Arts and Humanities Commons^™

Contemporary Collaborative Piano Practices In Korea: Five Case Studies, Jiyeon Lee

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This research paper provides insight into the practices of collaborative piano in Korea. Interviews are included with five Korean pianists who have enjoyed successful careers in either Korea or the United States: Eun Young Lee, Young Kyung Hyun, Jin Hye Lee, Tony Cho and Hun Won Yim. Their responses provide practical advice for collaborative pianists as well as details about educational and career opportunities for collaborative pianists in Korea and the United States. Also included is biographical information about the selected pianists, information about Korean collaborative pianists’ associations, a list of Korean universities offering collaborative piano degrees, and a bibliography.

Latin American Influences On Selected Piano Pieces By Louis Moreau Gottschalk And Darius Milhaud, Hyejeong Seong

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This research document examines selected piano works by Louis Moreau Gottschalk (1829-1869) and Darius Milhaud (1892-1974) that are influenced by Latin American cultures.The paper traces the influence of Latin American music and the incorporation of characteristic melodic, harmonic, and rhythmic elements in the following compositions: Souvenir de Porto Rico, op. 31 (1857) and Souvenir de la Havane, op. 39 (1859) by Gottschalk; Saudades do Brasil, op. 67 (1920-1921) and Brasileira: Third movement of Scaramouche Suite, op. 165b (1937), for Two Pianos, by Milhaud. After a brief introduction, the study reviews the existing related literature about this topic. Then, Chapters Three …

The Life And Work Of Alex Klein, Ramon Thiago Mendes De Oliveira

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Alex Klein is one of the best-known figures of the American oboe school. He is the winner of multiple international competitions, including the first prize at the Geneva’s Concours International d’Execution Musicale. Appointed principal oboe at the Chicago Symphony Orchestra in 1995, Klein is one of the most highly regarded musicians hired during the Barenboim era. His recording of Richard Strauss’ oboe concerto with the CSO was awarded Best Instrumental Soloist Performance (with Orchestra) at the 44th Grammy Awards. In 2004, his tenure at CSO was interrupted due to the onset of Focal Dystonia; which affected multiple fingers in …

Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter

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The purpose of this research document is to examine elements of musical hybridity and cultural influences in renowned African-American flutist-composer Valerie Coleman’s Wish Sonatine and Fanmi Imèn for solo flute and piano. Prominently known for her chamber music works, Coleman describes her compositional style as “urban-classical,” which infuses elements of popular American styles into modern Western art music traditions to highlight and encapsulate the cultural experiences of various diasporas of our time.

The most significant elements of hybridity and cultural influences examined in Wish Sonatine and Fanmi Imèn are programmatic imagery and compositional motifs. The programmatic imagery is represented through …

Music Technology, Gender, And Sexuality: Case Studies Of Women And Queer Electroacoustic Music Composers, Justin Thomas Massey

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This document aims to contribute to the established scholarship that highlights the role gender and sexuality has with one’s fundamental relationship to composition and music technology. The profession of electronic music composition and music production are strongly associated with notions of power and control, as much of this technology was built during the World Wars and Cold War. These aggressive views have created gendered language and metaphors in the field. Metaphors are the primary way in which we accommodate and assimilate information and experience to our conceptual organization of the world. It is at the source of our capacity to …

The Hard Bop Trombone: An Exploration Of The Improvisational Styles Of The Four Trombonist Who Defined The Genre (1955-1964), Emmett Curtis Goods

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This dissertation examines the improvisational stylings of Curtis Fuller, Locksley “Slide” Hampton, Julian Priester and Grachan Moncur III from 1955 through 1964. In part one of this study, each musician is presented through their improvisational connections to J.J. Johnson, the leading trombonist of the Bebop era. His improvisational signatures are then traced through to the musical innovations of the Hard-Bop Trombone Era. Source material for this part of the study includes published books, dissertations, articles, online sources, discographies and personal interviews. Part two of this paper analyzes selected solos from each of the four subjects to identify the defining characteristics …

Folk-Song To Formal Performance: Interpreting The Songs Of Jean Ritchie For Voice Recital, Julianne E. Laird

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The purpose of this study was to identify the value of incorporating American folk-song into a formal voice recital program, specifically the collections and compositions of Jean Ritchie. This qualitative study identified criteria for choosing specific folk-songs to include in formal recital, assessed quality in a folk-song arrangement, discussed suitable instrumentation for accompaniment, and suggested appropriate performance practices for concert performance. New folk-song literature was discovered through accessing original unpublished sources in the American Folklife Center of the Library of Congress. Finally, a format and program for incorporating the collected and composed folk-songs of Jean Ritchie in formal recital was …

