Arts and Humanities Commons^™

Modes Of Listening In The Interpretation Of Electroacoustic Music, Lauren Wilson

The 21st Century Guitar

A cursory look through the literature on modes of listening reveals a wealth of different ways to attend to oneʼs sonic environment. Authors in the literature describe various, nuanced modes to frame oneʼs listening, and yet the terms also have central commonalities. In this essay, I explain that bringing these authors into dialogue with one another in a way that emphasizes these commonalities provides a rich interpretive tool, particularly for electroacoustic music. These different listenings ultimately compose my analysis, and I suggest that consciously engaging with modes of listening can shape listener experiences of electroacoustic music in analytically fruitful ways. …

Secondary Traumatic Stress And Women Music Educators: A Phenomenological Study, Abigail Van Klompenberg

Theses and Dissertations--Music

Secondary traumatic stress (STS) is a phenomenon that affects individuals in helping professions, including educators. STS is a trauma disorder and results from one’s exposure to others experiencing trauma or who have experienced trauma. STS can affect physical health, well-being, and professional performance. Due to the profound effects of STS, there is a need for continued research to clarify this phenomenon in educators, specifically music educators. Furthermore, there is a need for research on STS in women due to women’s unique interactions with trauma and the potential for them to develop trauma disorders. At the time of this study, there …

An Exploration Of Music Therapists' Experience Of Simultaneous Trauma During The Covid-19 Pandemic: A Phenomenological Inquiry, Nadia Mary Flutie

Theses & Dissertations

During the outbreak of the COVID-19 pandemic, many music therapists continued to provide services to those in need. Literature on the COVID-19 pandemic explores themes of loss, grief, lack of structure, and loss of normalcy. However, there is a need for further research in this area of study. Specifically, there is a need to investigate the phenomenon of simultaneous trauma, as both the therapists and their clients have experienced traumatic effects of this pandemic. This qualitative study explored two music therapists’ lived experience of simultaneous trauma during the COVID-19 outbreak through virtual semi-structured interviews focusing on several aspects of their …

The Music Therapist’S Experience Of Flow During The Covid-19 Pandemic: A Phenomenological Inquiry, Kaitlyn Upshaw

Theses & Dissertations

This study explored the music therapist’s lived experience of flow during a worldwide pandemic, within an improvisational music therapy approach. There is little to no literature about the concept of flow and how it relates to the music therapist’s lived experience, and none of which includes a worldwide traumatic event. Through a phenomenological investigation, the lived experiences of two music therapists who align with the improvisational music therapy approach were studied. A thematic analysis was conducted on data sources such as qualitative interview transcriptions and audio/video recordings of the interview. The following individual themes emerged from participant one: (a) flow …

Dialogic Communication In The One-To-One Improvisation Lesson: A Qualitative Study, Leon R. De Bruin

Australian Journal of Teacher Education

This qualitative study investigates the dialogic interactions between teacher and student that enhance learning and teaching within the one-to-one music improvisation lesson. This study analyses the ways teachers elicit student actions, thoughts and processes that develop student skills, critical and creative thinking processes necessary for improvisational development. Interactions and interplay between six Australian conservatoire improvisation students and their teachers were investigated. Data reveal dialogic interactions that span instruction, conversation, inquiry and enablement of student knowledge and skills that constitute a complex socio-cultural tapestry of discursive threads. Teacher-student interactions that activate desired creative student activity engage meta-cognitive processes and the cultivation …

Laminated Paint, Travis R. Austin

Theses and Dissertations

Though we may not perceive it, we are surrounded by material-in-flux. Inert materials degrade and the events that comprise our natural and social environments causally thread into a duration that unifies us in our incomprehension. Sounds reveal ever-present vibrations of the landscape: expressions of the flexuous ground on which we stand.

A Phenomenological Inquiry Into An Autistic Adolescent's Experience In Relationship-Based Music Therapy From The Perspectives Of The Adolescent And Parent, Diana N. Abourafeh

Theses & Dissertations

This study explored the essence of relationship-based music therapy through the lens of an autistic adolescent and their parent. Though previous research examines this phenomenon through a parent’s perspective (Corcoran et al., 2015; Thompson & McFerran, 2015; Sorel, 2010, 2004; Warren & Nugent, 2010), the present study supports the neurodiversity paradigm shift through providing opportunities for an autistic participant to speak on his experience. The data sources included two interviews, adolescent and parent, as well as indexes of the music therapy session. A thematic analysis was conducted through collecting and analyzing all data sets. Themes were developed and musical descriptions …

