Arts and Humanities Commons^™

Eighteenth And Nineteenth Century Bassoon Tutors And Their Published Contributions To Bassoon Pedagogy, Gina Michelle Moore

Senior Honors Projects, 2010-2019

This research project is a survey of eighteenth and nineteenth century bassoon tutors and their contributions to bassoon pedagogy. Tutors for this project were chosen from the two main schools of bassoon playing and pedagogy during the time centered in France and Germany. Bassoon teachers surveyed will include: Joseph Frölich, Karl Almenräder, Christian Julius Weissenborn, Ludwig Milde, Etienne Ozi, Eugène Jancourt, and Eugène Bourdeau.

Music From The Harpsichord House, Julie Zhu

Theses and Dissertations

Music from the Harpsichord House is an installation and series of concerts that exists in the binary of in and out of performance. During a concert, the harpsichordist is hidden inside the house and his face is live-projected outside. Fifteen new musical compositions were commissioned for the harpsichord house.

Saving Diy Spaces, Katherine Lavacca

Capstones

Saving DIY Spaces explores the importance of DIY spaces– places for artists to express themselves and connect to their communities– as well as the threat they face from the city’s MARCH task force. Integral performance spaces like Shea Stadium, Market Hotel, Palisades and many more have been shuttered by the city’s MARCH taskforce, a collection of city agencies (department of buildings, NYPD, FDNY, liquor authorities, etc.) within the last decade. According to a study conducted by the Mayor’s Office of Media and Entertainment, 20% of small venues have closed within the last 15 years putting pressure on spaces that are …

Connection Between Visual Arts And Music: The Painting And Music Of I-Uen Wang Hwang, Yining Jenny Jiang

Dissertations, 2014-2019

This document explores the connection between the visual arts and music, particularly focusing on the similarity between visual and aural artistic expression by analyzing two sets of piano pieces composed by I-Uen Wang Hwang, a contemporary Taiwanese-American composer and artist. The piano pieces are Dream Garden, Series I and II (2000-2004) and Preludes for Piano (2016). Series I of Dream Garden contains two piano solo compositions based on a series of Hwang’s own watercolor works. Each composition has an analogous painting: “The Horn of the Plenty” and “Butterfly Orchid”. Series II includes two compositions written for two pianos: “Red and …

Perfectionism In Collegiate Musicians, Kayla J. Grey

Honors Projects

The primary purpose of this study was to investigate the constructs of perfectionism, music-related stress, and music performance anxiety among collegiate music majors. An additional purpose of this study was to investigate collegiate musicians' strategies for coping with each of the three dependent variables. A total of 52 collegiate music students enrolled at a large, mid-western university participated in an online questionnaire in the fall of 2017, and the response rate was approximately 13 percent. The survey instrument was constructed using items from Cohen, Karmarck, and Mermelstein’s Perceived Stress Scale (1993), Hewitt and Flett’s Multidimensional Perfectionism Scale (1999), and …

Thesis For Graduate Study In Vocal Performance, Kendra Switzer

Electronic Theses & Dissertations

This thesis is an extension of Ms. Switzer’s graduate vocal recital program notes. Each chapter contains a brief biography of the composers and arranger performed on the program: George Frideric Handel, Samuel Barber, Jules Massenet, Robert Schumann, Stephen Schwartz, and David Downes. The thesis also includes a musical analysis of each single piece, the larger original work (if applicable), and descriptions of rehearsal and performance aspects specific to each piece.

A Glance At Astor Piazzolla's Histoire Du Tango: Lecture Recital, Elizabeth Ritter

Honors Projects

This project is a lecture recital including the performance of four musical works from different countries as well as a lecture Astor Piazzolla's Histoire Du Tango. The four pieces performed in this recital were Eldin Burton's Sonatina for flute and piano, the first movement of Astor Piazzolla's Histoire Du Tango, Hirota's Shikararete, and Bela Bartok's Romanian Folk Dances for piccolo and piano. Before performing the Piazzolla, there was a lecture which included the teaching of the musical aspects of the tango within this piece, a short biography of Piazzolla, and a historical look at the four movements of this piece. …

The "Missing Audience": A Query Into The Future Of The Orchestra And The Potential Benefits Of Bringing Live Classical Music To The Community Through Informal Performances, Natalie Wei-Ting Chang

