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Full-Text Articles in Arts and Humanities

Pierrots Fâchés Avec La Lune: Debussy, Fauré And Ravel During World War 1, Arun Rao Sep 2013

Pierrots Fâchés Avec La Lune: Debussy, Fauré And Ravel During World War 1, Arun Rao

Dissertations

This dissertation proposes to consider the music of French composers Claude Debussy, Gabriel Fauré and Maurice Ravel written during the Great War, under tremendous professional, personal and cultural pressures. These pressures are examined largely through these composers’ correspondence and the writings of contemporary critics, composers and artists in the first two chapters; a selection of their output from the war years, in particular their piano works and their chamber music, is the subject of the third chapter. The aim of the dissertation is to reveal certain aspirations common to all three, aspirations that were motivated, dictated even, by the political …


The Influence Of Plainchant On French Organ Music After The Revolution, David Connolly Aug 2013

The Influence Of Plainchant On French Organ Music After The Revolution, David Connolly

Doctoral

The period after the 1789 French Revolution was one of turbulence, musically, socially, culturally and politically. The violence against both people and property meant that the nineteenth century was a time of renewal and regrowth. At all times this was uncertain as numerous political upheavals took place as the French attempted to define their future direction. As with all aspects of culture, organ music experienced a slow regrowth over the course of the long nineteenth century, perhaps being at a particular disadvantage due to its role in the church, an institution which also went through a period of difficulty from …


A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe May 2013

A Study Of Music, Embodiment, And Meaning In The World Of Portal, Helen A. Rowe

Lawrence University Honors Projects

Interactive video game music is a relatively new and quickly expanding art form, incorporating elements of music history, cinema, and video game theory. This study explores how music functions, reveals meaning, and defines player experience within the interactive world of the video games Portal and Portal 2—and how the paradoxical, twisting essence of the Portal world is created and shaped musically. Ultimately, this is a study of the continued existence and relevance of classical music and traditional music history in the futuristic world of video games.


Mary In Three Movements, John E. Accola, Jr May 2013

Mary In Three Movements, John E. Accola, Jr

Master of Liberal Studies Theses

Mary in Three Movements is an imagined account of how Mary might have felt and observed her experiences through the three most important events of both Christian and human existence, the conception, the birth, and finally the death of her son. I have attempted to remain true to the biblical Marian references which primarily speak to Mary as a young woman in a first century patriarchal Roman Jewish society. Therefore, I have taken these three events and put them to verse for mezzo-soprano with piano accompaniment. The accompanying paper outlines both the historical and musical context in which this project …


“The Future Is Medieval”: Orality And Musical Borrowing In The Middle Ages And Online Remix Culture, Claire E. Mcleish Apr 2013

“The Future Is Medieval”: Orality And Musical Borrowing In The Middle Ages And Online Remix Culture, Claire E. Mcleish

Electronic Thesis and Dissertation Repository

This thesis re-situates sampling and the mashup in a broader tradition of musical borrowing and oral practice. Musical creators in the West borrowed throughout history; the variety and quantity of this borrowing remains dependent on the proprietary status of music. Copyright was first applied to music to protect printed scores, and is thus ill equipped to accommodate works that borrow recorded elements. Taking Ong’s concept of “secondary orality” as applied to hip hop by Tricia Rose, this thesis connects techniques of musical borrowing in the Middle Ages with those in the late-20th and 21st centuries through several close …


Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis Apr 2013

Across The Red Steppe: Exploring Mongolian Music In China And Exporting It From Within, Thalea C. Davis

Masters Theses

Mongolian music culture as it exists in China is a unique entity unto itself as it features a base of traditional Mongolian practice and also includes aspects of Chinese music and culture. As the world becomes more interconnected and as China continues to display a markedly Han society to the world at large, Mongolian musicians and Mongolian-music enthusiasts in China maintain and evolve their musical culture in a nebulous middle-ground between Mongolian and Han-Chinese culture. How Mongolian music culture in China came to be and its ultimate function in global society are the key questions being investigated in this thesis. …


Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche Jan 2013

Romantic Exoticism: The Music Of Elsewhere In The Nineteenth Century, Josiah Raiche

Senior Honors Theses

Western art music has drawn on many sources. One of these is non-western music, which can be integrated into European classical music tradition in the form of exoticism. This paper will highlight musical elements used by composers seeking to create exoticism, examine selected works, and note common elements of western music that have exotic roots. In the nineteenth century, there were three general trends in exoticism. The first, non-musical exoticism, utilizes conventional western music alongside extra-musical exotic elements. Romantic exoticism portrays distant lands using musical elements, drawing these from the audience’s perceptions of the music represented. Realistic exoticism attempts to …


Unlocking The Paradox Of Christian Metal Music, Eric S. Strother Jan 2013

Unlocking The Paradox Of Christian Metal Music, Eric S. Strother

Theses and Dissertations--Music

In 1984, Stryper released its first album The Yellow and Black Attack and introduced audiences to a different kind of heavy metal. Instead of lyrics about sex, alcohol, and Satan, Stryper sang about Jesus, salvation, and God. While there were a number of fans ready for this change more were not. Members of the Church as well as members of the metal subculture were in agreement that Christianity and heavy metal were incompatible. Despite these objections, however, more bands emerged, and Christian metal became a significant genre within the Christian music industry. These bands presented Christian-oriented lyrics within the full …


The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green Jan 2013

The Synthesizer: Modernist And Technological Transformations In Film Sound And Contemporary Music, Dusin J. Green

CMC Senior Theses

The invention of the synthesizer meant the possibility of achieving virtually any sound in one mechanism, a superbly convenient device for musical creativity. Perhaps the perfect space for this approval of sound creativity was in the modern electronic film score. The synthesizer also flourished in popular music immediately following its emergence, but a common form began to solidify itself among synthesizer music. Shortly after, improvements in electronic instrument technology led to the democratization of electronic music and equipment, ultimately leading to electronic music as the new mainstream.