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Musicology

City University of New York (CUNY)

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Book reviews

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El Bell I El Sublim De La Mà De Benet Casablancas, Antoni Pizà Apr 2021

El Bell I El Sublim De La Mà De Benet Casablancas, Antoni Pizà

Publications and Research

Fa molts d’anys, a l’institut de secundària, vaig tenir un professor d’història de l’art que era un autèntic excèntric. Ens obligava a parlar en castellà (res estrany, aquí); i s’expressava ell també en un castellà rudimentari, après amb unes monges de Ses Salines, a Mallorca. Havia ideat també un peculiaríssim sistema de puntuació d’exàmens que als seus ulls era axiomàtic i inqüestionable. El deu —la qualificació més alta— era per a Déu, segons deia ell; el nou, per a Franco, a qui admirava incondicionalment; el vuit, inexplicablement, per a ell mateix; i del set per avall, per als alumnes.


Flamenco Deep Song [Book Review], Antoni Pizà Sep 1996

Flamenco Deep Song [Book Review], Antoni Pizà

Publications and Research

Timothy Mitchell's Flamenco Deep Song certainly is not a flamenco handbook describing the genres, forms, instruments, and biographies of flamenco music, but a critical study questioning the accounts of flamenco (its histories, one could say) that have been set forward by historians, anthropologists, folklorists, and even flamenco artists themselves.


Spanish Music In The Twentieth Century [Book Review], Antoni Pizà Sep 1994

Spanish Music In The Twentieth Century [Book Review], Antoni Pizà

Publications and Research

North-American audiences, musicians, and musicologists remain unfamiliar with twentieth-century Spanish music. Most concertgoers identify Spanish music with the folkloristic tunes associated with such composers as Isaac Albéniz, thus construing a true "other" facing the Germanic musical tradition. The musicological canon is not only almost closed to non-European musics, but also excludes the music of some countries that since the Industrial Revolution have been deemed "peripheral," forgetting, to be sure, that five and six hundred years ago the actual periphery was all lands north of Paris. Most of us were not surprised to hear in a special session on Hispanic music …


Philosophy And The Analysis Of Music: Bridges To Musical Sound, Form, And Reference [Book Review], Antoni Pizà Mar 1993

Philosophy And The Analysis Of Music: Bridges To Musical Sound, Form, And Reference [Book Review], Antoni Pizà

Publications and Research

In recent years there seems to have been a tendency (in theory at least) to view conventional academic disciplines with a certain hostility as intellectual chastisements that, rather than opening our minds to knowledge, merely hinder us. In the humanities especially, interdisciplinary studies have become a trend. Many scholars are tempted to abandon the cozy security of their methodology and embark on other, more adventurous hybrid enterprises. Philosophy and the Analysis of Music, one such enterprise, draws its premises from two apparently different fields, philosophy and musical analysis, in order to arrive at a better understanding of music.