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Articles 1 - 30 of 47
Full-Text Articles in Arts and Humanities
Volume 34, Number 12 (December 1916), James Francis Cooke
Volume 34, Number 12 (December 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Locating the Notes on the Keyboard
Make Your Circular Hit the Mark
Keeping the Voice in Prime Condition
Some Truths about Touch and Tone
Famous Legends of Famous Music: And Incidentally Some Famous Lies About Well-Known Pieces
Beethoven's Appearance and Personality
If I Had to Begin All Over Again: A Remarkably Interesting Symposium with Contributions from Distinguished Musicians
What an Olden Time Bard Looked Like
Composer: A Powerful and Fascinating Romance of Modern Musical Life849
Tempo: The Ruling Force in Music
Teaching Ideals of Three Master Violinists
Teaching Expression to Children
Danger in Tuning the Piano Too High
Four Roads …
Faculty Concert, Maude Oliver, Rosa Hill Dunwody, Alfred Hall, L H. Mitchell
Faculty Concert, Maude Oliver, Rosa Hill Dunwody, Alfred Hall, L H. Mitchell
Faculty Performances
This is the program for the faculty recital featuring the following artists (in order of performance): Miss Maude Oliver and Mrs. Rosa Hill Dunwody; Mr. Alfred Hall; Mrs. Rosa Hill Dunwody; Miss Maude Oliver; Mr. L. H. Mitchell; Miss Aileen Haralson; Miss Olive Rigor Rusk; and Mr. Alfred Hall. This recital took place on November 6, 1916.
Volume 34, Number 11 (November 1916), James Francis Cooke
Volume 34, Number 11 (November 1916), James Francis Cooke
The Etude Magazine: 1883-1957
What the American Girl Should Know About an Operatic Career
Last Days of Stephen Foster
Half Hour of Daily Technic
Useful Addition to the Gallery Collecton
Superlative Importance of Tempo
Some Interesting Musical Historical Facts
Hundred-Dollar Lesson
Difficult Pronunciations
Scale Wheel
Composer: A Powerful and Fascinating Romance of Modern Musical Life
Great Composers and the Harp
Study with Beads
Studio Visiting Days
Beethoven and the Blind Girl
Learning a Piece by Forgetting It
Musician's Worry Habit
Master Lesson for Earnest Students on Mendelssohn's Charming Spinning Song
What Kind of Music is Best?
How Verdi Sought to Avoid Pomp Even in …
Volume 34, Number 10 (October 1916), James Francis Cooke
Volume 34, Number 10 (October 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Getting Results Through Right Practice: A Talk to Students
Points to Remember in Sight Reading
What's Wrong with My Piece
Teacher and His Business
Building of Music: A Practical Lesson in the Principles of Musical Form
Self-Help Road to Success in Music
Overcoming Stage Fright
Common Sense in Pianoforte Touch and Technic
Why Should I Study Theory
Some Facts About Pitch
Composer and the Organ Grinder: A Powerful and Fascinating Romance of Modern Musical Life
What Every Student Should Know About Phrasing
Learning to Depend Upon One's Self
Honor to the Teacher
George Noyes Rockwell
Master Lesson—Mendelssohn's Scherzo in E …
Volume 34, Number 09 (September 1916), James Francis Cooke
Volume 34, Number 09 (September 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Stephen Foster's Versatility and Industry
Talking Too Much
Some Musical Signposts
Personal Recollections of the Last Days of Stephen Foster
Intimate View of Stephen Foster
Sense of Rhythm
Intelligent Training of the Thumb
Find the Shortest, Quickest and Easiest Way to Do Things
Spurring Up a Slow Pupil
Stephen C. Foster's Romantic Career
Music's Written Language
How to Show Pupils the Advantages of Slow Practice
Compounded Measures
Popularizing Good Music
Some Curious Musical Instruments Used by Savage Tribes
Beauty and Originality in Haydn's Pianoforte Sonatas
Generosity of Franz Liszt
Two Great Musical Innovators, Liszt and Paganini
Are You a Solomaniac? …
Volume 34, Number 08 (August 1916), James Francis Cooke
Volume 34, Number 08 (August 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Instruments of Mythology
What Time Means to the Musician
Some Facts About Rubinstein
Was Liszt the Paganini of the Piano?
