Arts and Humanities Commons^™

Concerto Competition Final Round, Lynn University Conservatory Of Music, Roberta Rust

Concerto Competition

Competition Coordinator

• Dr. Roberta Rust

Jury

• Karen Ritscher, viola (Manhattan School of Music and NYU faculty)
• Jose Ramon Mendez, piano (Northwestern University faculty)
• Ken Larson, trumpet (lnterlochen Center for the Arts faculty)

Piano Accompanist

• Dr. Sheng-Yuan Kuan (Staff Collaborative Pianist)
• Carina Inoue (Guest Collaborative Pianist)
• The Collaborative Piano Studio of Lisa Leonard (Marina Machado, Silvia Valdivia Villasante, and Sergei Skobin)

Concerto Competition Preliminary 2, Lynn University Conservatory Of Music, Roberta Rust

Concerto Competition

Competition Coordinator

• Dr. Roberta Rust

Jury

• Karen Ritscher, viola (Manhattan School of Music and NYU faculty)
• Jose Ramon Mendez, piano (Northwestern University faculty)
• Ken Larson, trumpet (lnterlochen Center for the Arts faculty)

Piano Accompanists

• Dr. Sheng-Yuan Kuan (Staff Collaborative Pianist)
• Carina Inoue (Guest Collaborative Pianist)
• The Collaborative Piano Studio of Lisa Leonard (Marina Machado, Silvia Valdivia Villasante, and Sergei Skobin

Concerto Competition Preliminary 1, Lynn University Conservatory Of Music, Roberta Rust

Concerto Competition

Competition Coordinator

• Dr. Roberta Rust

Jury

• Karen Ritscher, viola (Manhattan School of Music and NYU faculty)
• Jose Ramon Mendez, piano (Northwestern University faculty)
• Ken Larson, trumpet (lnterlochen Center for the Arts faculty)

Piano Accompanists

• Dr. Sheng-Yuan Kuan (Staff Collaborative Pianist)
• Carina Inoue (Guest Collaborative Pianist)
• The Collaborative Piano Studio of Lisa Leonard (Marina Machado, Silvia Valdivia Villasante, and Sergei Skobin)

Non:Wa: Navigating Indigenous Modernity Through Female Artists' Perspectives, Nicole Bussey

Undergraduate Student Research Internships Conference

This article examines the relationship between tradition and modern elements of Indigenous music through a cyclical perspective, and challenges colonial concepts of Indigenous modernity. Indigenous culture is often portrayed in mainstream culture as a relic of the past, which renders it incompatible with modernity. With a special focus on Indigenous female artists’ perspectives, I examine the ways in which women placed in this unique intersection challenge the binaries of past/present and tradition/modern.

Modernizing And Diversifying Western's Audio Engineering Curriculum: First Stage, Kyle Haddad

Undergraduate Student Research Internships Conference

This was the first stage in a much larger study designed to update the audio engineering curriculum at Western University, to reflect modern trends and to diversify beyond the UK 1970s prog rock bias of traditional curriculum. An undergraduate student was hired from within the Popular Music Studies program here at Western University to work in the studio for the summer, and to provide recommendations for change in studio design at the end fo the summer based on that work. The student worked on his own material, and engineered record sessions for a PhD candidate currently at work on a …

"A Gesture Of Solidarity Through Music": Local And International Community In Canadian Benefit Concerts For Ukraine, Charlotte M. Lilley

Undergraduate Student Research Internships Conference

In the months following Russia's February 24, 2022 invasion of Ukraine, the Canadian music community responded by hosting a number of benefit concerts. In contrast to the precedents set by well-known, large-scale benefit concerts such as 1985's "Live Aid", these concerts were strongly rooted in the local context of the events' hosts and centred the voices and experiences of members of their beneficiary community. Combined with the potential of these events to allow individuals and groups to combat feelings of helplessness and to serve as forms of resistance against the Russian regime, this has allowed these concerts to create and …

Creating A Commercial Classical Music Recording, Winnie Zheng

Undergraduate Student Research Internships Conference

An outline of the process to create a classical music recording for commercial use in the style of a “how-to” guide. The guide aims to present the three main steps of creating a commercial classical music recording, which includes recording, editing, and creating post-mastering materials such as an album cover. The purpose of this guide is to make classical music-making more accessible to a variety of audiences and provide a behind the scenes view on how classical music recordings are created.

