Arts and Humanities Commons^™

Symbolism, Sensuality, And The Space In-Between: Contextualizing The Queer Expression Of Mikhail Kuzmin In Russia’S Fin De Siècle, Avery Elizabeth Noe

Chancellor’s Honors Program Projects

No abstract provided.

The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai

Soundboard Scholar

This paper proposes an underpinning terminology for scholarly discussions of contemporary arrangement practices in the field of classical guitar performance. The introduction provides some historical foundations for the topic, aiming to present the roots of different approaches and methods in the work of important guitar arrangers. The paper continues by contextualizing arrangement processes within linguistics and language philosophy, discussing the topic of translation, and giving an overview of relevant terminologies. The centre of the paper is the theoretical investigation of arrangement and the identification of translating acts related to musical space, instrumental choreography, texture, timbre, or a combination of those, …

Benefit Concerts: Truly For The Benefit Of The Cause?, Emma C. Gardner

Mako: NSU Undergraduate Student Journal

Benefit concerts have been used as a fundraising method for urgent issues for centuries, beginning in 1749 with concerts put on by George Handel. The first modern benefit concert was the Concert for Bangladesh in 1971, which proved that these concerts could raise large amounts of money for their cause. Live Aid was put on by Bob Geldof in 1985 Live Aid in response to the famine in Ethiopia. The Freddie Mercury Tribute Concert for AIDS Awareness in 1992 was staged following Freddie Mercury’s death and worked to raise money for awareness and a cure for HIV/AIDS. The Concert for …

Kajian Konseptual Silabel Ritme Gandang Minangkabau, Aryuda Fakhleri Fallen, Yudi Sukmayadi, Tati Narawati

Paradigma: Jurnal Kajian Budaya

This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of …

"If The Gyil Has Died, Dagara Itself Has Died": On The Relationship Of Dagara Music, Food, And Costume, Gordon Cortney

Honors College Undergraduate Theses

The Dagara people, located primarily in the Upper West region of Ghana, take pride in their careful preservation of traditional customs, amidst years of brutal colonization and ethnocide. Previous ethnomusicological research has recognized the gyil, a Ghanaian xylophone, as the focal point of Dagara society, noting how it interacts with and is inherent in all aspects of their culture. Recent developments to the gyil’s design, practice, and performance have created concern for a lost or dying culture among the Dagara. If the gyil is experiencing change, then so too is the rest of Dagara culture. In June and July 2022, …

Dowlandia: Leafing Through Grapes’S New Research Guide, Katharyn R. Benessa

Soundboard Scholar

A review of K. Dawn Grapes, John Dowland: A Research and Information Guide,(New York: Routledge, 2020)

“And The People Sang In All The Ways Of The City:” A Speculative Ethnomusicology Of Gondor, Kelsey A. Fuller-Shafer

Journal of Tolkien Research

The music of Gondor is one of the more elusive musical traditions in Middle-earth, described only briefly throughout the text of The Lord of the Rings, and thus often neglected in scholarship on music in the works of J.R.R. Tolkien. However, an ethnomusicological line of inquiry brings to the fore questions of performance, perception, and meaning that contribute to our interpretations of the many levels of symbolic transformation seen in Gondor at the beginning of the Fourth Age. The evidence of both musical activity and silence in Gondor mirrors conclusions that have been documented in real-world ethnomusicological studies in …

New Light On Sagrini, Richard M. Long

Soundboard Scholar

Reviews of a new biography of Luigi Sagrini (1809–1874) and a volume of his guitar works:

Bernard Lewis and Robert Coldwell, In Search of Luigi Sagrini (DGA, 2021)

Robert Coldwell, ed., The Music of Luigi Sagrini (DGA, 2021)

A Friendship Of Two Prima Donnas: The Letters Of Adelina Patti To Giulia Valda, Jacquelyn Ancelet

