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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
A Bond-Street Lounger, George Saville Carey (1743-1807)
A Bond-Street Lounger, George Saville Carey (1743-1807)
Broadside Ballads: England
Details a man who lives all his days at another's expense
La Retour De Wicklow: Aria Pastorate. Pas Seul And Waltz For The Harp Or Pianoforte:Composed And Dedicated To Miss Stowell, T. T. Bennison
La Retour De Wicklow: Aria Pastorate. Pas Seul And Waltz For The Harp Or Pianoforte:Composed And Dedicated To Miss Stowell, T. T. Bennison
Composers
Footnote on caption title page of Aria reads 'This Aria was danced with great approbation in the opera of the Knights, or the Edict of Charlemaigne'.
Footnote on caption title page of Pas Seul reads 'This Pas Seul was danced with great applause by Miss B. Dennett, in Paul & Virginia' Footnote on caption title page of Waltz reads 'This Waltz was played by Mr. Weidnierin the Enchanted Flute'
Trois Quatuors Concertantes Pour Deux Violons, Alto Et Violoncelle, Oeuvr. V, Johann Bliesener
Trois Quatuors Concertantes Pour Deux Violons, Alto Et Violoncelle, Oeuvr. V, Johann Bliesener
The Drs. Whitby Music Collection
No abstract provided.
The Favourite National Air Of St. Patrick's Day As Performed At The Theatre Royal Dublin, Arranged As A Rondo For The Harp Or Piano Forte, Thomas T. Cooke
The Favourite National Air Of St. Patrick's Day As Performed At The Theatre Royal Dublin, Arranged As A Rondo For The Harp Or Piano Forte, Thomas T. Cooke
Composers
No abstract provided.
In The Dead Of The Night Or Katty Flanigan With Variations For The Piano Forte, Johann Ladislaus Dussek
In The Dead Of The Night Or Katty Flanigan With Variations For The Piano Forte, Johann Ladislaus Dussek
Composers
No abstract provided.
Radhagovind Sangitsar Of Maharaja Pratap Singh, Peter L. Manuel
Radhagovind Sangitsar Of Maharaja Pratap Singh, Peter L. Manuel
Publications and Research
The Radhagovind Sangitsār (or simply Sangitsār) completed in Jaipur around 1800, is a significant musical treatise regarding North Indian classical music. Its special importance lies in its status as one of the very few writings on Hindustani music in the nearly two centuries between the 16th-17th Sanskrit and Persian texts and the early modern writings commencing in the decades around 1900. In the interests of disseminating it to interested students and scholars I have digitized chapter seven, on rāga, which is the chapter that has proved to be of most use and interest to musicologists.