The Origin And The Evolution Of The Double Bass, Patrick James Lavergne

LSU Doctoral Dissertations

This dissertation will trace the double bass from the 16^th century to the 21^st century. The double bass is the largest and lowest pitched member of the string family. The members of the string family are the violin, viola, cello, and the double bass. The pitch of the double bass sounds one octave lower than the written pitch. The double bass is sometimes called the contrabass, string bass, upright bass, or bass fiddle. It is used in different genres of music such as classical, jazz, blues, bluegrass, country & western, and even rock.

Expansion Of The Cello Repertoire In The 21st Century: A Collaboration With Composers Paul Eddison Lewis, Thomas L. Wilson, Austin Franklin, And Alex Shanafelt And The Resulting New Compositions For Cello And Electronics - Examined And Recorded By The Performer, Eduard Teregulov

LSU Doctoral Dissertations

Electroacoustic music has been one of the fastest growing genres in classical art music since the middle the twentieth century. Thanks to the pioneers of the genre such as American composer John Cage, Halim El-Dabh, Karlheinz Stockhausen, Morton Subotnick, Iannis Xenakis, as well many others composers and enthusiasts of the twentieth and the twenty-first century the repertoire of electronic and electroacoustic music has grown tremendously withing the last hundred years. Even today it is still a growing art form as contemporary composers are working with yet to be developed and explored electroacoustic programming and equipment.

The purpose of this project …

The Innocence Of Lennie Small In Carlisle Floyd's Opera Of Mice And Men In Excerpts Presented As A Performer's Guide, Michael Robert Hendrick

LSU Doctoral Dissertations

Of Mice and Men is a 20th century American opera composed by Carlisle Floyd. Carlisle Floyd also served as librettist, as he did with all of his operas. Based on the American novel of the same name by John Steinbeck, Of Mice and Men is Carlisle Floyd's second most performed opera. This project serves to demonstrate the innocence of the role of Lennie Small, as seen through his intellectual shortcomings, enhanced by the vocal line and music of the composer. A performer's guide is also provided.

Variações Sérias Sobre Um Tema De Anacleto De Medeiros - Piano A Quatro Mãos, By Ronaldo Miranda: A Performer’S Guide, Patricia Bretas De O Da Rosa

LSU Doctoral Dissertations

Abstract

This study examines Ronaldo Miranda’s Variações Sérias Sobre um Tema de Anacleto de Medeiros – Piano a Quatro Mãos, 1998, transcribed from the original, which was composed for wind quintet (1991). The piano duet version is well-known and part of the core repertoire of most Brazilian piano duos.

Enhanced by the interview with the composer, the paper starts by addressing the relevant facts of his rich and prolific musical life while tracing four compositional phases through a list of his piano works.

A brief history of the Serious Variations (so named in this paper) deals with its genesis, characteristics, …

“Jeszcze Polska Nie Zginęła”: Discovering The Life And Music Of Zygmunt Noskowski, Filip Starostka

LSU Doctoral Dissertations

Polish music history suffers from a lack of representation. This misleads audiences to the common misconception that Polish music began and ended with Chopin. In reality, there are a number of important figures in 19^th-century Poland whose efforts were seen as vital to the restoration of music culture in a time when conquering nations were actively working on destroying Poland’s history. The purpose of this lecture recital is to bring the biography and works of Zygmunt Noskowski, one of Warsaw’s most important musical figures, to English speaking audiences.

Born in 1846, Zygmunt Noskowski was active as a musician, …

An Introduction To Jazz Performance Skills And Techniques For Trombone: The Bordogni Jazz Project, William Ford

LSU Doctoral Dissertations

The Bordogni Jazz Project are arrangements of eight Bordogni Vocalises using harmonic and rhythmic elements from the jazz style, and new, original etudes that were composed based on the reharmonizations of the original Bordogni etude melodies. The material is intended to provide a comprehensive, but attainable resource for trombonists and educators which is inclusive of the stylistic nuances, performance practices, and cultural backgrounds associated with the jazz idiom. These are to be used as a resource to introduce classically trained trombonists to jazz playing and performance practices. Through study of this material, trombonists will ultimately be able to take advantage …

Villa-Lobos’S Segunda Sonata-Fantasia For Violin And Piano: An Analysis And Performance Guide, Maira Braga Cabral

LSU Doctoral Dissertations

This study focuses on Villa-Lobos’s Segunda Sonata-Fantasia for Violin and Piano, written between 1913 and 1914. A brief biography of Villa-Lobos until 1915 provides the context of the period during which he composed the piece. Next, Villa-Lobos’s main influences are presented, a list that includes European nineteenth-century aesthetics, Impressionism, Brazilian popular music, Wagner’s motivic treatment, and Brazilian indigenous music. Next, the main compositional devices used by the composer are discussed, providing examples from the Segunda Sonata-Fantasia and from other pieces by Villa-Lobos. A structural analysis of the piece is presented, focusing on the form, thematic approach, and harmonic processes.

The …

Jake Runestad, An American Triptych: A Conductor's Guide, Neviton Barros

LSU Doctoral Dissertations

Jake Runestad is a fresh voice within the new wave of successful twenty-first century American choral composers. Among the growing number of very popular works within his expanding opus, Runestad has compiled three of his independently conceived compositions into a cycle he titles, American Triptych. The determination to group these works together in a cycle, Reflections (2016), The Piece of Wild Things (2013), and Come to the Woods (2015), was largely based on a common textual thread since all three authors are naturalist writers – Henry David Thoreau, Wendell Berry, and John Muir.

All three are written for SATB chorus …