LSU Master's Theses

Of the many prima donnas of the nineteenth century, Adelina Patti (1843–1919) stands out as one of the most successful, with a fifty-year international concertizing career. Biographers across multiple languages have covered her career in great depth, but devote little attention to her close friendships. Herman Klein (in The Reign of Patti [1920]) and John Cone (in Adelina Patti: Queen of Hearts [1993]), for instance, claim that Patti was known by many, but understood by few. One who does seem to have understood her and developed a close relationship with her was Giulia Valda (1850–1925), herself a professional singer, if …

The Guitar Music Collection Of Justin Holland, Robert Coldwell

Soundboard Scholar

Although much information is available about Holland's biography and compositions, little research has been done on how he acquired his deep knowledge of the guitar and how he may have interacted with other guitarists of his day.

Some years after Justin Holland's death in 1887, his son, Justin Minor Holland, claimed to have "one of the most elaborate libraries of guitar music, mostly of old masters." This collection could give more insight into the activities of guitar music collectors and guitarists in the United States of the 19th century. After much research, seven bound volumes of guitar music have been …

Singer’S Guide To Hak Jun Yoon’S Selected Art Songs, Sunmin Cha

Dissertations and Doctoral Documents from University of Nebraska-Lincoln, 2023–

Composer Hak Jun Yoon is at the forefront of popularizing Korean art songs through the combination of artistry and mass appeal, positioning him as one of the representative composers of contemporary Korea. Recently, Yoon’s songs gained significant popularity after being featured on the Korean vocal competition TV program “Phantom Singer,” playing a major role in sparking public interest in Korean art songs in general. This document aims to widen that circle to more classical singers by analyzing poetic and musical elements in four of Yoon’s representative songs: “On the Way to You,” “A Flower Blooms Alone,” “Lingering Scent,” and “The …

The Source Of Luigi Sagrini's "Thême De Racio Calupo", Robert Coldwell

Soundboard Scholar

Luigi Sagrini's opus 4 on a "Thême de Racio Calupo" was dedicated to Luigi Legnani in 1825. No composer or composition with this title could be located. Since Legnani dedicated two of his editions to Sagrini around 1825 this points to a connection between the two artists. This letter details the discovery of the source of the theme.

Resisting The Historical And Geographical “Other”: The Role Of Expertise In Video Game Music, Tommy Dainko

Electronic Theses and Dissertations

Video games create rich, virtual worlds for players to explore. Game developers have often utilized exoticism, allowing players to experience the “Other” from the comfort of home. Music is a powerful tool to evoke Otherness and can reinforce stereotypes about the past and different cultures. This thesis looks at recent games where developers have collaborated with expert musicians either from the culture depicted or with expertise in historical performance practices. I document two purposes these collaborations can serve. First, the use of expert musicians creates a veneer of authenticity allowing developers to market the games as “authentic” experiences. Second, these …

Unveiling Iolanta: Blindness In Nineteenth-Century Opera, Nafset Chenib

Dissertations, Theses, and Capstone Projects

This dissertation explores the main tropes of representing and narrating blindness in nineteenth-century opera and fictional literature with a particular emphasis on Tchaikovsky’s 1892 one-act opera Iolanta, with its blind protagonist. Examination of the production history of Iolanta reveals that misrepresentations and misconceptions ingrained within Tchaikovsky's libretto and music have governed directorial choices, consequently giving rise to a homogeneous, predominantly unfavorable portrayal of blindness on the stage. I suggest an approach to the opera that is more consonant with the lived experience of blindness.