LSU Doctoral Dissertations

In this dissertation, I discuss the traditional organizational model adopted by symphony orchestras in the United States as non-profit arts organizations that are struggling to maintain solvency within the current philanthropic, political, and digital contexts. As part of the discussion, I conduct field research within the local area of the city of Baton Rouge, Louisiana, in providing demonstrations of live and informal classical performance in various businesses and institutions while collecting data via surveys from willing adult participants (ages 18 and above) of all demographics, specifically lower income areas. The survey analysis gives important insights into public perception of symphony …

A Performer's Guide To Iosif Andriasov's "Concertino For Trumpet", Andrew K. Gerbitz

LSU Doctoral Dissertations

Iosif Andriasov’s Concertino for Trumpet is an excellent candidate for study and assimilation into the standard trumpet repertoire. A significant composer of Armenian descent from the former Soviet Union, Andriasov wrote his Concerto for Trumpet in 1960 and dedicated it to Yuri Usov. Timofei Dokshizer performed it on an album released in 1978 under the Melodya label. After immigrating to the United States in 1979, the composer revised the work and retitled it as Concertino for Trumpet in 1995. IMMA Publishing Company in New York made the revised work commercially available in 2001. This paper is presented to increase awareness …

Music And Art: An Aesthetic Experience, Samantha Martin

Honors Projects

This project sought to pair art songs performed at my senior recital with paintings. The paintings chosen had to be within one hundred years of the songs’ composition, from the same country as the composer, and have a similar theme or meaning as the art song. The goal was to create an aesthetic experience, as well as making the meanings of the songs more accessible for the audience, especially if the songs were in a foreign language.

Worlds Of If: Analyses Of The Composed And Improvised Works Of Robert Dick, Melissa Keeling

Dissertations, Theses, and Capstone Projects

Considered one of the most important publications in twentieth-century flute pedagogy, Robert Dick’s seminal method book, The Other Flute (1975),[1] is an extensive catalogue of multiphonic fingerings, microtonal fingerings, glissandi, circular breathing, and other extended techniques. The Other Flute and a handful of his published solos are widely studied, but these works only represent a fraction of Dick’s creative energies.

Equally comfortable in classical, jazz, rock, electronic, and world music, Dick’s oeuvre demonstrates a sophisticated, musical use of contemporary techniques and his pieces have become standard repertoire. Though Dick was not the first flutist to use or notate these …

Noodling Changes: The Development Of Xylophone Improvisation In New York City (1916-1942), Jonathan D. Singer

Dissertations, Theses, and Capstone Projects

Red Norvo is cited as the xylophonist who took the instrument from the vaudeville stage to jazz. However, many xylophonists preceding Norvo were avid improvisers. There is an untapped history of xylophone improvisation on record and in pedagogical materials from a generation before Norvo’s appearance on the scene. The purpose of this dissertation is to examine evidence and the development of improvisation and improvisation-oriented music by xylophonists in New York City, the epicenter of recording and radio from the period of 1916-1942. This study includes xylophonists George Hamilton Green, Joseph Green, Harry Breuer, Sammy Herman, and Billy Gladstone, as well …

Innovation In Digital Music: A Customized Program For Barcelona Sae, Daniel E. Childs

Capstone Collection

Barcelona SAE is a third-party study abroad provider that facilitates study and intern abroad experiences for college-age students from around the world. One branch of Barcelona SAE is its Customized Programs Department, which offers over 45 customized programs to students studying everything from public health to the culinary arts to engineering. They currently have a gap, though, in their portfolio of program offerings: they have never offered a program geared toward students studying music. Through interviews with staff members from Barcelona SAE, this paper demonstrates a need for a music-based customized program in Barcelona. Furthermore, it fills this need with …

Williams Syndrome And Music: A Systematic Integrative Review, Donovon Thakur

Masters Theses

Researchers and clinicians have often cited the curious relationship between individuals with Williams syndrome and music. This review aimed to systematically identify, analyze, and synthesize research and findings related to Williams syndrome and music. Thirty-one articles were identified that examined this relationship and were divided into seven areas by their findings. This process covered a diverse array of methodologies, with aims to: 1) report current findings; 2) assess methodological quality; and 3) discuss the potential implications and considerations for the clinical use of music with this population. Collecting and analyzing available research on the relationship between Williams syndrome and music …

Selbstinszenierung Im Deutschrap: Konstruktion Von Identität Und Authentizität Im Subgenre Des Gangstaraps Am Beispiel Von Kollegah Und Xatar, Sladana Gnjatic

