Arts and Humanities Commons^™

Forward And Up: An Exploration Of Implementations Of The Alexander Technique In Post-Secondary Music Institutions, Mei Lee

Electronic Thesis and Dissertation Repository

Music performance is a psychophysical affair. Like athletes, musicians need to be physically, mentally, and emotionally fit in order to meet the demands and challenges of training and performing. For over half a century, post-secondary music institutions have been utilizing the Alexander Technique to address young musicians’ psychophysical coordination and playing-related challenges. This unique mind-body method teaches individuals how to move efficiently and carry out activities with freedom and ease by recognizing and changing counterproductive habits. It has noted beneficial effects on posture and coordination, pain relief, and stress management, and its relevance to music performance studies is endorsed by …

Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote

Dissertations

Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.

Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …

Bringing Music Back Into The Classroom And Its Benefits On Elementary School Students, Laura Alcaraz

Capstone Projects and Master's Theses

This project brings to light the lack of music education in elementary classrooms despite its benefits to students. There are numerous positive advantages for students learning to play an instrument or participating in a choir, for example. The education system strives to educate its students to the best of their abilities. However, this focus has pushed away music education to math, science, and language arts, and prepared students for standardized testing. This senior capstone research project examines the benefits of bringing back music into the classroom through the use of literature review and anonymous interviews with public and private school …

Developing Musicians Out Of Instrumentalists: A Comprehensive Guide To Improve Intonation Skills In Intermediate Band, Andrew Bryant Smith

Theses

This project will focus on the fundamental skills taught in an intermediate band program and assess skills needed to enhance their musicianship. One of the primary musical components studied is the development of individual and group intonation by utilizing a more concrete focus on the development of fundamental skills associated. The final deliverable focused on the fundamental skills needed to improve intonation. The guide will also include a compilation of instrument-specific strategies and tendencies having to do with the development of the skills outlined.

Leveraging Technology And Culturally Relevant Content To Enhance Student Engagement And Classroom Management, Andrea Wojciehowski

Theses

The project focuses upon the application of culturally relevant content, and implementing technology as a means to enhance student engagement, and classroom management. The purpose of the project was to research current classroom management strategies, and implement these strategies, using technology to enhance student engagement, and in turn, enhance student learning, while decreasing disruptive behaviors.

"It's Obvious Who Plays An Instrument And Who Doesn't": Using Doxa And Illusio To Explore Inequities In English School Music Education, Alison Butler

Electronic Thesis and Dissertation Repository

This thesis investigates Bourdieu’s concepts of doxa and illusio in English secondary school music education, using data collection from a comparative case study undertaken at two contrasting schools in a rural county, Stonefarm High School and Friars Hall School. Data were gathered over five months in 2018, using lesson observations, student focus groups and teacher interviews. Three classes were invited to participate at each school.

The data were analysed using Bourdieu’s Theory of Practice (1977), especially the field mechanisms of doxa and illusio. Doxa, the unwritten rules of a field, and illusio, belief in the game being played in the …

Bridging The Gap: Self-Efficacy And The Desire To Continue In Music Education, Janet Levine

CUP Ed.D. Dissertations

This study sought to explore the problem of student retention in music, specifically between eighth and ninth grade. The purpose of this study was to investigate whether there is a relationship between eighth-grade band students’ self-efficacy beliefs and their desire to participate in band. Bandura’s (1977) four sources of self-efficacy (mastery experiences, vicarious experiences, verbal/ social persuasions, and students’ physiological state) were the theoretical framework that guided this study. The participants in this study consisted of 68 eighth grade band students who had at least one year of band experience. This quantitative study used the Music Performance Self-Efficacy Scale, specially …

Support Vs. Steady Airflow: The Effect Of Two Different Instructions On Subglottal Pressure, Sound Pressure Level, And Airflow Rate During Singing And Speaking, Sunyoung Kim

Dissertations, Theses, and Capstone Projects

This empirical study investigated the possibility of finding an alternative to a conventional directive in vocal pedagogy. There is a debate among voice pedagogues and voice scientists with regard to how to teach breath management, particularly about the concept of support. W. Stephen Smith has strongly objected to the use of the term “support.” He suggests that the word promotes the use of increased air pressure. The purpose of the present investigation was to test that hypothesis by examining differences in a variety of physiological parameters, comparing a conventional singing instruction that uses the word “support” with an alternative instruction …

Reimagining The Flute Masterclass: Case Studies Exploring Artistry, Authority, And Embodiment, Sarah Carrier

Dissertations, Theses, and Capstone Projects

This work explores the flute masterclass as an aesthetic, ritualized, and historically reimagined cultural practice. Based on fieldwork that took place between 2017 and 2019 in the United States, in Italy, and on the social media platforms Instagram, Facebook, and YouTube, I argue that the masterclass—an extension of the master/apprentice system that dominates learning in the classical music tradition—is characterized by embodied qualities of artistry and authority. These qualities are not inherent, but are perceived through subjective, social, familied, and affective bodies.

