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Music

LSU Master's Theses

Harald Krebs

Publication Year

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Full-Text Articles in Arts and Humanities

A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley Jan 2007

A Taxonomy Of The Effects And Affects Of Surface-Level Metric Dissonance, Jennifer Rae Shirley

LSU Master's Theses

In his book, Fantasy Pieces, Harald Krebs presents a taxonomy of metric dissonance that lays a foundation for further study. The system that Krebs presents leaves ample opportunity to answer the following questions: Do metric dissonances that are labeled the same way have the same function in their musical context? What is the role of listening in the categorization of metric dissonance? While many theorists, including Richard Cohn, Walter Frisch, and Yonatan Malin, have provided valuable insights to the realm of metric dissonance, their work focuses mainly on hypermeter, large-scale formal implications, or specific analyses. In light of the above …


Background Conglomerates In Alkan's Quasi-Faust, Op. 33, No. 2, Matthew James Steinbron Jan 2006

Background Conglomerates In Alkan's Quasi-Faust, Op. 33, No. 2, Matthew James Steinbron

LSU Master's Theses

Various approaches have been used over the past 50 years to describe and analyze works that exhibit tonality but have more than one tonic. This paper focuses solely on a subcategory of such works: those that begin in one key and end in another, the first key being permanently replaced by the second. The most prominent systems of terminology and analysis for such works include “progressive tonality,” “directional tonality,” “interlocking structures,” and “background conglomerates.” After examining these systems, “background conglomerates” is determined to best suit works that permanently change tonics. This approach, which was introduced by Harald Krebs, employs a …