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Music Pedagogy

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University of South Carolina

Music

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Selected Commissioned Works For Solo Piano By National Artists For Music In The Philippines' National Competitions For Young Artists (Namcya) In The Philippines, Almond See Ponge Aug 2024

Selected Commissioned Works For Solo Piano By National Artists For Music In The Philippines' National Competitions For Young Artists (Namcya) In The Philippines, Almond See Ponge

Theses and Dissertations

This document examines the importance of the role of the National Competitions for Young Artists (NAMCYA) in the Philippines and its commissioned competition pieces for solo piano by Philippine National Artists for Music. It underscores the significance of NAMCYA’s contribution to nurturing young talents and enriching Philippine piano literature that helps strengthen its national identity. An analysis of selected commissioned works by Col. Antonino Buenaventura, Lucrecia Kasilag, and Ramon Santos, shows the integration of Western and Filipino musical idioms with neo-classical, neo-romantic, and contemporary composition techniques. Performance notes are also provided to assist future pedagogues and performers of these works.


An Instrumental Approach To Sight Singing: The Use Of Mock-Fingerings, Catherine E. Howland Apr 2020

An Instrumental Approach To Sight Singing: The Use Of Mock-Fingerings, Catherine E. Howland

Senior Theses

This pilot study was designed to test whether mock-fingerings could be a beneficial strategy for sight singing. The researcher hypothesized that mock-fingerings would help students to be more accurate sight singers. Participants, wind instrument players at the college level, were asked to sight read two examples, one while “fingering along” and one with their hands still. Mean scores were compared among music majors and non-majors, and it was found that the mock-fingerings did not have a significant effect on the mean scores of participants. The mean scores were often comparable between the fingering condition and the control condition, suggesting that …