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Verlust & Pérdida: On Loss Of Love And Innocence; Entre Mis Brazos: On Belonging - A Set Of Voice Recitals Featuring German, Mexican, Spanish, And American Composers, Sonny Phillip David Capaccio

Senior Projects Spring 2020

This pair of recitals was programmed with the intent to evoke emotions that we have all experienced, whether it be the intense sorrow of solitude or the unbridled joy of companionship. Also, in compliance with the guidelines set by the concentration in Latin American and Iberian Studies, half of the music from these recitals was composed by Spanish and Mexican composers dating from the late 19th century to modern day. Each concert was meant to illustrate some kind of narrative around their respective themes.

The first concert, “Verlust & Pérdida: On loss of love and innocence,” consists of two basic …

Towards A Declamatory Performance In Schubert Lieder, Olivia Claire Sanders Robinson

Theses: Doctorates and Masters

This study reconsiders declamation in Schubert lieder performance in light of emerging historical evidence. Johann Michael Vogl’s reputedly declamatory approach has arguably been captured in surviving Diabelli editions that document his rhetorically motivated alterations and ornamentations. Similarly, Gustav Anton von Seckendorff has detailed song-like spoken declamation that manipulates pitch, rhythm and accentuation. Recordings of five modern German speakers were transcribed, analysed and used to model effective declamation in the recitation of Johann Wolfgang von Goethe’s poems ‘Erster Verlust’ and ‘Geistes Gruß.’ PRAAT speech analysis software was used to analyse the recordings. The participants’ use of stress, emphasis and rubato was …