Collection Of Violin Technique Fundamentals, Patricio Flores Esquivel

Undergraduate Student Research Internships Conference

This book provides a sampling of exercises and studies for violin playing. It serves as both a collection of useful materials and a reference to other studies and exercises aimed at the playing level of an average incoming violin student at Western University. This compilation of exercises is sorted according to the fundamental aspect of violin technique that each exercise addresses.

Much of the book is made up of patterns and variations on studies and exercises that are sorted by skill and designed to be reusable and useful for other studies beyond this book, as well as violin repertoire. It …

White Dashes: A Research And Music Compilation On How Songwriters Harness And Understand The Concept Of Writing Based On Foreign Experiences., Stephanie Ann D. Lavoie

DLSU Senior High School Research Congress

Music is part of more than we realize, without music in movies, advertisements, video games, films, and many other types of media, it would change how we immerse ourselves in these other worlds. This research focuses on writing music based on foreign experiences, meaning working with others and meeting their needs while maintaining creative liberty. A survey was conducted where songwriters and composers answered questions about differences between writing based on personal and foreign experiences, along with their opinions on how to write music for others. After the survey, interviews were conducted with some of those who answered the google …

Outcast: A Compositional Interpretation Of Lgbtqia+ Members' Self Love Stories In Social Participation, Victor G. Garcia

DLSU Senior High School Research Congress

In history, it has been known to the world that the LGBT community has been facing challenges in this society, and where struggles occur, love must prevail. To numerically determine these 4 qualifying people, a behavioral survey was released for them to answer. The interpretation process was done by arranging the ideas from the interview transcription, planning the song themes ahead of time, and using creative figurative languages. After creating the songs, another survey was sent to the four participants for evaluation and subjective criticisms. Results show that all participants have agreed that the songs created can positively influence the …

The Hidden Voices: Peggy Gilbert And The International Sweethearts Of Rhythm, Katelyn Still

Scholars Day Conference

Women throughout history have had to contend with sexism and racism. A woman's voice was restricted and viewed as inferior in the south. This treatment was magnified in the world of jazz. Jazz was viewed as a boisterous male art form where a demure woman did not belong. A woman's musical voice, her form of expression, was often discredited by the public. Since women's talents were discredited, their musical voices were often hidden from history. This presentation shines a light on the suppression of the female voice while uncovering the successful women of Peggy Gilbert and The International Sweethearts of …

Teaching Music In The Age Of Zoom: How To Run A Multimedia Piano Studio, Anna Grace Leicht

Scholars Day Conference

This work explores the effects of Covid-19 on teaching and details how to set up and market an online piano studio.

Faculty Reopening Committee: A Study Of Chair And Faculty Collaboration, Jeffrey Ward

Academic Chairpersons Conference Proceedings

The presenter will share experiences with a self-selected group of volunteer faculty to form a Reopening Committee, offering conclusions not only about the committee but also about also how it more broadly illustrates principles of faculty governance and collegial relationships among faculty and between the faculty and the department head.

Achieving Learning Outcomes In The World Of Covid, Jeffrey Ward, Frederick Burrack

Academic Chairpersons Conference Proceedings

Presenters assessment will explore how focusing on the learning outcomes guides faculty into determining best instructional practices in a remote/hybrid delivery method, illustrating examples of faculty shifting from traditional face-to-face teaching strategies to remote or hybrid teaching strategies, while achieving the same learning outcomes.

Hollywood Leadership Theory, Part 1, Christopher Barrick

Academic Chairpersons Conference Proceedings

Leadership advice is readily available in journals and books, but are those sources most relevant for today’s leaders? This presentation aims to take a different approach by presenting sound leadership principles as seen in television and movies, translating Hollywood leadership to the everyday life of academic departments.

Thematic Use Of Non-Conformity In "Changing My Major" (Ft. Gay Panic), Yazmeen Mayes

Symposium of Student Scholars

CW: Presentation includes references to sex and suicide.