Comparing Erwartung And Die Glückliche Hand Through The Female Gaze, Angela Tinio

University Honors Theses

During the early 20^th century, the rise of psychoanalysis impacted society by offering a revolutionary approach to the mind. This rise occurred due to the work of the work of Sigmund Freud (1856-1939), who believed many mental disorders were rooted in the subconscious. Psychoanalysis revolutionized how we approach the brain and offered a new perspective on patient treatment. Artists in the early 20^th century also explored and insisted on new ways to view society through art. Schoenberg and Freud were both pioneers in their field of work, and Freud even inspired Schoenberg's early atonal music. Freud may have …

Reimagining Haydn’S Seven Last Words For String Quartet: Recasting, Retelling, And Reorchestrating For A Modern Audience, Jeremy J. Kienbaum

Dissertations, Theses, and Capstone Projects

Joseph Haydn’s Seven Last Words of Christ on the Cross stands as an anomaly not just in Haydn’s oeuvre but in the catalogues of all formidable composers over the past three hundred years. It is unique in its construction: seven slow sonata form movements sandwiched by an introduction and a surprising earthquake finale; and even more outstanding that Haydn published three distinct versions of the work over a ten-year period. Further, the transformation of the Seven Last Words from a sacred to secularly performed work in Haydn’s time warrants further discourse, especially considering its present-day performance practice and reception.

This …

The Influence Of Western Music And The Wind Band In The Republic Of Korea, Mark Reimer

Journal of Global Awareness

Beginning with the arrival of American missionaries in 1885, the music of South Korea continues to reflect Western tonality, aesthetics, education, and popular taste. Through this musical and historical evolution, however, the country has not forsaken its traditions, musical imprint, and cultural identity, as will be discussed in the examination of select composers and music compositions.

Decolonizing Music Education: A Journey Of Reflection And Reconciliation, Eric J. Zwicker

Electronic Thesis and Dissertation Repository

This research-creation project explores the journey of an Indigenous music scholar seeking to decolonize music education by embracing Indigenous methodologies and reflecting on their identity and culture throughout the music-making process. Drawing inspiration from Indigenous stories, knowledge, and cultural practices, the researcher creates a musical artifact as the central outcome of the project, which highlights the significance of music as a form of reconciliation.

The researcher emphasizes the value of practice-based creative processes within research-creation, highlighting the paradigm's compatibility with Indigenous ways of knowing. The project advocates for research-creation as a pathway that leads to a more diverse and authentic …

Review Of Sara Levy's World: Gender, Judaism, And The Bach Tradition In Enlightenment Berlin, Edited By Rebecca Cypess And Nancy Sinkoff, Jeanne R. Swack

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin, edited by Rebecca Cypess and Nancy Sinkoff

Impressionism In The Hands Of Griffes, Bauer, And Howe, And The Musical Climate In Early 20th-Century America, Elaine Sara Lim

Dissertations, 2020-current

American composers Charles Griffes (1884-1920), Marion Bauer (1882-1955), and Mary Howe (1882-1964) are considered “Impressionist” composers by some scholars. This document will explore selected piano works of each composer to determine the extent to which impressionistic traits are present. Topics such as tonality, harmony, texture, and individual style will be examined, as well as the significant relationship between music and poetry. American Impressionism was short-lived but served as a link to Modernism, as all three composers eventually experimented with other styles. Early 20th-century American audiences, accustomed to the influx of European artists and music, were slow to embrace the new …

Thematic Synthesis: Rethinking Generative Music With Compositional Understanding In Game And Software Development, Jasper Moore Tucker

Dartmouth College Master’s Theses

Generative music, first introduced by composers like Brian Eno and David Cope in the mid-to-late 20th century, has evolved through many stages, with diverse applications across music and technology companies as well as the game industry. However, despite this widespread interest, there remains a notable lack of the foundational understanding of composition and individual expressiveness in current generative systems that was apparent in the work of early composers. This paper advocates for a shift towards prioritizing compositional thought in system design to foster greater diversity and innovation within generative music. To demonstrate this approach, a novel system synthesizing two distinct …

Camp À La Campagne: Francis Poulenc’S Les Animaux Modèles, C.J. Everett

Dissertations

Francis Poulenc’s ballet Les Animaux modèles [The model animals] premiered in 1942 at the Paris Opéra during the German occupation of Paris to favorable reviews from prominent voices in the Parisian musical scene. Set in the French countryside (la campagne) in the seventeenth century, the ballet is a seemingly honest depiction of quaint rural life. To create the short vignettes that comprise the work, Poulenc (1899–1963) adapted well-known fables of the poet Jean de La Fontaine (1621–95). Existing discussions of Les Animaux modèles primarily focus on the ballet’s conception during World War II and the political implications of …

