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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
The Spontaneous Wellsprings Of Music, Nicholas Mcnair
The Spontaneous Wellsprings Of Music, Nicholas Mcnair
Turning Toward Being: The Journal of Ontological Inquiry in Education
Western Classical Music has traditionally been described in terms of fixed structures, carefully built up by the composer and presented to the performer in the form of a score. This has crystallised over the centuries into an ideological position which, in the last analysis, gives absolute authority to the composer over the performer, severely limiting the freedom of expression of the latter. In this article I seek to reverse this position by pointing to the essential spontaneity, represented by improvisation, that lies at the heart of all music-making, albeit fiercely opposed by the fundamentalism of an endless number of structural …
An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong
An Examination Of Maria Schneider’S Big Band Artistry Through The Lens Of Wind Band Arranging, Amy Birdsong
Dissertations, 2020-current
Within the world of instrumental music there tends to be strict adherence to styles and genres that have historically been connected to a standard collection of instruments. Wind ensembles are expected to perform contemporary art music, orchestral transcriptions, or military marches, with little expectation of individual creative interpretation. Jazz ensembles, or “big bands,” are expected to perform styles of music such as “swing,” which cannot be properly notated using western notation, while also being rigidly glued to reduced instrument choices, repetitive chord cycles and standard song forms. While wind ensemble performers are confined to read and perform all aspects of …
Oscillith Matara, James Reilly Dickens-Hoffman
Oscillith Matara, James Reilly Dickens-Hoffman
Graduate Theses and Dissertations
Oscillith Matara is a series of improvisational acousmatic compositions that explore themes of birth, death, trauma and transformation. Each composition is an entry from a log of my daily practice. This practice is a meditation using electronic instruments as feedback devices to explore my states of consciousness as it relates to my present situation and personal history. The sound generated through this process of reflecting and responding acts as a cathartic medium for processing depression, anxiety and chronic pain. As a thesis exhibition Oscillith Matara is presented as a group of selected works and is performed as a fixed duration …
The Morphological And Audiative Interconnectedness Of Sound: Equivalence In A Multidimensional Soundscape, Martin Vishnick
The Morphological And Audiative Interconnectedness Of Sound: Equivalence In A Multidimensional Soundscape, Martin Vishnick
The 21st Century Guitar
This paper draws on the authorʼs recent theoretical and practical research into the morphology of sound and audiation. In particular, it explores the notion of equivalence in a multidimensional soundscape. Correlations between the interconnectedness of sound-based morphologies emanating from extended guitar techniques and comprehending internal auditory imagination when sound is not physically present will be assessed. To express an all-encompassing mental and visual image of apprehending the value of sound from a morphological and audiative perspective, three-dimensional topological diagrams will be evaluated ‒ a development of previous two-dimensional visualisations. In regard to morphologies, topics of interest are spectromorphology, spatiomorphology, spectral …
Gilbert Biberian (1944–2023): The Exuberant Heart, Ricardo Iznaola
Gilbert Biberian (1944–2023): The Exuberant Heart, Ricardo Iznaola
Soundboard Scholar
A tribute to the guitarist and composer Gilbert Biberian (1944–2023), with emphasis on his pedagogical compositions.
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
Improvisation, Consciousness And Cosmos: An Integral View Of Jazz Research, Ed Sarath
The IASJ Journal of Applied Jazz Research
Ed Sarath on improvisation, consciousness and cosmos, as well on integral theory.