Musical And Cultural Perspectives Of Héctor Campos Parsi: An Examination Of His Influences And Analysis Of Selected Vocal Works, Cynthia Ortiz-Bartley

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This paper examines the historical and cultural atmosphere in Puerto Rico and how it affected one of Puerto Rico’s most celebrated composers, Héctor Campos Parsi, and two selected works in two different times of his life. The discussion includes events that affected the island with respect to art music from 1898, the birth of Héctor Campos Parsi in 1922, and up to 1986, which marks the date of the second selected work. This document considers three questions about cultural and structural influences about the life and experiences of Héctor Campos Parsi: Does a composer’s life experience and environment and culture …

Pedagogical Thoughts On Album Des Six: A Piano Set By Les Six To Represent French Nationalism, Dipendra Sunam

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Les Six, formally established in 1920, included a group of young French composers: Georges Auric (1899-1983), Louis Durey (1888-1979), Arthur Honegger (1892-1955), Darius Milhaud (1892-1974), Francis Poulenc (1899-1963) and Germaine Tailleferre (1892-1983). The primary motivation for their formation was the reaction against foreign influences, especially German Romantic music, in French music. Jean Cocteau, inspired by Erik Satie’s style, proposed a new French musical aesthetic: simplicity, directness, clarity, and terseness. Les Six followed these ideals in their formative years. Their artistic association was short-lived, but while it lasted it produced Album des Six, their sole joint production, a published …

How Does The Pronunciation Of Native Languages Affect Beginning Singers? A Research Focusing On Native Mandarin Chinese And American English Speaking Singers, Ruobing Zhao

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The classical style of singing is taught at music institutions around the world as a mainstream artform. The main languages of classical vocal repertoires are Italian, German, French and English, which means most classical singers need to sing in non-native languages. When people learn a new sound from a foreign language, they often search for reference points within their native language(s), which usually is the reason behind singers performing with incorrect accents or diction.

This research focuses on beginning singers whose native language is either Mandarin Chinese or American English. This research introduces the romanization system and basic pronunciation rule …

Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis

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David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”^[1]

In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …

A Compendium Of Opera In Spain And Latin America, Michelle S. Smith

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Spain and Latin America have a rich operatic tradition, however this opulent body of operatic work is mostly overlooked or ignored in mainstream histories of opera. This document focuses on opera in Spain and the Spanish-speaking countries of Latin America. Opera was both composed and performed in Spain and Latin America, and both regions demonstrate the development of national opera traditions. Spanish drama was closely linked to the beginnings of national opera, and Italian influence is evident in opera compositions from both regions. The output of national operas varies by country, with Spain, Mexico, and Argentina claiming the majority of …

The "Organ-Accompanied Solo Motet" In In La Maîtrise, 1857–1861, John David O'Donnell

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In his work, Motets for One Voice by Franck, Gounod, and Saint-Saëns, Richard Benefield began the scholarly study of a unique body of repertoire, the organ-accompanied solo motet repertoire of nineteenth century France. While Benefield chose to restrict his project to the work of only three major composers, he indicated other collections of Latin texted solo motets, one of which was the solo motets published in the Parisian church music journal La Maîtrise,between 1857–1861. These songs are examined in terms of historical context, musical features, and possible contemporary uses.

As France recovered from the ravages of the Revolution, …

Discovering The "Finnish Chopin"—Selim Palmgren's 24 Preludes, Op. 17, And Tres Piezas Para Piano, Op. 54, Sijia Wang

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Selim Palmgren (1878-1951) is one of the most significant musical figures in Finland. Unlike Jean Sibelius, who is undoubtedly the greatest Finnish symphonic composer of his time, Palmgren’s concentration is more on smaller-scale character pieces. His contribution to the piano and vocal repertoires earned him the reputation of being the “Chopin of the North” and also the “Schumann of the North.” Palmgren was not only prolific, having written over 300 piano works and 200 vocal pieces, but also versatile, frequently blending within his works various nationalistic, impressionistic, and other musical styles and elements within his works.

This paper is focused …

Marcel Tabuteau’S System Of Phrasing Applied To The Primary Themes In Carl Maria Von Weber’S Second Clarinet Concerto, Christopher Charles Bowmaster

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This research document provides a biographical sketch of Marcel Tabuteau’s life beginning with his childhood and extending to his retirement from the Philadelphia Orchestra and Curtis Institute of Music. The sketch provides a thorough timeline explaining how each colleague, teacher, student, and ensemble influenced his phrasing system.

Following a series of handwritten notes completed by Tabuteau in his native language in chapter two, application of the system to Carl Maria von Weber’s Second Clarinet Concerto takes place in chapters three to six. The four portions of the system used are the Interrogative/Affirmative/More-Affirmative, Note Grouping, Up and Down Gestures, and Phrasing …