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Offenbach’S Operetta As Performance Practice: A Pedagogical, Dramatic, And Stylistic Role Guide For Pâris In La Belle Hélène, Peter Lake May 2021

Offenbach’S Operetta As Performance Practice: A Pedagogical, Dramatic, And Stylistic Role Guide For Pâris In La Belle Hélène, Peter Lake

Dissertations

This dissertation originated from my personal experience in performing the role of Pâris in Offenbach’s La belle Hélène and the research I conducted in preparation for the performance. Upon examining the score, I discovered the role to contain vocal elements that seemed foreign to my expectations of operatic repertoire. After consulting as many scholarly sources as I could find on the subject, I discovered little to no sense of direction in preparing and performing this unique role or for French operetta as a genre. I decided to compile my experience and research into a usable tool for preparing a French …


Degree Recital: "The Journey: Full Circle" Marcus Carter, Department Of Music Mar 2021

Degree Recital: "The Journey: Full Circle" Marcus Carter, Department Of Music

Student Degree Recitals 2020-2021

Marcus Carter presents his degree Tenor Voice recital entitled "The Journey: Full Circle". Accompanied by Htee Mu, piano, and joined by Beta Siriwattanakamol, mezzo-soprano, and Annelise Burghardt, soprano, for duets. Featuring works by Beethoven, Schubert, Copland, Rodgers, and others.


Graduate Recital: Fabio Siniscarchio, Department Of Music Mar 2021

Graduate Recital: Fabio Siniscarchio, Department Of Music

Student Degree Recitals 2020-2021

Fabio Siniscarchio, tenor, presents his Graduate Voice Recital. Accompanied by Gabrielle Smith, piano, and featuring works by Schubert, Faure, Nepumoceno, and others.