Arts and Humanities Commons^™

From A Humble Cry To A Holy Chaconne: The Background, Analysis, And Performance Guide To Chaconne For Tokkae, Op. 96 By M. W. Johann Kim, Jurang Kim

Theses and Dissertations--Music

The cries of animals have been used as motivic material in classical music literature throughout history. This project considers the Cambodian tocay gecko’s cry as the motif which embodies the harmonic structure in Chaconne for Tokkae for Violin and Piano, Op. 96 by Dr. Myung Whan Johann Kim. It reveals how Dr. Kim adapts unique compositional style and technique such as the bell harmony of Dr. Kurt Anton Hueber, to develop the theme into 39 colorful variations. The essential elements of the chaconne and the composer’s intentions are examined through personal interviews and correspondence with the composer. These elements are …

Exploring Cary Boyce's 'Kosmos', Kristina Ploeger-Hekmatpanah

Theses and Dissertations--Music

A text with many layers of depth married to music with a variety of methods of interpretation allows for an academically satisfying learning, rehearsal, and performance process. Choral directors, and the choristers they serve, enjoy scrutinizing all the ways they feel connected to or disconnected from the text and music in any piece that proves worth their efforts. American composer Dr. Cary Boyce’s (b. 1955) Kosmos (2007), a setting of a poem from Walt Whitman (1819-1892) of the same name, indeed provides the substance an academic group desires. At choral festivals in the Pacific Northwest during the 2021-2022 academic year, …

Gesture And The Auditory Impact On The Perception Of Sound: A Performance Guide For Understanding Gestural Function On Percussion Pedagogy And Performance, Emily Lane Durocher

Theses and Dissertations--Music

I will address the concept of physical gestures and discuss how they are applicable to the way percussionists visually and audibly perceive music. Through my research, I will focus on performance and pedagogy, seeking new possibilities for introducing percussionists at all ability levels to different articulations. Percussionists have traditionally been led to believe that they do not have the versatility over the initial musical attack and sustain that wind and string players do. This document has been developed to provide a more in-depth approach to how physical and musical gestures can function to create a more versatile and musical percussionist. …

Relojerías Sensibles By Juan Trigos – A Performance Guide, Geraldo Leite Da Costa Neto

Theses and Dissertations--Music

This dissertation provides insights into the compositional style of the Mexican composer Juan Trigos (b. 1965) and his brand-new work for solo guitar: Relojerías Sensibles (2022). Included in this document is a brief biography of the composer, commentaries about other of his works, as well as a description of his musical concept: Abstract Folklore. The main purpose of this research is to introduce the reader to Trigos’ artistic universe as well as provide a performance guide that may facilitate the understanding and learning process of his new solo piece. In addition, the first two appendices are dedicated to a catalog …

A History Of Educational Concerts Of The Pittsburgh Symphony Orchestra, Sean Radermacher

Theses and Dissertations--Music

This project illuminates the history of educational concerts of the Pittsburgh Symphony Orchestra (PSO) and reveals a legacy of performances for young audiences, today’s educational innovations, and the orchestra’s evolving mission to serve young people. Concerts for young people are an important facet of the history of American orchestras. Today, these concerts and other educational programs are essential to increase the accessibility of orchestral music.

The PSO’s history highlights the close relationship of American orchestras with an educational mission from their early years to the present. After an overview of the origins of permanent orchestras and the national context of …

A Pianist Looks At Gerald Finzi's A Young Man's Exhortation, Op. 14, Mary Ann Wilder

Theses and Dissertations--Music

Gerald Finzi is a twentieth-century British composer. Though he also composed for orchestra and chamber ensembles, he is primarily known as a composer of vocal works, both solo and choral. In this solo vocal works, he favored the poetry of Thomas Hardy; six of his nine song cycles set Hardy’s poetry. One of these, A Young Man’s Exhortation, was Finzi’s second song cycle for voice and piano, but the first to earn notable success. Finzi writes for the piano lyrically and independently, as though the piano were a duetting voice—or in many cases, voices. This paper focuses on a …

The Yi Cycle: Finding The ‘Existing’ And ‘Potential’ In Tan Dun’S Intercourse Of Fire And Water For Cello Solo, Kevin He

Theses and Dissertations--Music

The Chinese American composer Tan Dun was born in 1957 in the Hunan province of China. His early life reflected the difficulties of being a student during the Cultural Revolution. Tan Dun’s Intercourse of Fire and Water for Cello Solo reflects the composer’s journey from China to the USA in the aftermath of the Cultural Revolution. The piece is the first solo concerto originating from Dun’s Yi0: Concerto for Orchestra, which was written in 2002 and is based on the ancient Chinese book I Ching (Book of Changes). The Yi Cycle includes four works: Yi0: Concerto for …