Chapter One outlines the main themes and the research design. Chapter Two is a case study that analyzes …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Literacy-Based Elementary Music Instruction And English Language Literacy Acquisition, Stefan Wolf

Graduate Teacher Education

It is often touted by music educators and proponents of music education in the public school system that music helps improve math and reading achievement and test scores. While this justification has undoubtedly saved some music programs, the purpose of this study is not to establish the usefulness of music education in improving other skills but rather to find parallels and overlaps between music literacy and English language acquisition and the pedagogy used to teach both and to determine what implications these relationships have for music literacy pedagogy for all. The author tentatively postulates that music literacy instruction has some …

Increasing The Inclusion Of Women Composers In The Wind Band Repertoire: Pale As Centuries By Sarah Kirkland Snider, Clifton Gerod Croomes

LSU Doctoral Dissertations

Women composers are underrepresented in the wind band medium. This study aims to determine the major factors for the disparity between men and women composers. I’ve transcribed a contemporary chamber music piece, Pale As Centuries by Sarah Kirkland Snider, for the wind band. Expanding on Snider’s existing work for chamber ensemble I will explore her compositional style and reinterpret the piece using the colors of the wind band.

A review of the literature focuses on trends within western music in the United States over the last century and establishes a documented history of institutionalized marginalization. In an interview with Snider …

Modeling Melodic Dictation, David John Baker

LSU Doctoral Dissertations

Melodic dictation is a cognitively demanding process that requires students to hear a melody, then without any access to an external reference, transcribe the melody within a limited time frame. Despite its ubiquity in curricula within School of Music settings, exactly how an individual learns a melody is not well understood. This dissertation aims to fill the gap in the literature between aural skills practitioners and music psychologists in order to reach conclusions that can be applied systematically in pedagogical contexts. In order to do this, I synthesize literature from music theory, music psychology, and music education in order to …

The Effects Of Collaboration On Harmonization In College Group Piano, Yining Li

LSU Doctoral Dissertations

Current university-level group piano classes may not provide adequate training on functional keyboard skills needed by non-keyboard professional musicians. Innovative teaching strategies involving collaborative learning have been successfully demonstrated in other areas of education (e.g., math, science, and English) and might efficiently improve students’ functional keyboard skills. This dissertation examined the effects of collaborative learning on harmonization in college group piano classes. This study explored the differences between performance outcomes among students who collaborated to learn harmonization, as opposed to those who worked alone. It also investigated how collaborative work influenced students’ attitudes and confidence toward learning and performing harmonization. …

Mobile Music Development Tools For Creative Coders, Daniel Stuart Holmes

LSU Doctoral Dissertations

This project is a body of work that facilitates the creation of musical mobile artworks. The project includes a code toolkit that enhances and simplifies the development of mobile music iOS applications, a flexible notation system designed for mobile musical interactions, and example apps and scored compositions to demonstrate the toolkit and notation system.

The code library is designed to simplify the technical aspect of user-centered design and development with a more direct connection between concept and deliverable. This sim- plification addresses learning problems (such as motivation, self-efficacy, and self-perceived understanding) by bridging the gap between idea and functional prototype …

Her People And Her History: How Camille Lucie Nickerson Inspired The Preservation Of Creole Folk Music And Culture, 1888-1982, Shelby N. Loyacano

University of New Orleans Theses and Dissertations

Over the twentieth century, Camille Lucie Nickerson excelled in her multi-faceted career as an educator, musician, and interpreter for the advancement of musical education for generations of black students in New Orleans and at Howard University in Washington D.C. Nickerson devoted herself to furthering her musical education through private instruction with her father, Professor William J. Nickerson. She then graduated with a diploma from Southern University and with a B.A. and M.A. in music from Oberlin College. Nickerson’s leadership in musical associations on a local and national level enhanced her ability to reach audiences of all ages through her performances. …

