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Wind Studio Recital, Department Of Music Nov 2019

Wind Studio Recital, Department Of Music

Concerts and Event Programs 2019-2020

The Wind Studio presents a recital featuring the students of Jason Gresl, Debra Inglefield, Aleksandra Kemble, and Gabriel Renteria-Elyea. Works include Mozart, Debussy, Faure, and others.


Emily Brubaker And Soraya Wiese, Junior And Sophomore Horn And Flute Recital, Emily Brubaker, Soraya Wiese Nov 2019

Emily Brubaker And Soraya Wiese, Junior And Sophomore Horn And Flute Recital, Emily Brubaker, Soraya Wiese

Junior and Senior Recitals

No abstract provided.


Emily Brubaker And Soraya Wiese, Junior And Sophomore Horn And Flute Recital, Emily Brubaker, Soraya Wiese Nov 2019

Emily Brubaker And Soraya Wiese, Junior And Sophomore Horn And Flute Recital, Emily Brubaker, Soraya Wiese

Student Recitals

No abstract provided.


Sunday Music Series - Guilherme Andreas, Department Of Music Sep 2019

Sunday Music Series - Guilherme Andreas, Department Of Music

Concerts and Event Programs 2019-2020

Flutist Guilherme Andreas performs a concert accompanied by Olena Rybachok. Works by Rutter, Bach, Taktkakishvili, and others.


Reimagining The Flute Masterclass: Case Studies Exploring Artistry, Authority, And Embodiment, Sarah Carrier Sep 2019

Reimagining The Flute Masterclass: Case Studies Exploring Artistry, Authority, And Embodiment, Sarah Carrier

Dissertations, Theses, and Capstone Projects

This work explores the flute masterclass as an aesthetic, ritualized, and historically reimagined cultural practice. Based on fieldwork that took place between 2017 and 2019 in the United States, in Italy, and on the social media platforms Instagram, Facebook, and YouTube, I argue that the masterclass—an extension of the master/apprentice system that dominates learning in the classical music tradition—is characterized by embodied qualities of artistry and authority. These qualities are not inherent, but are perceived through subjective, social, familied, and affective bodies.

Chapter One outlines the main themes and the research design. Chapter Two is a case study that analyzes …


Abandoning Abuse: Acknowledging Adoption In The 21 Century, Deborah Elizabeth Ellis May 2019

Abandoning Abuse: Acknowledging Adoption In The 21 Century, Deborah Elizabeth Ellis

Graduate Theses and Dissertations

The inspiration for this set of pieces arose from a friendship with fellow grad student Morgen Cavanah. Morgen and I were both adopted as children, and it this common background that gave rise to these pieces. The poems chosen were written by Morgen about individuals or events in her life. Though I had planned to set 9 of the original 12 poems, this set is comprised of my four favorites. Each piece uses repetitive piano motives that underlie the melodic lines of the voice, flute, and cello. This choice explores harmonic and melodic possibilities that expand minimal accompaniment. Much of …


Wind Studio Recital, Department Of Music Apr 2019

Wind Studio Recital, Department Of Music

Concerts and Event Programs 2018-2019

Students of the Department of Music featuring works by Poulenc, Britten, and Brahms.


Wind Symphony Spring Concert, Department Of Music Apr 2019

Wind Symphony Spring Concert, Department Of Music

Concerts and Event Programs 2018-2019

Wind Symphony under the direction of Byron Graves featuring works by Kuo, Spittal, Rogers, and Bernstein.

Soloists:

Jason Gresl, clarinet/bass clarinet

Betania Cañas, flute

Pedro Falcon, oboe

Graduate conductors:

Edgar Luna

Katia Nikolaus


Freedom Village Concert, Department Of Music Apr 2019

Freedom Village Concert, Department Of Music

Concerts and Event Programs 2018-2019

An Evening with Friends

Students of the Department of Music featuring music by Telemann, Bach, Beethoven, and Paganini.


Senior Recital, Flute And Alto Flute, Brenna Wiinanen Apr 2019

Senior Recital, Flute And Alto Flute, Brenna Wiinanen

Honors Theses

Senior Recital

Brenna Wiinanen, flute and alto flute

Eva Chang, piano

Friday, May 24, 2019, 4 p.m.

Edwards Recital Hall

Sonata in B-minor J.S. Bach (1685-1750)

Andante

Largo e do1ce

Presto

Allegro

Nocturne and Allegro Scherzando Philippe Gaubert (1879-1941)

from Eight Pieces for Solo Flute Lowell Liebermann (b. 1961)

1. Ophelia

4. Etude

8. March

Fantaisie brillante sur "Carmen" Bizet/F. Borne (1840-1920)

Au-Dela du Temps pour deux flute Yuko Uebayashi (b. 1975)

I. La lumière lointaine de nuit

II. La lumière dansante

Brenna Wiinanen, flute

Amy Tully, flute


Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter Jan 2019

Examining Musical Hybridity And Cultural Influences In Valerie Coleman’S Wish Sonatine And Fanmi Imèn, Brittany Marie Trotter

Graduate Theses, Dissertations, and Problem Reports

The purpose of this research document is to examine elements of musical hybridity and cultural influences in renowned African-American flutist-composer Valerie Coleman’s Wish Sonatine and Fanmi Imèn for solo flute and piano. Prominently known for her chamber music works, Coleman describes her compositional style as “urban-classical,” which infuses elements of popular American styles into modern Western art music traditions to highlight and encapsulate the cultural experiences of various diasporas of our time.

The most significant elements of hybridity and cultural influences examined in Wish Sonatine and Fanmi Imèn are programmatic imagery and compositional motifs. The programmatic imagery is represented through …


Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis Jan 2019

Contemporary Music Notation For The Flute: A Unified Guide To Notational Symbols For Composers And Performers, Ms. Eftihia Victoria Arkoudis

Graduate Theses, Dissertations, and Problem Reports

David Cope stated: “There are two basic approaches to the study of New Music Notation: codification and comprehension […] what really needs to be done is not to keep listing the diverse ways each composer symbolizes his music or create substantially new and negating systems of notation, but to concentrate on codifying one way for future composers to symbolize their music.”[1]

In an attempt to limit the inconsistency and complexity characterizing contemporary notation idiomatic to the flute, this paper is the first to adopt Cope’s statement and ultimately apply it in relation to the notation of non-standard extended flute …


Catalog Of Current Compositions, Dan Rager Dec 2018

Catalog Of Current Compositions, Dan Rager

Dan Rager

Catalog of instrumental and choral works ranging from solo ensembles, duets, quartets, quintets, sextets, brass choir, percussion ensembles, woodwind and brass ensembles, concert / symphonic band, symphony orchestra and choral music. Works include Symphonies 1 & 2 & 3, Concertos 1 & 2 and other large symphonic contemporary works.