A Contextual History And Modern Edition Of J. Hyde’S 1799 English Trumpet Treatise: A New And Compleat Preceptor For The Trumpet & Bugle Horn: With The Whole Of Cavalry Duty As Approved Of And Ordered By His Royal Highness The Duke Of York … To Which Is Added A Selection Of Airs, Marches & Quick Steps For Three Trumpets, A Scale Of The Chromatic Trumpet With Airs Adapted For It, And A Collection Of Bugle Horn Duets, Clinton Gregory Linkmeyer

Theses and Dissertations--Music

For much of the trumpet’s long and varied history, it was considered a practical tool used for signaling more so than a music-making instrument. In 1614, Cesare Bendinelli wrote his Tutta L’arte Della Trombetta, which is often recognized as the first musical treatise written for trumpet. Scholars also recognize two other texts as being significant treatises: Girolamo Fantini’s Modo per imparare a sonare di tromba (1638), and Johann Ernst Altenburg’s Trumpeters’ and Kettledrummers’ Art (1795). The compilation and composition of A New and Complete Preceptor for the Trumpet and Bugle Horn by John Hyde in 1799 places it not only …

Musical Portraiture In Acht Korte Karakterschetsen Voor Piano Vierhandig By Hans Osieck, Yuri Kim

Theses and Dissertations--Music

Hans Osieck (1910-2000) was a Dutch composer, pianist, and teacher. His musical portraits, Acht Korte Karakterschetsen voor piano vierhandig (Eight Short Character Sketches for Four Hands), are a valuable addition to the piano duo repertoires for intermediate and advanced students. In Eight Sketches, Osieck musically portrays eight of his students using simple compositional techniques, much like the brushstrokes and color palette of an artistic portrait. As a result of their programmatic nature and relatable subjects, Osieck’s Eight Sketches can be particularly useful for students developing their imaginations and learning to perform expressively. As a piano duo, Eight Sketches also serves …

David Gillingham’S Stained Glass For Wind Ensemble: A Transcription From The Standard Percussion Repertoire, Ashley Shoupe

Theses and Dissertations--Music

Stained Glass (1994), by David Gillingham, is a work that is considered one of the standard pieces of percussion repertoire. To date, there are no known arrangements or transcriptions which exist for wind band that originated from the percussion ensemble repertoire. Stained Glass is a work which utilizes many musical characteristics and compositional techniques that could translate successfully to the wind ensemble, such as sweeping ostinato, sustained chordal structures, and a variety of colors and textures. It is because of this observation of musical characteristics that makes this work a good candidate for a successful first transcription from percussion ensemble …

The Three E’S Of Horn Repertoire: From Excerpts To Etudes To Employment, Briana Pepilascov-Childers

Theses and Dissertations--Music

This project explores effective solutions for practicing orchestral excerpts, a challenge often faced by young musicians preparing for auditions. It introduces a method of adapting practice ideas and composition to facilitate a more profound understanding of fifteen orchestral excerpts. While primarily directed at horn players, the concepts and techniques explored in this study are applicable to musicians of all instruments, offering specific ideas, practice tips, and original etudes tailored to each excerpt. These etudes serve a dual purpose by addressing technical aspects of both the horn and the excerpt itself while familiarizing the musician with the standard orchestral repertoire commonly …

Julie Giroux’S Symphony No. 6: The Blue Marble Background, Analysis, And Conductor’S Guide, Josh Gillen

Theses and Dissertations--Music

Julie Giroux’s Symphony No. 6: The Blue Marble (2022) is an original work for wind band that is quickly rising in popularity among instrumental conductors and ensembles throughout the world. The purposes of this document are to

1) provide biographical details regarding Julie Giroux and her musical career;

2) provide a background of the work’s conception from a musical and multi-media perspective through interviews with Giroux and the first conductors of the work;

3) provide a multi-parametric structural analysis of the work and its companion film;

4) provide conductors with useful information for programming and rehearsing the work.

Chapter one …

A Conductor’S Analysis Of Selected A Cappella Works By Samuel Coleridge-Taylor, William Bernard Chandler Iii

Theses and Dissertations--Music

Despite experiencing a great deal of recognition in his lifetime, Samuel Coleridge-Taylor’s music is seldom performed today. His more famous pieces were his choral cantatas, but they require resources that most choirs cannot access. To encourage performance of his music, this monograph focuses on four of his part songs, which are much more accessible.

While many choirs will have the voicings to perform these pieces, they are very chromatic. Coleridge-Taylor is a product of late Romanticism and he employs many chromatic techniques to embellish his music. Inexperienced choirs will struggle to maintain a sense of tonal center if they are …