Arts and Humanities Commons^™

The Reed-Above Embouchure: History, Geography And New Avenues For Clarinet Pedagogy, Gregorio Maria Paone

Dissertations, 2020-current

Clarinet is a versatile and expressive instrument that can be used in a variety of musical genres. This document is intended to investigate its versatility, how to develop it, and whether there are benefits from the adoption of an old approach, which today is generally considered obsolete.

Chapter 1 explores major issues involved in clarinet playing and tone production. I will discuss the physics of clarinet tone, as well as secondary approaches to tone production, such as double-lip embouchure. I will also devote a section of this chapter to clarinet equipment, especially the mouthpiece and the reed, and their mutual …

Sunday Music Series: Jason Gresl & Friends, Andrews University

Concerts and Event Programs 2023-2024

Jason Gresl and friends share a delightful collection of theatrical chamber music that celebrates the wonderful journey of life.

Cyberinet: Integrated Semi-Modular Sensors For The Computer-Augmented Clarinet, Matthew Bardin

LSU Doctoral Dissertations

The Cyberinet is a new Augmented instrument designed to easily and intuitively provide a method of computer-enhanced performance to the Clarinetist to allow for greater control and expressiveness in a performance. A performer utilizing the Cyberinet is able to seamlessly switch between a traditional performance setting and an augmented one. Towards this, the Cyberinet is a hardware replacement for a portion of a Clarinet containing a variety of sensors embedded within the unit. These sensors collect various real time data motion data of the performer and air fow within the instrument. Additional sensors can be connected to the Cyberinet to …

Fatale, Fragile, And Furiosa: Redefining Female Tropes For A New Generation Of Feminism In Jeanne Shaffer's Three Faces Of Woman For Clarinet And Piano, Olivia Harrison

Music Undergraduate Honors Theses

Among the discipline of music, the representation of women in music professions and the artform itself reveals great disparities between gender identities. In spite of this, musician and composer Jeanne Shaffer approaches the ongoing fight for women’s representation and equity in music. Shaffer’s piece “Three Faces of Woman” for clarinet and piano (1995) depicts three delineations of femininity that women are reduced to. Influenced by cultural minimalization of women, Shaffer’s piece uses different compositional genres as vehicles to illustrate these ever-present stereotypes and the unyielding need to combat them. The first movement presents the trope of the Femme Fatale; the …

Jason Marquez Senior Clarinet Recital, Andrews University

Student Degree Recitals 2022-2023

Jason Marquez, clarinetist, and pianist, Tyler Ninalga. Featuring Works by Novacek, Bunch and Copland.

Exploring Unaccompanied Clarinet Repertoire, Kamil Lebowa

Honors Capstones

The goal of this project was to explore solo clarinet works over the course of the semester and to perform them in an unaccompanied recital. The project culminated in a full-length recital on April 21st, 2023, in the Recital Hall of the NIU Music Building. Each of the works that were performed explored a different aspect of unaccompanied clarinet music. The works that I chose required me to learn how to play the clarinet in a variety of different ways. Some of the pieces required a high level of technical efficacy while others required extended techniques, playing on different parts …

Observed Internal Mechanisms Of Clarinet Performance: Annotated Bibliography, Michael Dirnberger

Musicology and Ethnomusicology: Student Scholarship

Woodwind instrumental pedagogy is a complex and broad field of study, and its traditions and misconceptions of teaching and playing are deeply ingrained in our modern methods of instrumental pedagogy. These lingering misunderstandings within our teaching traditions turn people away from the practice of instrumental music-making and hold others back from reaching their true potential. Comparing the observed physical realities of performing musicians with the physical effect produced by some of the most popular tools in clarinet pedagogy has revealed that the syllabic guide to pedagogy is not always using the most optimal syllables to guide students in the right …

Jason Marquez Junior Clarinet Recital, Andrews University

Student Degree Recitals 2021-2022

Clarinet performance major Jason Marquez will be performing his junior recital, performing works new and old, accompanied by Andrew Pak and Tyler Ninalga, as well as several unaccompanied pieces.

Integrating Sensor Technology Into Artistic Practice: A Critical Examination Of The Role Of The Performer, Marcella Barz

Doctoral

This research questions how interactive music technology might enable creativity in performers. The format is a semi-autoethnographic narrative that follows the performer’s artistic process of preparing nine compositions for performance; these works are for bass clarinet or clarinet and live processing (created with Ableton Live, Max for Live, and the SABRe multi-sensor and remote).

