row. In each case, the precompositional elements provide a framework for the analysis and interpretation of the composition.