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Full-Text Articles in Arts and Humanities

The Direction We Grow, Reid Willis Jan 2009

The Direction We Grow, Reid Willis

LSU Master's Theses

The Direction We Grow is a composition for orchestra, solo soprano, and choir. It is a summation of the compositional knowledge I’ve accumulated throughout my undergraduate and graduate programs at LSU. The piece reflects my compositional style, which is characterized by rich melody and complex rhythm. With sweeping melodic motives, climactic builds, and percussive coloration, the piece incorporates characteristics of the Classical, Romantic, and Impressionistic musical periods. The piece is palindromic in structure. It builds upon a simple, celestial one-note motive and introduces new melodic patterns until it finally morphs into a steady, percussive section. The section builds to a …


Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira Jan 2009

Crime And Punishment: One Act Ballet, Ronaldo Cadeu De Oliveira

LSU Master's Theses

Crime and Punishment: One Act Ballet is a ballet for full orchestra and soloists based on the novel Crime and Punishment by Russian writer Fyodor Dostoevsky. The form of the piece is based on the form of the novel, but as the means of literature are different of the means of music, an adaptation of the plot of the novel was revealed necessary. Only the most significant happenings in the plot of the novel are present in the piece. All passages in which a description of psychological characteristics of the main characters is presented in the novel were translated into …


The Effect Of Participation In Performing Ensembles On Listening Practices Of Adolescents, Katie Kalota Jan 2009

The Effect Of Participation In Performing Ensembles On Listening Practices Of Adolescents, Katie Kalota

LSU Master's Theses

The purpose of this study was to investigate the effect of participation in performing ensembles on listening practices of adolescents. Specifically, this study looked at whether the focus of choral students while listening to music was more on the lyrics and their meaning and if the focus of band students was more on the instruments in comparison with each other and students enrolled in general music classes. A secondary interest of this study was to uncover the listening preferences of adolescents. Middle school students enrolled in band, choir, or general music classes (N = 23) served as participants. Students were …


Les Mains Désenlaceuses: Unlocking The Relationship Of Text And Music In The Proses Lyriques, Sacha Alexandra Grace Peiser Jan 2009

Les Mains Désenlaceuses: Unlocking The Relationship Of Text And Music In The Proses Lyriques, Sacha Alexandra Grace Peiser

LSU Master's Theses

This thesis examines Claude Debussy’s Proses Lyriques, a set of four chansons published in 1895. These songs were composed during a pivotal time in the composer’s life—concurrent with Prélude à l’après-midi d’un faune, the String Quartet, and the commencement of work on Pelléas et Mélisande. Also noteworthy is that out of a complete output of over 90 songs, these are the only published works with both text and music by the composer. Because of this unique property, the Proses Lyriques allows researchers, analysts, and performers to gain valuable insight into Debussy’s intertwining of music and text. This thesis utilizes various …


The Pasquale Amato Correspondence At Louisiana State University, Sarah Wells Kaufman Jan 2009

The Pasquale Amato Correspondence At Louisiana State University, Sarah Wells Kaufman

LSU Master's Theses

Italian baritone Pasquale Amato (1878-1942), who sang at the Metropolitan Opera in New York from 1908–1921, was regarded by critics and colleagues as a leading baritone of the early twentieth-century. Amato appeared in several United States and world premieres, most notably as Jack Rance in Giacomo Pucinni’s La fanciulla del West (1910), and often performed alongside Enrico Caruso. After leaving the Met in 1921 and touring Europe until 1926, Amato returned to the United States. His struggle to find substantial work eventually led to his pursuing teaching. In 1935, having secured a position as director of the opera department at …


High School Students' Attitudes Toward Single-Sex Choir Versus Mixed Choir, Jenna Leigh Jackson Jan 2009

High School Students' Attitudes Toward Single-Sex Choir Versus Mixed Choir, Jenna Leigh Jackson

LSU Master's Theses

Participants in this project included high school choral students (N = 54) from central Mississippi and their directors (N = 3). Participants were enrolled both in a mixed choir and either an all boy or all girl choir. A survey was constructed by the researcher to determine the attitudes of the participants toward singing and participation in choir. The 32 survey statements fell into one of four categories: perception of self as singer, attitude about gender in choir, others’ perception of self in choir, and attitude toward choir. In addition, participants were asked to provide demographic data about their gender, …