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Full-Text Articles in Arts and Humanities
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Reissue & Revivalism: Uncovering Ireland's Lost Diy, Electronic And Post-Punk Histories, Neil O'Connor
Irish Communication Review
Reissues: a rediscovery of the past. This process of rediscovery is nowhere more evident than in the current output of the Dublin record label and shop, All City Records. Recently, its owner Olan O’Brien, has been delving into the unknown with a series of reintroduced gems from Ireland’s musical past with its AllChival imprint. Whether it is Quare Grooves, a compilation of Irish-made Seventies groove and funk or the re-release of Dublin producer Stano’s debut album of experimentalist new wave from 1983, the label has been playing a rival role in the recontextualising lost DIY (Do-it-Yourself), electronic and post …
Early Sound Systems Of The Irish Dance Bands And Showbands, Niall Coghlan
Early Sound Systems Of The Irish Dance Bands And Showbands, Niall Coghlan
Irish Communication Review
This paper examines the culture and technologies around the sound systems used by the Irish dance and show bands of the 1950s and 1960s. With limited financial and technical resources available to the average musician of the period, many performers were forced to adopt a DIY approach, adapting or building their own instruments and sound equipment to meet changing tastes and needs. Literary sources are augmented by material drawn from interviews with two musicians who played with the showbands. The evolution of the technologies from the post-war period is documented and a self-sufficient, DIY approach is evidenced, prior to the …
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Diy Connections And Collaborations: Mid-West To North-East, Ciarán Ryan
Irish Communication Review
Alternative music cultures can be found in various Irish cities and towns outside of the capital Dublin. These scenes may retain their own local idiosyncrasies, but those subscribing to do-it-yourself (DIY) ideals in Ireland are clearly influenced by sounds and styles from further afield. As punk mutated into different forms from the 1980s onwards, political and musical cues came from the countries to the East and West of Ireland - hardcore (Fairchild, 1995) from the United States, and anarcho-punk (Dines, 2004) from Britain. The DIY aesthetics of the early punk movements have since translated to numerous music genres and practices …
J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran
J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran
Masters
Having experience a large increase in concert activity in recent years, one would assume that the works of J.K. Mertz (1806–1856) would haveexperience the same level of attention within academic circles, however research is still limited. As a result, this thesissetsout to understand in what areas do Mertz's works differ fromother guitar works in the first half of the nineteenth century—specifically Mertz's set of character piecesfound in hisBardenklänge, op. 13. This thesiswill address shifts in culture, aesthetics and the increasing interest in the ‘Folk’c.1800–1850 that led to the composition of Mertz’s Bardenklänge. Published in 1847, these works are unique in …
In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish
In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish
Doctoral
The study of style in Irish traditional music is very much in its infancy. Although current authors locate its beginnings in the 1980s, valuable information can be found from as far back as the eighteenth century. While style is a much-discussed topic, to date it has not been the subject of a major study. Through what is termed ‘the oral tradition’, much of the genre’s stylistic features are transmitted as implicit knowledge. This type of knowledge is difficult to measure, consciously use and share and while these difficulties have been highlighted in one EU-level report, they are also well known …