Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Three Learning Contexts As Paths To Preservice Instrumental Music Teachers' Score Analysis, Rehearsal Planning, And Instructional Readiness: An Exploratory Study In Professional Development, Jennifer Lee Pulling
Three Learning Contexts As Paths To Preservice Instrumental Music Teachers' Score Analysis, Rehearsal Planning, And Instructional Readiness: An Exploratory Study In Professional Development, Jennifer Lee Pulling
LSU Doctoral Dissertations
Despite an abundance of evidence-based research pointing to the effectiveness of long-term teacher professional development (PD) (Darling-Hammond, Hyler & Gardner, 2017; Desimone, 2009), instrumental music teachers who seek to improve their teaching practices are limited to and often prefer short-term PD opportunities (Bauer, 2007; West, 2020). In recent years, a growing knowledge base focused on music teacher PD has given attention to long-term, content-based and collaborative music PD (Conway, 2015; Kastner, 2014; Stanley, Snell & Edgar, 2014) while a dearth of evidence-based research exists on short-term music PD (Bauer, 2007; West, 2020). The purpose of this collective case study was …
Using Performance Cues As A Memorization Strategy With Group Piano Students By Implementing Teacher And Student-Directed Learning Approaches, Maria Eduarda Lucena Vieira
Using Performance Cues As A Memorization Strategy With Group Piano Students By Implementing Teacher And Student-Directed Learning Approaches, Maria Eduarda Lucena Vieira
LSU Doctoral Dissertations
Multiple researchers have explored the use of performance cues in memorization for music students, suggesting that it is an effective method for memorization (Chaffin & Imreh, 2002; Gerling & Dos Santos, 2017; Hallam et al., 2008). Based on the current literature about the use of memorization strategies, researchers have found a method of a secure, solid, and effective technique called Performance Cues (Chaffin & Imreh, 2002; Hallam et al, 2008). When working with students, the teacher can guide them with steps to understand how the music works and help them to find a secure memorization process where they will feel …
Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird
Developing Student Agency In The Choral Classroom: A Case Study, Danielle E. Laird
LSU Master's Theses
This multiple-case study sought to describe how student agency is cultivated within two high school choir programs. Research questions were: (a) In what ways did participating teachers incorporate student agency? (b) How did their students describe their experience? (c) What opportunities/difficulties emerged when students assumed leadership and decision-making roles? (d) Why do participating teachers offer these to students? (e) How do opportunities for student agency serve student learning and program goals? Data collection included semi-structured teacher interviews in two stages, as well as a student questionnaire. Other data included choir handbooks, student leadership information, social media presence, and classroom signs. …
"The Rest Is Lagniappe": The Female Secondary Band Director Experience In Louisiana, Margaret M. Webb
"The Rest Is Lagniappe": The Female Secondary Band Director Experience In Louisiana, Margaret M. Webb
LSU Master's Theses
The purpose of this case study is to examine the experience of female secondary band directors in southeastern Louisiana. Six female band directors in Louisiana were interviewed using video-conferencing. Of the six, four were middle school directors and two were high school directors. The semi-structured interviews took place in three phases: 1) musical influences and experiences from birth through college, 2) early teaching experience, and 3) current teaching experience. Data analysis included four phases of coding; open, axial, closed, and selective. Coding uncovered multiple themes in the findings. Themes were categorized as the following: (1) Becoming a Band Director, (2) …