In order to conduct this research, I remixed two existing bass clarinet works, collaborated with two composers on six new works, and composed my own piece. I maintained a reflective journal for four and a half years that documented the process of preparing these compositions for …

Josiah Philiposian, Senior Clarinet Recital, Josiah Philiposian

Junior and Senior Recitals

No abstract provided.

Enhancing Performance Through Research And Analysis, Sarah Brewer

Recital Papers

Music can be both deeply expressive and highly academic. One can create beautiful music by intuition alone, using both what is written on the page and their own musicality to produce a unique version of any musical work. A musician can also create beautiful music by utilizing research and analysis of a work to determine proper performance practice, reveal composer intentions, and inform musical decisions for a piece of music. By using both analytical and expressive methods, the performer can effectively produce art, giving a piece the potential to exist in versions varying in detail but authentically communicating the message …

Perspectives On Cultivating A Positive Collegiate Clarinet Studio Environment: A Survey Of Students And Professors, Katherine Nichole Breeden

Theses and Dissertations--Music

Data was analyzed from a survey of collegiate clarinet students and professors concerning student and faculty preferences and perceptions concerning the cultivation of a positive collegiate clarinet studio environment. Over two hundred respondents indicated preferences for the structure of individual lessons and studio class.

The data indicated it is essential that the professor adapt their teaching to individual students during lesson instruction. Goals should be recorded, a verbal agreement alone is insufficient. Contact information for all studio colleagues should be available, and the professor should be accessible should the need arise. Large ensemble concert attendance should be encouraged, and recital …

The Clarinet Music Of Dr. Austin Jaquith: A Performance Guide, Zachary Aaron Bond

Theses and Dissertations

Dr. Austin Jaquith is a critically acclaimed composer whose repertoire “runs the gamut from scoring for visual media to composing instrumental and vocal works in the contemporary classical genre.”¹ He has contributed to the repertory of the clarinet by offering three works, Rhapsody for Clarinet and Piano, Ballad for Clarinet Solo, and Mediation…Separation…for Clarinet and Piano. Each work is a demonstration of highly technical and musical skill and expression, showcasing influences from composers from the past brought together to create a wholly unique style, pushing the boundaries in the capabilities of both instrument and artist.

The purpose …

A Legacy Preserved: A Comparison Of The Careers And Recordings Of Stanley Drucker And Karl Leister, Peter M. Geldrich

Theses and Dissertations

Today’s musician has an unprecedented amount of recordings through which they can influence their tonal concept, guide their phasing, and instill appropriate musical style. However, this abundance of recordings is both a treasure trove and a labyrinth in which one can lose their way without proper background on the recording artist. This context is necessary to determine the recordings in which a particular artist is most adept, and what stylistic lessons the artist best imparts. This document provides a comprehensive study of the careers and recordings of two of the most important clarinetists of the twentieth-century; Stanley Drucker and Karl …

Recital Series 03.03.2020, Andrews University

Department Assembly Recitals 2019-2020

Maggie Wilcox, violinist, Jason Marquez, clarinetist and Simon Luke Brown violinist present a recital series at the Music Department Assembly. Featuring works by Vivaldi,Widor and Halvorsen.

Young Artist Concert 2020, Department Of Music

Concerts and Event Programs 2019-2020

Andrews University Department of Music presents the Young Artist Concert 2020, featuring the winners of the Young Artist Competition performing solos alongside the Andrews University Symphony Orchestra. Featuring works from Ravel, Delibes, Gershwin, and others.

Sunday Series: Aires Tropicales, Department Of Music

Concerts and Event Programs 2019-2020

Andrews University Department of Music presents the first Sunday Music Series of the new year: Aires Tropicales. Betania Canas, flute; Pedro Falcon, oboe; Byron Graves, clarinet; Erin Penrod, horn; and Alexandra Castro, bassoon, perform quintet works by Coleman, Arnold, Arrieu, and D'Rivera.

Gabriel Halsey Senior Clarinet Recital, Andrews University

Student Degree Recitals 2019-2020

Gabriel Halsey presents his senior Clarinet recital Assited by Gabrielle Smith in piano, Betania Canas on flute and Diego Armando Duran on the piano. presenting works by Debussy, Danzi and Copland.