Einstein's Dream By Cindy Mctee: An Analysis And Transcription For Wind Ensemble, Kyle Aufderhar

Dissertations

Cindy McTee’s 2005 composition for strings, percussion, and computer music is an exploration in pluralism, combining newly composed music and computer-synthesized sounds with the music of Johann Sebastian Bach and Charles Ives. McTee’s initial use of Bach’s music comprises the complete harmonization of the chorale “Wir glauben all’ an einen Gott.” In later sections of the work, McTee creates entire textures from the chorale’s soprano line, subjecting it to a variety of treatments including augmentation, diminution, inversion, retrograde, and retrograde inversion. In addition to the inclusion of his music, McTee reiterates the importance of Bach through composition that relies on …

Shostakovich, Soviet Cultural Policies, And The Fifth And Thirteenth Symphonies: A Contextual Evaluation, Nathanael Batson

Honors College

Dmitri Shostakovich is often regarded as one of the greatest symphonists of the mid-20th century, and with good reason. His music not only illustrates exceptional orchestration techniques and sounds but also contains some of the most emotionally powerful pieces of music in the concert repertoire. As a victim of Soviet persecution, both socially and musically, Shostakovich often spoke through his music. But there lies much debate over the validity of Shostakovich’s position in the Soviet Union, for according to some scholars, ‘there were no dissidents in Stalin’s Russia.’ This thesis does not serve to take a stance on the composer’s …

J.S. Bach's Application Of The Baroque Violin Concerto In His Violin Concerti In A Minor, Bwv 1041 And E Major, Bwv 1042, Stephanie Krell

Graduate Review

Concerti from the Baroque to contemporary times stand as one of the pillars of the violin repertoire. The form initially developed in the 1600s as composers experimented with groups of performers. It became increasingly standardized in the early 1700s, with the violin concerto advancing as a favored application. Several Baroque composers contributed characteristics that were absorbed into the violin concerti of the period, including Arcangelo Correlli, Giuseppe Torelli and Antonio Vivaldi.

Johann Sebastian Bach analyzed the traits of violin concerti from earlier and contemporaneous composers, incorporating certain features while modifying others in his own works. This may be observed in …

French Music By An Italian Count: A Survey Of Selected Recordings Of Ludovico Roncalli, Ellwood Colahan

Soundboard Scholar

No abstract provided.

Methods Of Storytelling In Music: An Analysis Of Tchaikovsky's 'The Tempest', Katherine Cornell

Senior Honors Theses

Throughout history, music has been employed in storytelling. By presenting a story in musical terms, composers can bring stories to life, creating auditory atmospheres which connect the listener to the story in a deeper way. One medium composers have done this through is program music, a musical genre which seeks to tell a story through music in association with a descriptive title or short program, relying on the imagination of the listener instead of spoken word or visible action. One example is Tchaikovsky’s The Tempest, Op. 18, TH 44, an orchestral fantasia meant to convey Shakespeare’s The Tempest …

Guitar Etudes In The Lisztian Vein: Zanon Plays Mignone’S Twelve Etudes, Diogo Alvarez

Soundboard Scholar

Diogo Alvarez reviews Fabio Zanon's recording of Mignone's 12 Etudes and other works, with commentary on the music and the composer.

Review Of Beethoven's French Piano: A Tale Of Ambition And Frustration By Tom Beghin, Dorian Bandy

Ira F. Brilliant Center for Beethoven Studies

No abstract provided.

Review Of Beethoven’S Ninth Symphony: Rehearsing And Performing Its 1824 Premiere By Theodore Albrecht, Marten Noorduin

Ira F. Brilliant Center for Beethoven Studies

No abstract provided.