More About American Musical Atmosphere
Dr. Cornelius Rübner on American Musical Atmosphere
Training of the Thumb in Pianoforte and Organ Playing
Three Helpful Devices with Which Piano Students Should be Familiar
Music in America During Revolutionary Times
How One Mother Kept the Home Together
Necessary Little Instrument for Every Piano
Habit Formation in Relation to Pianoforte Playing
Philadelphia Movement in Music
Notation of Silence
Systematize Children's Practice
Curious Facts About Music
Real Help for the Pupil
Musical Memorizing To-day …
Volume 34, Number 07 (July 1916), James Francis Cooke
Volume 34, Number 07 (July 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Success Guides for Young Teachers
Practice Hour Filled with Pleasure
Part the Piano Should Play in Musical Education
What Should be the Attitude of the Layman Toward Music
Most Subtle Secret of Success
Live Teacher—Am I One?
Teaching the Use of the Bass Clef
Practice the Hard Parts Separately
Beginning at Both Ends
Effect of Mechanical Instruments Upon Musical Education: A Symposium from Noted American Educators Upon a Question of Wide Significance
Royal Performers on the Flute
Real Meaning of Rhythm
Useful Finger Exercise
Discouraging the Pupil
Can There Be Any Real New Music?
How Parents Can Help
First Requisites …
Ua45/6 Commencement Concerts, Wku Registrar
Ua45/6 Commencement Concerts, Wku Registrar
WKU Archives Records
Commencement concert program and graduation program listing music certificate / diploma recipients.
Volume 34, Number 06 (June 1916), James Francis Cooke
Volume 34, Number 06 (June 1916), James Francis Cooke
The Etude Magazine: 1883-1957
What the American Musical Public Needs (interview with Josef Stransky)
Geography of Opera
Correct Musical Diagnosis
Tragic Ending of Enrique Granados
Negro in the World of Music
Can Poetic Playing and Singing Be Taught?
Proper Age for Beginning Music
Different Kinds of Touch the Student Should Master
Story of the Piano in Pictures
World Music of To-morrow: A Prospect of the Nature of Our Musical Progress Based Upon the Musical Tendencies of To-day
Gift of Observation in Piano Study
When Grandmother Taught Me Music
Eye and the Ear: Shall the Student Learn to Play by Ear?
Some Interesting Beginnings in …
Volume 34, Number 05 (May 1916), James Francis Cooke
Volume 34, Number 05 (May 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Sanity and Insanity in Modern Musical Composition
Classified List of Some Futurist and Modernist Composers
Will the Music of Ultra-Modernists Survive? A Symposium by Eminent Musicians
Some Examples of Cubist Art by Recognized Futurists
Thoroughness in Hungarian Music Study
Talented Pupil Who Wastes His Time
Redundant Practice
Efficiency Principle in Piano Study
How Edward Grieg Found Success
Boundaries of Beauty in Musical Art
Three Trinities in Music
Firsts in American Musical History
How to Play Thirds and Sixths—A Study in Advanced Technic
Facts About Bach's Well-Tempered Clavichord
Use Musical Terms Precisely
Rebuilding on Old Foundations
Creoles and their Music
How …
Volume 34, Number 04 (April 1916), James Francis Cooke
Volume 34, Number 04 (April 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Practical Studies in Advanced Technic
Spirit of the Piece
Practical Ideas in Teaching, Culled from a Famous Authority
Flush of Nervousness
Marvels of Sound: Some Wonders of Acoustics with Which Music Lovers Should be Familiar