The Impact Of Informal Music Learning On Fifth Graders' Music Learning Processes And Perceptions Of General Music Class, Alejandro Juarez

Music Theses and Dissertations

The purpose of this study was to describe qualitatively the learning processes and perceptions of music class that emerged in a fifth-grade general music setting in which informal music learning processes were the fundamental components of the pedagogical approach. Initial research questions aimed to examine the ways students perceived their previous music classroom, how they used music outside of school, how informal music learning strategies impacted them, and how they believed popular musicians learned music. Students in this action research study were 50 fifth graders in two classes. Data were collected using many ethnographic techniques including interviews, questionnaires, and video/audio …

Deaf And Hard-Of-Hearing Students’ Perceptions Of The Kodaly-Inspired Music Class, Katherine Simmons

Masters of Education in Teaching and Learning

This study focused on the perceptions of elementary students who are deaf or hard-of-hearing in a music class. The author was a preservice teacher serving her year-long clinical teaching. The goal of the study was to better understand deaf and hard-of-hearing students’ perceptions of a Kodaly-inspired class, their favorite aspects of music, what they believed would make their musical experience more enjoyable, and what areas of music that they, and their music teacher, believed they could improve. Qualitative data consisted of school records, surveys of the students and their interpreters, interviews of the students and music teacher, and observations of …

Maximizing The Return On Investment For College Marching Bands, Brandon S. Alt

Honors Projects

This report outlines the findings from a study conducted of the income and budgets of college marching bands for the 2017-2018 academic year. The study was conducted with members of the College Band Directors National Association using their Athletic Band listserv. Participants were asked questions about their marching band’s income, expenditures, use of development funds, and their school and band’s demographics. The data is then analyzed to highlight trends within the data, and to generate recommendations for how marching bands can improve their budgets. Study limitations are also discussed.

Existing literature surrounding funding and budgeting issues is also reviewed, including …

Integrating The Fine Arts, Cole Alexander

Honors Projects

This project seeks to understand and apply research to a lesson plan unit regarding the integration of the fine arts (art and music) into the general education classroom.

Pieces Of Us: Songwriting Our Stories In Harrisonburg, Va, Davina Miaw

Senior Honors Projects, 2010-2019

Storytelling is a way in which humans communicate their lives as narratives and understand the world around them. Storytelling through composing music allows students not only a means of personal expression, but also enhanced literacy skills, social skills, and understandings of basic musical concepts (e.g., Barrett & Stauffer, 2012; Kaschub & Smith, 2009). This thesis contains a digital storybook of fifth grade students’ original songs that documents their processes of turning ideas into final products and examines their thoughts and words about songwriting and identity development. It also shares autoethnographic reflections on ways in which my identity as a musician …

Tone Production, Musicianship Training, Repertoire Development, Performance Practice: A Pedagogical Overview Of Selected International Children's Choirs, Janet Hostetter

Dissertations, 2014-2019

Abstract

Directors of children’s choirs benefit greatly from understanding the pedagogical processes used in internationally-recognized children’s choirs. The sharing of ideas and resources among children’s choir directors is especially critical in the United States where diverse populations are the norm. Cross-cultural collaboration produces inspiration for new repertoire and exposes developing singers to the established performance practices upheld in choral communities of other nations. The effort to incorporate musical practices across regions builds meaningful relationships as directors and singers learn to understand, respect, and perform music of other lands. Finally, when children’s choir directors understand the pedagogical practices embraced by global …

A Collective Case Study Of The Personal Practice And Meanings Of Mindfulness To Music Educators, Jennifer M. Hoye

Masters Theses, 2010-2019

The practice of mindfulness, defined as “paying attention in a particular way: on purpose, in the present moment, and nonjudgmentally” (Kabat-Zinn, 1994, p. 4), may be an effective form of self-care for music educators suffering from stress. Stressors that music educators may encounter in their professional lives include such issues as role conflict, role ambiguity, role overload, the underutilization of skills, resource inadequacy, non-participation, professional isolation, and Music Performance Anxiety (Scheib, 2003; Sindberg, 2011; Kenny, Davis, & Oates, 2004; Kenny & Osborne, 2006). The purpose of this collective case study was to explore the personal mindfulness practices of the three …

Learning New Tricks: Teacher Self-Improvement In Kodály Solfege Study And Its Relation To Student Growth, Jeffrey Alan Ryman

