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Full-Text Articles in Arts and Humanities

A Description Of The Musical Concepts Artist-Level Jazz Musicians Employ While Improvising, Jonathan Whitmire Jan 2013

A Description Of The Musical Concepts Artist-Level Jazz Musicians Employ While Improvising, Jonathan Whitmire

Electronic Theses and Dissertations

The purpose of this study is to analyze musical concepts employed by artist-level jazz performers (professional jazz musicians) playing an improvised solo. These concepts are then compared to the participant's pedagogical background in improvisation. Subjects were videorecorded performing an improvised solo with an accompaniment track of "Take the ‘A' Train". They then participated in an observational research method referred to as stimulated recall where each performer watched the video directly following the performance and attempted to classify the musical concepts they used in their improvised solo. Categories of musical concepts included: scales/modes, chords/arpeggios, memorized licks, melodic variation, rhythmic variation, range/intensity, …


A Historical Study Of Irvin Cooper: Choral Music Educator And Founder Of The Cambiata Concept, Phillip Holland Stockton Jan 2013

A Historical Study Of Irvin Cooper: Choral Music Educator And Founder Of The Cambiata Concept, Phillip Holland Stockton

Electronic Theses and Dissertations

Military officers and psychologists have argued that the human experience of killing in combat is directly related to physical proximity between combatants. With the advent of remote controlled weapons and advanced optics, that argument has proven untrue. This thesis, through analysis of contemporary war literature and film, proposes that a better paradigm for understanding and anticipating the human experience of killing in combat is the view the soldier maintains of him/herself and of the other as similarly human. The contemporary soldier may view both the enemy and him/herself as human, subhuman, or inhuman; this view is closely tied to constructed …


The History Of The System Of Music Education In Jamaica: Emancipation In 1838 To The 21st Century, Randy Tillmutt Jan 2013

The History Of The System Of Music Education In Jamaica: Emancipation In 1838 To The 21st Century, Randy Tillmutt

Electronic Theses and Dissertations

The rich and internationally respected Jamaican music culture has been influenced by the system of music education that exists in the country. Public school and college level music education programs in particular have provided the opportunity for students to have an early exposure to music and to pursue a career in music. However, the multitude of opportunities to study and pursue music did not always exist in Jamaica. The goal of this study is to examine the history of music education in Jamaica with particular focus on such influences as British colonialism, the African Diaspora, Jamaican folk music and Jamaican …


A Comparison Of Bluegrass Bands: 2013 Bands Versus The 1940s-1960s Bands, Elizabeth Rosanne Butler Jan 2013

A Comparison Of Bluegrass Bands: 2013 Bands Versus The 1940s-1960s Bands, Elizabeth Rosanne Butler

Electronic Theses and Dissertations

The present study investigated the bluegrass music genre of 2013 and compared it with bluegrass found in the 1940s and 1960s. To date, only one similar study has been identified. In 1963, L.M. Smith completed a study entitled, Bluegrass Music and Musicians: An Introductory Study of a Musical Style in Its Cultural Context. In the conclusion to his study, Smith listed five major characteristics found in the bluegrass genre: 1. "Bluegrass is hillbilly music, played by white Southern musicians for a Southern audience." 2. "Bluegrass is not dance music and is seldom used for this purpose." 3. "Bands are made …


Cooperating Teacher Perceptions Of Music Student Teacher Preparedness For The Elementary Music Classroom, Charlotte Varner Hester Jan 2013

Cooperating Teacher Perceptions Of Music Student Teacher Preparedness For The Elementary Music Classroom, Charlotte Varner Hester

Electronic Theses and Dissertations

The present study investigated the strengths and areas of improvement for elementary music teacher preparation from the perspective of multiple members of a single body of music teachers. Subjects for the study were elementary music teachers from an urban school district in the southern United States. All elementary music teachers in the school district have at least Level I Kodaly certification. Thus, they teach from the same perspective. An online survey instrument utilizing open-ended and free response questions was designed based on the research questions. Cooperating teachers commented regarding elementary music student teacher preparation across three broad categories: teaching skills …