Timbral Thievery: Synthesizers And Sonic Materiality, Jonathan De Souza

Jonathan De Souza

Fretboard Transformations, Jonathan De Souza

Jonathan De Souza

The Varieties Of Tone Presence: On The Meanings Of Musical Tone In Twentieth-Century Music, Aaron Harcus

Dissertations, Theses, and Capstone Projects

This dissertation is about tone presence, or how musical tone shows up for experience in twentieth-century music. In exploring the subject of tone presence, I rethink notions of “pitch structure” in post-tonal theory and offer an alternative that focuses on the question of what it is to be a musical interval for experience, drawing on a wide range of research from social theory, semiotics, theories of emotion, African American studies, literary theory, usage-based linguistics, post-colonial theory, and phenomenology. I begin by offering a critique of three basic assumptions that constrain understandings of what we mean by pitch structure in post-tonal …

Embodied Composition: The Creation Of Enriched Interactional Experiences Through Music Composition, Aaron Bilney Geringer

All Graduate Theses, Dissertations, and Other Capstone Projects

Music is a form of embodied interaction through which people can synchronize their motor, sensory, and emotive systems. Anthropologists and developmental psychologists suggest that elements of music provide the groundwork for verbal interaction and interpersonal relationships (Aiello, 1996; Dissanayake, 2000; Mithen, 2006). When people interact with each other through music, the bases of community are formed. Phenomenological descriptions of individual’s experience of music and the role music plays in interpersonal interaction have been documented. However, there is little literature describing the embodied experiences of music composers as the architects of embodied interactions through music. Through this study, I address this …

Music Therapy Students' Experiences As The Client In Group Muisc Therapy, Nancy Jackson, Susan Gardstrom

Susan Gardstrom

This report highlights a collaborative, phenomenological study undertaken by 2 faculty researchers from different undergraduate music therapy training programs in the Midwest. A total of 9 junior and senior music therapy students from both programs (5 from one & 4 from another) were involved in short-term group music therapy, participating in three 2-hour sessions during the course of an academic semester. Sessions were facilitated by the researchers, both of whom were board certified music therapists. To ensure ethical treatment, each researcher led sessions with the students from the other university, with whom they had no dual relationships. Student participants were …

Tapestry Of Tears: An Autoethnography Of Leadership, Personal Transformation, And Music Therapy In Humanitarian Aid In Bosnia Herzegovina, Alpha M. Woodward

Antioch University Dissertations & Theses

In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Transformation and change not only characterized the world in which I worked, but also …

Music Therapy As An Intermodal Practice: Clients And Therapists Perspectives, Daniel Hyams

Expressive Therapies Dissertations

This qualitative study used a phenomenological approach to investigate the lived experiences of clients and music therapists working with an integrated arts approach in music therapy. Seventeen client participants (aged 11-19 years old) underwent five consecutive therapy sessions with one of three qualified music therapists. The guiding questions pertained to the participants’ experience of having various arts materials in addition to the standard musical instruments available during the music therapy sessions. The results showed a positive response from the clients’ perspectives, and a negative response from the therapists. The clients unanimously preferred having choice in the sessions. The therapists, however, …

Listening Origins, Habits, And Habitus, Mark Zanter

Mark Zanter

Listening habits offer us insight into music’s affect on us as individuals, artists, and as members of the various communities we inhabit. Using the lens of phenomenology to assess and explore the nature of the listening experience, I will investigate recent writings on music perception, and modes of listening focusing on their use: by individuals in everyday life; in perceiving musical works and the role of music in multi-media; and in generating habitus—social codes in the musical cultures we inhabit. Once the notions of habits and habitus have been established, I will posit that listening, in the context of new …

A Phenomenological Investigation Of Nordoff-Robbins Trainees' Personal And Musical Growth During Certification Training, Matsuri Imura

Theses & Dissertations

Nordoff-Robbins Music Therapy (NRMT) is an improvisational model of music therapy that involves active music making between a client and therapist. Through this interaction, the therapist may promote communication, self-expression and relatedness (Aigen, 2005). NRMT requires advanced training beyond what is necessary to practice music therapy at an entry level, and it offers certification at three levels. This study examined the experience of three participants who have completed Level I NRMT training. The first level of training focuses on developing musical resources and clinical applications of music while trainees attend classes and conduct individual and group sessions. Improvisational competencies necessary …

The Meaning Of Music-Making For Computer Scientists With A Serious Musing-Making Avocation: A Phenomenological Case Study, Varda Shaked

Educational Studies Dissertations

This study explores the meaning of music-making in the lives of computer scientists who play classical music as their serious avocation. In particular, it investigates their tendencies and capacities to concurrently engage in two such distinct disciplines on a regular basis, by exploring the cognitive, social, and cultural aspects of their concurrent engagement. While current research literature approaches the affinities between mathematicians/scientists and musicians through the presence of mathematical properties of music and through anecdotal evidence involving known persona and their innovations, this study provides a deeper look at the individuals who combine such worlds, in order to better understand …

Exploring The Essence Of Trust Through The Lived Experiences Of Jazz Educators, John Newell Canfield

Theses Digitization Project

The purpose of this phenomenological study is to contribute to the body of knowledge on trust, educational leadership, and jazz by exploring the lived experiences of jazz educators with regard to the phenomenon of trust in the educational environment.

