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Full-Text Articles in Arts and Humanities
State Of The Art: A Sampling Of Twenty-First-Century American Baroque Flute Pedagogy, Tamara Tanner
State Of The Art: A Sampling Of Twenty-First-Century American Baroque Flute Pedagogy, Tamara Tanner
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
During the Baroque flute revival in 1970s Europe, American modern flute instructors who were interested in studying Baroque flute traveled to Europe to work with professional instructors. They then transmitted that knowledge to their students upon returning to America, furthering the modern study of Baroque flute in America. Now, thanks to their efforts and those of academic institutions and professional organizations such as the National Flute Association, there are many opportunities in America to hear performances by dynamic Baroque flutists, to perform and compete on Baroque flute, and to learn from respected Baroque flute instructors. There are also numerous texts …
A Performance Guide And Comparison Of Three Works For Flute And Piano By David Maslanka: Duo, Songs Of My Nights, And "...And I Am A Child Before There Are Words...", Christa K. Krause
A Performance Guide And Comparison Of Three Works For Flute And Piano By David Maslanka: Duo, Songs Of My Nights, And "...And I Am A Child Before There Are Words...", Christa K. Krause
Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance
Having written over forty works for wind ensemble, many of which have become part of the standard repertoire, David Maslanka (b. 1943) is known today as one of the leading wind band composers of our time. Maslanka’s compositional output also includes many solo and chamber works for wind and percussion instruments, and several orchestral and choral works. Although Maslanka’s solo and chamber works have become increasingly popular, his three works for flute and piano—Duo (1972), Songs of My Nights (2009), and “…and I am a child before there are words…” (2011), are still relatively unknown to flutists. …