This presentation is an in-depth score analysis of “Changing My Major” from the musical Fun Home by Lisa Kron and Jeanine Tesori, which is based on Alison Bechdel’s autobiographical memoir by the same name. The musical examines the similarities and differences between Alison and her father as she attempts to contruct a future without a queer elder to model it. This presentation demonstrates the collaborative, tight structure of thematic messaging in musical theatre. Overall, ““Changing My Major” personifies the show at large and celebrates the process of questioning as its own epic, …

Singing For The Red, White, And Blue: Nationalism In Country Music After 9/11, Laz Divine

Symposium of Student Scholars

On September 11th, 2001, the Twin Towers of the World Trade Center and the Pentagon were struck by hijacked airplanes in a terrorist attack. The result of the attack spurred an overwhelming sense of despair and anger across the nation, leading to the resurgence of nationalist and patriotic themes in music. Since Country music serves as a tool to express unity, nostalgia, and the struggles of the working class, many turned to it to provide comfort. The theme of unity and struggle mixed with the resurrection of patriotism launched a new age in Country music with the creation of the …

All Things New: An Analysis Of Alfred Gaul's "A New Heaven And A New Earth", Hope Dornfeld

Liberty University Research Week

Graduate

A Modern Take On Baroque Reed-Making, Brooke Olivarez

Undergraduate Research Conference

No abstract provided.

L'Homme Arme: A Tradition Of Contrafactum, Lauren Moseley

Student Scholar Showcase

Contrafactum, the replacement of text in a song, and L’homme Arme impacted music both in the 1450s and today. Although their usage changed and dwindled, musicians never stopped using contrafactum and L’homme Arme in their works. With the intent of improving music pedagogy and performance, the purpose of this research was to investigate L’homme Arme and contrafactum and their usage today. The particular problems of this study were to (1) examine contrafactum and L’homme Arme in medieval and renaissance music; (2) explore the use of contrafactum today; and (3) arrange a piece of music that combines a sacred and a …

From Operetta To Broadway, Katelyn Blue

Student Scholar Showcase

Music compositions transitioned from the performance of operettas to Broadway musicals, as did musical study on a collegiate level. Although Universities did not begin teaching musical theater when the genre originally emerged, Broadway musicals have become a part of “classic” American repertoire. With the intent of improving music pedagogy and performance, the purpose of this research is to investigate the history of the Broadway musical in University settings. The particular problems of this study were to (1) explore the transition from operettas to musicals; (2) trace the development of musical theatere in collegiate study; and (3) to describe the University …

Songs Of Wartime: An Anthology Of Music Composed By Women During The Second World War, Brittany Weinstock

Seaver College Research And Scholarly Achievement Symposium

During the Second World War, female European composers wrote a prolific amount of music which often goes unrecognized in favor of their male counterparts. The composers that I focus on are Elsa Barraine, Ilse Weber, Josima Feldschuh, Germaine Tailleferre, and Grażyna Bacewicz. The goal of this study is to collect an anthology of five pieces, one piece by each composer, in order to highlight and celebrate their contribution to the musical canon, as well as to understand how the conflict in Europe affected them.

For my research, I first found five female composers who were in some way affected by …

Cognitive Insights And Implications Of Singing: Actions, Proprioception, And Perception In Vocal Performance., Juanita Leal

Graduate Student Research Symposium

Studies in vocal performance have suggested the interdependence of cognitive reactions and performative proprioception. This interdependence indicates an introspective self-evaluation process during the act of musical performance. When affected by singers’ judgment of vocal production, self-evaluation and perceptive processes potentially change due to implicit competitive roles in the music performance environment.

In this project, I delve deeper into the ways the brain recognizes aspects of vocal sounds, how it reacts to the process of singing, and how it can identify them as its own In two different environments: the controlled practice space and the variable performance space. By reflecting on …

Left To Blind Destruction: An Exploration Of Post-Punk Britain Through The Lens Of Manchester's Own Joy Division (1973-1980), Emily Wingfield

Capstone Showcase

This thesis explores the UK post-punk movement, looking at how the movement emerged within the political and social climate of 1970s and early 1980s Britain and the key characteristics of the genre. I also provide a deeper exploration of the movement through a case study of Joy Division. The central questions within my research are: What was the social and political climate of Britain during the 1970s and 1980s? How did this influence the emergence of the post-punk movement? What are the complexities and nuances of Joy Division and its place in the Manchester music scene? How do these earn …

Queer Representation And Public Pedagogy In American Musical Theatre, Craig M. Mcgill, Alan J. Chaffe, Kyle W. Ross

Adult Education Research Conference

This paper explores the Broadway musical as a site of queerness and queer representation through the lens of queer public pedagogy.