Sound Facts for Busy Readers
Universality in Piano Teaching Methods
Developing Musical Volume of Tone
One Way of Getting More Pupils
Monotone
Musical Day in Nature: A Lecture Recital Program for Students and Teachers
Working Creed for the Music Teacher
Plan for the Systematic Review of Old Pieces
What To Do When a Teacher Cannot Be Had
History of Notation and the Young Student
Holding …
Volume 34, Number 03 (March 1916), James Francis Cooke
Volume 34, Number 03 (March 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Radical Methods in Modern Pianoforte Study
Remarkable Pianoforte Arrangements of Franz Liszt
Artistic Origin of Mendelssohn's Songs Without Words
Liszt in Fiction: A Romance in Which the Great Pianist is the Central Figure
Practicing with One Hand
Shakespeare's Music the World Over
Clara Schumann's Debt to Johannes Brahms
Muscular Mastery of the Keyboard
Every One Can Memorize Music: That is, if Everyone Will Work Hard Enough, Long Enough and in the Right Way
Thoroughness in Memorizing Music
Misleading Musical History
Sibelius and the Music of Modern Finland
Teaching Pupils the Musical Alphabet
Nervousness versus Karma: A Much-Needed Parable for Timid …
Volume 34, Number 02 (February 1916), James Francis Cooke
Volume 34, Number 02 (February 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Happy Side of Music Teaching
Blind Handel and His Blind Helper
Piano Subito
You and the Other Teacher
Elementary Study of Pianoforte Technic
Teacher's Nerve Destroyers
Hands and the Pianist
Away from the Piano
Science of Pianoforte Practice
Establishing a Definite Technic
Single Little Mistake
Leisure Hour Facts for Music Workers
What is Expected of the Accompanist?
Foundation of Smooth Scale Playing
Practicing Backward
Musical Facts for Spare Moments
Early Drill in Sight Reading
Ten Points in Extemporization
Place of the Nocturne in Musical Art
Pertinent Questions for Conscientious Teachers
Interesting Facts About Finnish Music
When Should I Practice?
Three …
Volume 34, Number 01 (January 1916), James Francis Cooke
Volume 34, Number 01 (January 1916), James Francis Cooke
The Etude Magazine: 1883-1957
Preparing for the Virtuoso's Career
Chopin in Fiction
Chopiniana: Chopin's Character, Temperament and Art Etched in Interesting Facts from
Music in the Danish Capital
Aid to Sight Reading
On the Gentle Art of Advertising
Arm-Control in Piano Playing
Don'ts for the Mothers of Music Pupils
Letting the Pupil Select Music
Should a Teacher Evolve His Own Method, or Use That of His Instructor?
How to Gain Power, Sweetness and Expression in Singing
Matter of American Musical Atmosphere
Practical Ideas in a Nutshell
Wisdom of Leschetizky: Statements from His Personal Expressions on Pianoforte Playing
Have I Musical Talent?
Use of the …
Carroll Poulin (3 Months Old) With Father Joseph Poulin Photograph, Franco-American Collection
Carroll Poulin (3 Months Old) With Father Joseph Poulin Photograph, Franco-American Collection
Franco-American Music Traditions Exhibit
Joseph Poulin, an accomplished musician, was a violinist with the Portland Symphony and director of St. Peter's Choir. Carroll Poulin founded Carroll's School and Music Center 50 years ago and has given music lessons for brass, reed, and string instruments (50-65 per week) to countless adults and children in the community. His son, Carroll, Jr., now owns the store.