Masters Theses

This thesis examines the construction of identity in German Gangsta rap by taking a close look at the rappers Kollegah and Xatar, who are both using their music for self-portrayal. The selection of those two rappers can be justified by their commercial success in Germany and further by their differences as well as similarities in the construction of their images. The first chapter gives a historical overview of American and German rap. It also analyzes specific features and trends in German rap and describes the current status of research. The focus of the second chapter is on the rapper Kollegah, …

Ruth: A Bible Storatorio, Lydia Hu Chaffee

Honors Projects

“Ruth: A Bible Storatorio” is a combination of a narrated bible story and sung oratorio, designed for youth and adults alike to perform and enjoy. It emphasizes the theme of welcoming the stranger into a loving, God-honoring community. The Bible Storatorio contains multicultural folk tunes as well as original songs, arranged and composed for choral and solo songs, set to the charming text of the book of Ruth. It is quite natural that I was inspired to write this Bible Storatorio as an undergraduate honors project at Seattle Pacific University, since it combines several of my interests and passions as …

Between Speech & Song: Clarifying The Sprechstimme Of Schoenberg's Pierrot Lunaire, Sara M. Paar

Dissertations, Theses, and Capstone Projects

Since its creation, the technique of Sprechstimme has fascinated the audiences, performers, and composers of twentieth century music. What is it? How is it done? How should it be notated? At the fore of investigations into these questions has been Arnold Schoenberg’s Pierrot lunaire, the work in which Schoenberg debuted this new technique. Much has been written in regard to Schoenberg’s creation and use of Sprechstimme, as well as his own exploration of the speech/song continuum. Composers, conductors, and performers have all tried to make sense of the notation, instructions, and performances Schoenberg left behind. Despite this, confusion, …

Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman

Dissertations, Theses, and Capstone Projects

Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …

"Toccatas And Arias": Analysis And Historical Context Of Vivian Fine’S Last Work For Solo Piano, Manon Hutton-Dewys

Dissertations, Theses, and Capstone Projects

Vivian Fine’s Toccatas and Arias (1987) is an important work both in Fine’s compositional output and in the history of ultramodern music. Through her close associations with Ruth Crawford, Henry Cowell, and others, Vivian Fine was very much a product of the musical scene that developed in New York in the 1920s and early 30s. Toccatas and Arias, Fine’s last piece for solo piano shows that Fine continued to write in the ultramodern/dissonant counterpoint style throughout her life. Its characteristics also demonstrate that, contrary to music-historical writings that suggest such music essentially died out in the mid-twentieth century, Fine …

Interdisciplinary Arts As An Agent For Community Building In A U.S. Public School, Ida Pappas

Educational Studies Dissertations

The aim of my dissertation research is to understand the relationship between interdisciplinary arts experiences and the establishment of a community culture in a mainstream public high school in northeast United States. With this research, I hope to provide evidence to support the inclusion of interdisciplinary arts projects in the fabric of students’ high school curricular and extra-curricular experiences. Through engagement in design, art, video, music, dance, theater and the close study of a minority culture, high school participants provided regular responses to planned survey questions and open-ended survey questions (Experience Sampling), as well as through interviews, written prompts and …

Who Benefits From Blackness? The White Compulsion For Capital, Akira Milligan

Cultural Studies Capstone Papers

This project will examine the change in representations of blackness and black character in commercially successful hip hop music through music videos directed by Hype Williams from 1995 to 2005. This research will use a womanist approach to address the significant historical influence of storytelling in the black narrative and how the emerging concepts of hypermasculinity and the degradation of the black body have seemingly become the new normal. These concepts largely contribute to the negative stereotypical perceptions of black identity that keeps black bodies marginalized because there is little diversity in the public representations of blackness while there exists …

A Graduate Recital In Voice, Joshua Donaldson

Electronic Theses & Dissertations

This thesis consists of a vocal performance recital and the accompanying program notes. The recital includes a variety of literature and styles, ranging from the Baroque to the Twentieth Century. The program notes for each selection include biographical information, analysis of the work, poetic analysis (when necessary), and performance concerns. Composers include George Friederich Handel, Robert Schumann, Maurice Ravel, Peter Warlock, and Ernest Charles.