Masters Theses, 2010-2019

Music literacy and its acquisition are vital components of all high school choral programs. Chief among the skills necessary and developed at the high school level are audiation, sight-reading, and the acquisition of age appropriate choral literature. Over time, research has informed best practices in choral pedagogy to include specific implementation of audiation and sight-reading programs based on the developmental hierarchy of student music learners. The Kodály system, developed by Hungarian music educator and composer Zoltán Kodály in the ’40s and ’50s, and researched and documented in studies from the ’60s through ’80s, is based on the foundation that only …

Brazilian Rhythms On The Drum Set: Stylizations Of Baiao, Frevo And Maracatu By Drummers Airto Moreira, Nene And Marcio Bahia., Lucas Gomes Maia Tome Pimentel

Electronic Theses and Dissertations

The objective of this research is to gather and analyze stylizations of Brazilian folk rhythms baião, frevo and maracatu in contemporary Brazilian jazz. For this end, I examined transcriptions from well-known contemporary drummers Airto Moreira, Nenê and Márcio Bahia. Firstly, I reviewed the path of the drum set in Brazil by examining the important contributions made by drummers Luciano Perrone and Edison Machado. After that, I presented musical characteristics of baião, maracatu and frevo in their original environment, followed by analysis of each rhythm’s stylizations to the drum set made by drummers Airto Moreira, Nenê and Márcio Bahia. I concluded …

Moving To The Beat: The Role Of Movement On The Perception Of Musical Expressivity, Molly Evans

Honors Theses

The purpose of this study was to determine the effect body movement would have on listeners’ (N = 7) perceptions of the musical expressivity of different conducting patterns. An audio/video recording of a conductor from the University of Southern Mississippi was used for the stimulus, and listeners were asked to rate each video recording on perceived expressiveness, congruency between movement and music, and participant’s willingness to play under each conducting style. While the video portion of the stimulus changed to reflect two different conducting styles (beat centric – traditional movements that adhere to notated meter, non-beat centric – non-traditional movements …

Examining The Fears, Benefits, And Applications Of Teaching Improvisation In General Music, Krystle Boyd

Theses

This project focused on identifying and resolving fears associated with teaching improvisation in the general music classroom. The primary focus was on music educators and providing them with reassurance, reasoning, and plans on how to begin the process of teaching improvisation and follow through so that it is a well-developed initiative that will be built upon and utilized for years to come. This project demonstrated plans for an entire year of 5th grade general music instruction and provided a curriculum map, lesson plans, rubrics, and a manual of explanation for the lessons and activities.

Underground Opera Troupe: Early Opera In The Twenty-First Century, Abigail Josephine Hughes

Undergraduate Honors Thesis Projects

Through this project I sought to examine early opera as well as opera in America today and educate the average person about the value and availability of the genre. In order to do so, I organized and directed a small traveling opera troupe to perform in a variety of locations throughout Columbus, Ohio. The troupe performed at three locations over the course of the fall semester in 2018. With each performance, I worked to educate as many people as possible about opera and its presence in society.

Opera in America is, and always has been, a thriving genre. Both traditional …

Geographic Analysis Of Marching Band Culture (College And High School Ensembles), Steven Deamon

Honors Projects

Each marching band defines “culture” as their ensemble’s decisions on marching style, music choice, band size, instrumentation, and performance obligations. This study aims to categorize marching bands by cultural features, test if marching band characteristics are similar across a region, and explore how these trends in band culture relate to other demographic and socioeconomic trends. Research focused on bands in the Midwest and Southeastern United States and was conducted through video observation. Through analysis, it was found that most marching bands surveyed use a corps step, perform music of artistic merit, have between twenty-one and one hundred marchers, perform with …

An Oral History Of Marching Band Traditions At Historically Black Colleges And Universities, Claire Milburn

LSU Master's Theses

This study investigated the development of marching band traditions at Historically Black Colleges and Universities (HBCUs), as told through the rivalry between Southern University (SU) and Jackson State University (JSU). Marching bands at HBCUs developed a distinct style where pageantry is a priority. These bands have similar pre- and post- game traditions, and an overall spirit of fierce competition. This study is an oral history account taken from interviews with influential band directors from these programs. Band directors from JSU include Dowell Taylor, Paul Adams, Lewis Liddell, and Lowell Hollinger. These band directors all have established reputations as innovators and …