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Full-Text Articles in Arts and Humanities
The Reconciliation Of Theology And Mythology In Philosophical Defenses Of Music In Early Modern London, Leanna York
The Reconciliation Of Theology And Mythology In Philosophical Defenses Of Music In Early Modern London, Leanna York
Graduate Thesis Collection
Since Antiquity, elements of Greek mythology and Hebraic history have intersected in many forms of literary and visual art. Renaissance philosophers, moved by skepticism, struggled to reconcile the historical and theological contradictions of these ancient sources, and scholars of European history Arthur Ferguson and Jean Seznec recognize resulting trends of mythological interpretation among authors of diverse disciplines. My research investigates ways in which London university professors John Taverner, John Case and an anonymous Oxford author utilized these interpretive methods in their music treatises of the early modern period and discusses the intersection of Protestant theology and Greek mythology in these …
The Soul Of Black Opera: W.E.B. Du Bois’S Veil And Double Consciousness In William Grant Still’S Blue Steel, Toiya Lister
The Soul Of Black Opera: W.E.B. Du Bois’S Veil And Double Consciousness In William Grant Still’S Blue Steel, Toiya Lister
Graduate Thesis Collection
In The Souls of Black Folk (1903), W.E.B. Du Bois theorized that black peoples were viewed behind a metaphorical “veil” that consisted of three interrelated aspects: the skin as an indication of African Americans’ difference from their white counterparts, white people’s lack of capacity to see African Americans as Americans, and African Americans’ lack of capacity to see themselves outside of the labels white America has given them. This, according to Du Bois, resulted in the gift and curse of “double consciousness,” the feeling that one’s identity is divided. As African Americans fought for socio-political equality, the reconciliation of these …
Reflections Of The Don: Zerlina's Empowerment Narrative And The Inclusion Of "Per Queste Tue Manine" In Don Giovanni, Sarah Miller
Reflections Of The Don: Zerlina's Empowerment Narrative And The Inclusion Of "Per Queste Tue Manine" In Don Giovanni, Sarah Miller
Graduate Thesis Collection
After the premiere of Don Giovanni in Prague, Wolfgang Amadeus Mozart and Lorenzo Da Ponte brought their opera to Vienna on May 7, 1788. One point of interest in the Viennese version of the score is the added duet “Per queste tue manine.” In this duet, the enraged Zerlina overpowers the bewildered servant Leporello with a handkerchief, a razor, and passion. She constrains the floundering fool and punishes him for his misconduct. In most modern performances, companies look no further than the Prague version of the score. Additionally, singers often portray Zerlina as either a mischievous temptress or a virginal …