Graduate Piano Recital, Seth T. Ernst

Electronic Theses & Dissertations

GRADUATE PIANO RECITAL

An Abstract of the Thesis by

Seth Ernst

This thesis will include program notes for advanced piano repertoire representative of the Baroque, Classical, Romantic and 20th Century music style periods. For each work, there will be biographical information about the composer, a thorough analysis and a presentation of performance suggestions. The works to be discussed include the Prelude and Fugue in G minor, BWV 861, from Book 1 of the Well-Tempered Clavier by Johann Sebastian Bach; the Sonata in B-flat major, Op. 22, by Ludwig Van Beethoven; the Piano Sonata No. 2, Op. 22, by Robert Schumann; …

A Graduate Recital In Conducting, Joshua Donaldson

Electronic Theses & Dissertations

The thesis consists of a graduate conducting recital and accompanying program notes. Repertoire included will represent different styles and musical periods. For each composition, there will be brief biographical notes about the composer, historical information about the selected music, and a musical or poetical analysis of the selection.

Graduate Piano Recital, Zhengyuan Tao

Electronic Theses & Dissertations

GRADUATE PIANO RECITAL

An Abstract of the Thesis by

Zhengyuan Tao

This thesis will include program notes for advanced piano repertoire representative of the Baroque, Classical, and Romantic music style periods. For each work, there will be biographical information about the composer, a thorough analysis and a presentation of performance suggestions. The works to be discussed include the French Suite No. 5 in G Major, BWV 816 by Johann Sebastian Bach; the Sonata in C Major, Hob. XVI: 50; Vier Klavierstücke, Op.119 by Johannes Brahms; and Berceuse Op. 57 in D Flat Major by Frederic Chopin.

“Ain’T It A Pretty Night?”: An Analysis Of Carlisle Floyd’S Susannah As An Allegory For The Socio-Political Culture Of The United States In The 1950s, Melissa L. Allen

Senior Honors Projects, 2010-2019

This capstone thesis discusses the applicability of Carlisle Floyd’s 1955 opera, Susannah, as an allegory for the socio-political climate of the United States in the 1950s. In order to do so, a musical analysis of the opera’s score was then performed for its use of folk song conventions and verismo operatic conventions. The libretto was analyzed for the use of social conventions of Southern Appalachia. Characters actions and musical content were then judged on whether (1) their actions were in line with the social conventions of traditional Appalachian culture and (2) if their musical content used/reflected conventions of traditional Appalachian …

“Emily Dickinson: The Poet’S Voice As Expressed Through Music” A Pedagogical Performance Analysis Of Selected Dickinson Poetry In Solo And Choral Literature, With Emphasis On Expression And Meaning Throughout The Rehearsal Process, Nelia M. Maurizi

Senior Honors Projects, 2010-2019

Vocal music is unique to other forms of music because of the inclusion of text. Words allow a performer to directly express thoughts, a story, or an emotion to an audience. Composers throughout history have taken famous texts as set them to music. This particular project explored the work of Emily Dickinson, one of Americans most prolific poets, in both choral and solo vocal literature. The culmination of this project was a lecture recital. This paper is a written documentation and exploration of the research, preparation, and execution of the recital. In it contain lesson plans, score analyses, the recital …

Marching Band And The College Transition, Jessica Fix

Honors Projects

The relationship between college student engagement and personal growth has been studied for decades. However, involvement in specific types of organizations or activities has not been researched as in-depth. This study examined involvement in college marching band specifically and how it affects transition into college and overall growth and learning of college students. This study analyzes quantitative data of all marching band participants at Bowling Green State University in the most recent year (2016-2017), as well as qualitative data retrieved through focus group sessions with first year marchers and returning marchers. Results of this study suggest that involvement in marching …

The Role Of Narrative In Performing Schumann And Chopin’S Music, Yu-Wen Chen

Dissertations, 2014-2019

Abstract

Recognizing how to present a narrative while performing the music of Schumann and Chopin helps the performer to transmit the spirit of the music and convey expression in the music. In the music-making process, what we cannot discount is that the performer plays a crucial role in conveying musical expression to the listeners, which tremendously affects the quality of the entire musical experience. In this document, I argue that there is a qualitative difference between the ways in which performers should express the central story conveyed in the music of Robert Schumann compared with the story conveyed in the …

The Art Songs Of Zachary Wadsworth: A Guide To Style Performance, And Literature, Jordan R. Davidson

Dissertations, 2014-2019

This Doctor of Musical Arts Document explores the role Zachary Wadsworth plays in the development of American Art Song. Born in 1983, composer Zachary Wadsworth has written over forty songs. His music is complex and challenging, with influences from all musical eras, with much of his work focusing on the techniques and sounds of twentieth-century modernism. Wadsworth’s choice of poetry focuses on English literature from many different musical eras, embracing a broad range of themes subjects, and emotions.

Following a brief biography of Wadsworth’s early life and career, the document surveys Wadsworth’s contributions to contemporary American art song regarding his …