Carroll played his first dance job when he was 16 and later went on to have his own dance band, "Carroll Poulin and his Orchestra," performing at pavilions, city hall, and school dances at the Lewiston Armory. He maintains an extensive …
Home Sickness Blues / Music By Cliff Hess, Cliff Hess, Waterson Berlin And Snyder Co. (New York)
Home Sickness Blues / Music By Cliff Hess, Cliff Hess, Waterson Berlin And Snyder Co. (New York)
Sheet Music, 1910-1919
Cover: drawing of a pleasant home surrounded by trees and singing birds; photo inset of Nora Bayes; Publisher: Waterson Berlin and Snyder Co. (New York)
They Made It Twice As Nice As Paradise And They Called It Dixieland / Music By Richard A. Whiting; Words By Raymond Egan, Richard A. Whiting, Raymond Egan, Jerome H. Remick And Co. (New York)
They Made It Twice As Nice As Paradise And They Called It Dixieland / Music By Richard A. Whiting; Words By Raymond Egan, Richard A. Whiting, Raymond Egan, Jerome H. Remick And Co. (New York)
Sheet Music, 1910-1919
Cover: drawing of an elderly African American woman telling a story to a child on her knee; Publisher: Jerome H. Remick and Co. (New York)
Auf Wiedersehn But Not Goodbye / Music By Fred W. Wanderpool; Words By Louis Weslyn, Fred W. Wanderpool, Louis Weslyn, A. J. Stasny Music, Inc. (New York)
Auf Wiedersehn But Not Goodbye / Music By Fred W. Wanderpool; Words By Louis Weslyn, Fred W. Wanderpool, Louis Weslyn, A. J. Stasny Music, Inc. (New York)
Sheet Music, 1910-1919
Cover: painting of flowers; Publisher: A.J. Stasny Music, Inc. (New York)
Homesick Blues / Words By Cliff Hess, Cliff Hess, Waterson Berlin And Snyder Co. (New York)
Homesick Blues / Words By Cliff Hess, Cliff Hess, Waterson Berlin And Snyder Co. (New York)
Sheet Music, 1910-1919
Cover: idyllic drawing of a house and birds on a branch; photo inset of Nora Bayes; Publisher: Waterson Berlin and Snyder Co. (New York)
If You Had The World And All Its Gold / Music By Al Piantadosi; Words By Bartley Costello And Harry Edelheit, Al Piantadosi, Bartley Costello, Harry Edelheit, Al Piantadosi And Co. Inc. (New York)
If You Had The World And All Its Gold / Music By Al Piantadosi; Words By Bartley Costello And Harry Edelheit, Al Piantadosi, Bartley Costello, Harry Edelheit, Al Piantadosi And Co. Inc. (New York)
Sheet Music, 1910-1919
Cover: of Eva Tanguay; Publisher: Al Piantadosi and Co. Inc. (New York)
Keep Your Eye On The Girlie You Love / Music By Ira Schuster; Words By Howard Johnson, Alex Gerber, And ., Ira Schuster, Howard Johnson, Alex Gerber, Leo Feist Inc. (New York)
Keep Your Eye On The Girlie You Love / Music By Ira Schuster; Words By Howard Johnson, Alex Gerber, And ., Ira Schuster, Howard Johnson, Alex Gerber, Leo Feist Inc. (New York)
Sheet Music, 1910-1919
Cover: a couple taking a stroll, while walking a pair of dogs; photo inset of Sophie Tucker; Publisher: Leo Feist Inc. (New York)
Sweetheart Song / Music By Jerome Heller; Words By Lettie Gould, Jerome Heller, Lettie Gould, Church Paxson And Co. (New York)
Sweetheart Song / Music By Jerome Heller; Words By Lettie Gould, Jerome Heller, Lettie Gould, Church Paxson And Co. (New York)
Sheet Music, 1910-1919
Cover: a photo of a woman; Publisher: Church Paxson and Co. (New York)
War Babies / Music By James F. Hanley; Words By Ballard Mcdonald And Edward Madden, James F. Hanley, Ballard Mcdonald, Edward Madden, Shapiro Bernstein And Co. (New York)
