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Full-Text Articles in Arts and Humanities
An Analysis Of The Musical Gestures In Osvaldo Golijov’S The Dreams And Prayers Of Isaac The Blind And Their Relationship To The Kabbalah Sefirot, Jeremy Gdaniec
LSU Doctoral Dissertations
Osvlado Golijov’s The Dreams and Prayers of Isaac the Blind, scored for klezmer clarinet and string quartet, remains one of his most influential works since its premier in 1994. Inspiration for the work came from the writings of Rabbi Isaac the Blind, a prominent 13th century figurehead in the branch of Jewish mysticism known as Kabbalah. In Kabbalah, symbols known as the sefirot are emanations of creation and the key to unlocking the divine secrets of the God-head. The analysis presented in this document combines musical gesture theory with Kabbalistic concepts for new perspectives on Golijov’s …
Cyberinet: Integrated Semi-Modular Sensors For The Computer-Augmented Clarinet, Matthew Bardin
Cyberinet: Integrated Semi-Modular Sensors For The Computer-Augmented Clarinet, Matthew Bardin
LSU Doctoral Dissertations
The Cyberinet is a new Augmented instrument designed to easily and intuitively provide a method of computer-enhanced performance to the Clarinetist to allow for greater control and expressiveness in a performance. A performer utilizing the Cyberinet is able to seamlessly switch between a traditional performance setting and an augmented one. Towards this, the Cyberinet is a hardware replacement for a portion of a Clarinet containing a variety of sensors embedded within the unit. These sensors collect various real time data motion data of the performer and air fow within the instrument. Additional sensors can be connected to the Cyberinet to …
Klezmer Elements In Paul Schoenfield’S Trio For Clarinet, Violin, And Piano: A Violinist’S Perspective, Hannah Phyllis Urdea Marcus
Klezmer Elements In Paul Schoenfield’S Trio For Clarinet, Violin, And Piano: A Violinist’S Perspective, Hannah Phyllis Urdea Marcus
LSU Doctoral Dissertations
Paul Schoenfield’s Trio for Clarinet, Violin, and Piano draws extensively on the traditional Klezmer music of the Ashkenazi Jewish people of Eastern Europe. The blending of three very different instruments, as well as the Klezmer elements, unusual for the classically trained musicians, creat difficulties, as well as opportunities, for the composer and for the performers alike.
Music is often considered a language. As with any language, in order to be fluent, one must understand the cultural aspects that shape that language and the people who speak it. The way the performers present a piece greatly influences the way it is …