Wind Studio Recital, Department Of Music

Concerts and Event Programs 2019-2020

The Wind Studio presents a recital featuring the students of Jason Gresl, Debra Inglefield, Aleksandra Kemble, and Gabriel Renteria-Elyea. Works include Mozart, Debussy, Faure, and others.

Robert Marcellus: The Art Of Clarinet Playing And Teaching, Jacob Ludwig

B.A. in Music Senior Capstone Projects

So few clarinetists are found to be an exceptional blend of both performer and pedagogue. Robert Marcellus exemplified this blend to a very high degree. From 1945 to 1973, Marcellus sustained a remarkable playing career as a clarinetist in two of the major orchestras in the United States, in addition to a professional teaching career spanning from 1959 to 1994. This project aims to prove the long-lasting impact of this master performer and pedagogue in the world of professional clarinet performance by means of his teaching. This has been preserved by two primary means, through recorded summer masterclasses held at …

Wind Studio Recital, Department Of Music

Concerts and Event Programs 2018-2019

Students of the Department of Music featuring works by Poulenc, Britten, and Brahms.

Wind Symphony Spring Concert, Department Of Music

Concerts and Event Programs 2018-2019

Wind Symphony under the direction of Byron Graves featuring works by Kuo, Spittal, Rogers, and Bernstein.

Soloists:

Jason Gresl, clarinet/bass clarinet

Betania Cañas, flute

Pedro Falcon, oboe

Graduate conductors:

Edgar Luna

Katia Nikolaus

Jacob Ludwig, Senior Clarinet Recital, Jacob Ludwig

Junior and Senior Recitals

No abstract provided.

Guest Recital, Richard Tirk, Suzanne Tirk, Karen Bauman Schlabaugh

Faculty Articles & Research

Flyer for the Plymouth Fine Arts Series in Wichita, Kansas on April 6th, 2019.

Featured Dr. Richard Tirk playing the trumpet, Dr. Suzanne Tirk playing the clarinet, and Dr. Karen Bauman Schlabaugh playing the piano.

Sunday Music Series - Contemporary Composers Of Au, Department Of Music

Concerts and Event Programs 2018-2019

Students and faculty from the Department of Music featuring their own compositions.

Marcel Tabuteau’S System Of Phrasing Applied To The Primary Themes In Carl Maria Von Weber’S Second Clarinet Concerto, Christopher Charles Bowmaster

Graduate Theses, Dissertations, and Problem Reports

This research document provides a biographical sketch of Marcel Tabuteau’s life beginning with his childhood and extending to his retirement from the Philadelphia Orchestra and Curtis Institute of Music. The sketch provides a thorough timeline explaining how each colleague, teacher, student, and ensemble influenced his phrasing system.

Following a series of handwritten notes completed by Tabuteau in his native language in chapter two, application of the system to Carl Maria von Weber’s Second Clarinet Concerto takes place in chapters three to six. The four portions of the system used are the Interrogative/Affirmative/More-Affirmative, Note Grouping, Up and Down Gestures, and Phrasing …

Whitcomb Towers Recital Series, Department Of Music

Concerts and Event Programs 2018-2019

Students of the Department of Music featuring works by Scriabin, Mozart, Beethoven, Greig, Piazzolla, and Gershwin.

Back To My Roots: An Evening Of French Clarinet Music, Bruce Curlette

Faculty Recitals

No abstract provided.

"Lehadlik": Radical Jewish Music, Gender And Disidentification In Aviva Endean’S Work, Shoshana Rosenberg

Directions of New Music

This paper undertakes a hermeneutic analysis of Aviva Endean’s “Lehadlik”, exploring the complex relationship between the player, a Jewish woman living in Australia, and traditional Jewish culture and rituals. This analysis connects Endean’s work to the larger body of Radical Jewish Music, a movement which seeks to diversify and expand the meaning of contemporary Jewish music beyond the confines of Klezmer and religious hymns. The analysis includes an exploration of the relationship between Endean’s womanhood, Orthodox Jewish traditions, and women’s historical place in Judaism.

Jacob Ludwig, Junior Clarinet Recital, Jacob Ludwig

Junior and Senior Recitals

No abstract provided.