War Babies / Music By James F. Hanley; Words By Ballard Mcdonald And Edward Madden, James F. Hanley, Ballard Mcdonald, Edward Madden, Shapiro Bernstein And Co. (New York)
Sheet Music, 1910-1919
Cover: an after war scene, a destroyed city and a photo of little kids with sad and scary eyes; a photo inset of Al Jolson; Publisher: Shapiro Bernstein and Co. (New York)
When The Black Sheep Returns To The Fold / Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)
When The Black Sheep Returns To The Fold / Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)
Sheet Music, 1910-1919
Cover: a photo of Belle Baker; Publisher: Waterson Berlin and Snyder Co. (New York)
Yaaka Hula Hickey Dula (Hawaiian Love Song) / Words By E. Ray Goetz, Joe Young, And Pete Wendling, E. Ray Goetz, Joe Young, Pete Wendling, Waterson Berlin And Snyder Co. (New York)
Yaaka Hula Hickey Dula (Hawaiian Love Song) / Words By E. Ray Goetz, Joe Young, And Pete Wendling, E. Ray Goetz, Joe Young, Pete Wendling, Waterson Berlin And Snyder Co. (New York)
Sheet Music, 1910-1919
Cover: a photo of Al. Jolson; a drawing of a island; Publisher: Waterson Berlin and Snyder Co. (New York)
Mammy's Little Coal Black Rose / Music By Richard A. Whiting; Words By Raymond Egan, Richard A. Whiting, Raymond Egan, Jerome H. Remick And Co. (New York)
Mammy's Little Coal Black Rose / Music By Richard A. Whiting; Words By Raymond Egan, Richard A. Whiting, Raymond Egan, Jerome H. Remick And Co. (New York)
Sheet Music, 1910-1919
Cover: photo of Al. Jolson; Publisher: Jerome H. Remick and Co. (New York)
Dancing Down In Dixieland / Music By Irving Bibo; Words By Abe Olman, Irving Bibo, Abe Olman, Forster Music Publisher (Chicago)
Dancing Down In Dixieland / Music By Irving Bibo; Words By Abe Olman, Irving Bibo, Abe Olman, Forster Music Publisher (Chicago)
Sheet Music, 1910-1919
Cover: drawing of an elegant African American couple dancing, inset of a paddle wheeler; Publisher: Forster Music Publisher (Chicago)
I'M Saving Up The Means To Get To New Orleans / Music By Harry De Costa; Words By Howard Johnson, Harry De Costa, Howard Johnson, Leo Feist Inc. (New York)
I'M Saving Up The Means To Get To New Orleans / Music By Harry De Costa; Words By Howard Johnson, Harry De Costa, Howard Johnson, Leo Feist Inc. (New York)
Sheet Music, 1910-1919
Cover: drawing of three scenes of African Americans, one of picking cotton, another of a duo singing and playing banjo, and the last of dock workers; photo inset of singer Emma Carus; Publisher: Leo Feist Inc. (New York)
Ireland Must Be Heaven, For My Mother Came From There / Words By Joe Mc Carthy, Howard Johnson, And Fred Fisher, Joe Mccarthy, Howard Johnson, Fred Fisher, Leo Feist Inc. (New York)
Ireland Must Be Heaven, For My Mother Came From There / Words By Joe Mc Carthy, Howard Johnson, And Fred Fisher, Joe Mccarthy, Howard Johnson, Fred Fisher, Leo Feist Inc. (New York)
Sheet Music, 1910-1919
Cover: drawing of a castle and clover; photo inset of Avon Comedy 4; Publisher: Leo Feist Inc. (New York)
Roses Of Beautiful Memories / Music By Geo. B. Pitman; Words By Geo. B. Pitman, Geo. B. Pitman, Garton Brothers (Boston)
Roses Of Beautiful Memories / Music By Geo. B. Pitman; Words By Geo. B. Pitman, Geo. B. Pitman, Garton Brothers (Boston)
Sheet Music, 1910-1919
Key of Bb. Cover: a drawing of Roses; Publisher: Garton Brothers (Boston)