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Full-Text Articles in Arts and Humanities

Augkit: An Augmented Drum Set System Designed For Live Performance, Mario A. Carvajal Nov 2019

Augkit: An Augmented Drum Set System Designed For Live Performance, Mario A. Carvajal

FIU Electronic Theses and Dissertations

Augkit is an augmented drum set system designed for live performance. Augkit consists of a drum kit, microphone, audio interface, MIDI pad controller with foot switches, set of speakers, and a computer. I designed the processing audio engine in the visual programming language Max. Max processes the audio signal in a variety of ways that include delays, flanger, reverb, and synthesis that depend on the frequency content of the signal. Foot switches and MIDI pads toggle and modify the parameters of Augkit. This approach to playing drum set proves to be very flexible and offers new aesthetic possibilities for live …


Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp Apr 2019

Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp

Masters Theses

Mal_Functions is a four-movement work for string quartet and live electronic that takes as its subject the timbrally rich and expansive acoustic capabilities of a string quartet and twists, warps, and expands upon them with the addition of the live electronic processing. The addition of electronics acts as only an extension of the performer, and therefore, appears to be generated by the performers themselves - as opposed to the computer. The overall goal of this piece is to take a well-established object of the musical past (the string quartet) and add to it something from the present day (live electronic …


Insights Into The Collaborative Process Between Electronic Music Composers And Commissioning Saxophonists, Taylor Barbay Assad Mar 2019

Insights Into The Collaborative Process Between Electronic Music Composers And Commissioning Saxophonists, Taylor Barbay Assad

LSU Doctoral Dissertations

This monograph gives information about the collaborative process that takes place between commissioning saxophonists and composers of electronic music. It focuses specifically on music for solo performers and works for electronics, either with prerecorded tape or live electronics. The core of this paper centers on interviews conducted with composers of works for saxophone and electronics and professional saxophonists about the nature of their collaborations on new music for solo saxophone and electronics. The composers and performers selected had previously worked together on preparing and premiering a piece. Questions were developed for interviews of the composers and performers. The questions were …