Listening In Action: Students' Mobile Music Experiences In The Digital Age, Rebecca Marie Rinsema

USF Tampa Graduate Theses and Dissertations

Since the introduction of the iPod in 2001, portable music listening devices that play or stream compressed music files have steadily become the standard devices used to listen to music. Despite this, few music education researchers have investigated the role that such devices have in shaping students' music listening experiences. This dissertation is meant to fill that gap in the literature and contribute to the existing sociological and psychological literature on music listening in everyday life.

Phenomenology served as the theoretical framework for the design of the study. 10 college students from three institutions underwent iterative interviews and were asked …

Mercy Mercy Me (The Media Ecology): Technology, Agency, And "Cleavage" Of The Musical Text, Arthur J. Bamford

Electronic Theses and Dissertations

This thesis explores changes that occurred in popular music during the 1960s and early 1970s through case studies involving three significant albums released in 1971 and 1972: Marvin Gaye's What's Going On, Sly and the Family Stone's There's a Riot Goin' On, and Stevie Wonder's Talking Book. These albums deserve attention particularly because, as this thesis argues, existing research on the cultural significance of popular music has focused largely on the periods before or after the 1970s and research on music-making technologies has focused largely on white artists or groups from the late 1960s. Addressing this blind …

Survivors On The Edge: The Lived Experience Of Professional Musicians With Playing-Related Injuries, Christine A. Guptill

Christine A Guptill

The purpose of this study was to understand the lived-experience of professional instrumental musicians who have experienced playing-related injuries. This study used a hermeneutic phenomenological methodology developed to examine this lived-experience. In-depth interviews were conducted with ten professional musicians. This was followed by a focus group where preliminary findings were presented to participants and their feedback was sought. Other sources of lived-experience included participant-observation by the researcher, who is a musician and has experienced injuries; and biographic and artistic representations of musical performance and its loss, including literature, films and television. The findings were summarized in a visual representation unique …

Survivors On The Edge: The Lived-Experience Of Professional Musicians With Playing-Related Injuries, Christine A. Guptill

Digitized Theses

The purpose of this study was to understand the lived-experience of professional instrumental musicians who have experienced playing-related injuries. This study used a hermeneutic phenomenological methodology developed to examine this lived-experience. In-depth interviews were conducted with ten professional musicians. This was followed by a focus group where preliminary findings were presented to participants and their feedback was sought. Other sources of lived-experience included participant-observation by the researcher, who is a musician and has experienced injuries; and biographic and artistic representations of musical performance and its loss, including literature, films and television.

The findings were summarized in a visual representation unique …

Mentoring Apprentice Music Therapists For Peace And Social Justice Through Community Music Therapy: An Arts-Based Study, Guylaine Vaillancourt

Antioch University Dissertations & Theses

Community music therapy (CoMT) is a creative approach that liberates expressions, giving voice to groups of individuals of all age, status, and race who contribute, in their own way, to build a better society. In this dissertation, I intend to reveal some of the critical themes in the experiences and relationships that apprentice music therapists have with community music therapy, peace, social justice, leadership, and mentorship. Individual interviews were conducted with apprentice music therapists who participated in a co-researchers’ group experience using arts-based research (ABR) and participatory action research (PAR). Principles and foundations for a future model of practice in …

Alban Berg's Filmic Music: Intentions And Extensions Of The Film Music Interlude In The Opera Lula, Melissa Ursula Dawn Goldsmith

LSU Doctoral Dissertations

The music composed to accompany the film in Berg’s Opera Lulu--the “Film Music Interlude” (FMI)--is the subject of this study. Although this is film music, and Berg wrote his own Film Music Scenario, scholars have ignored writings about film theory and film music in their historical and analytical treatments of the FMI. How do writings about film theory and film music apply to the analysis and exploration of historical and social contexts of the FMI, and what musical and extramusical intentions and extensions can be drawn from the FMI? Some answers come to light while exploring sources containing Berg’s correspondence …