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Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry Dec 2011

Continuing Abby Whiteside's Legacy--The Research Of Pianist Sophia Rosoff's Pedagogical Approach, Carol Ann Barry

Dissertations, 2014-2019

Since 1956, Sophia Rosoff has dedicated herself to performing and teaching principles developed by piano pedagogue Abby Whiteside. Whiteside became internationally known between 1930 and 1956 for her pioneering work in the study of the use of the body in producing beautiful sound and freedom of technique. Her research was considered revolutionary and instrumental in raising physical awareness in pianists. Committed to ongoing research, Rosoff continues to teach in her apartment in the Upper East Side of New York City. The purpose of this document is to present Rosoff’s musical background, research, teaching philosophy, and the strategies she has developed …


The Evolution Of Style In The Neoclassical Works Of Stravinsky, Kyle Szabo May 2011

The Evolution Of Style In The Neoclassical Works Of Stravinsky, Kyle Szabo

Dissertations, 2014-2019

The compositional output of Igor Stravinsky is roughly divided into three periods: Russian, Neoclassical, and Serial. In his neoclassical period of composition, Stravinsky developed highly refined methods of formal construction, harmonic management, and use of counterpoint. Careful analysis of several neoclassical and transitional works serves to demonstrate Stravinsky’s innovative methods of voice leading, economy of pitch class set material, and ingenuity in redefining Classical era forms. Stravinsky’s Russian ballets are stylistically focused on practical and stage-oriented formal structures, stratified counterpoint, and thematic content originating in folk materials. As he began writing more concert music, the extraction of these stylistic elements …


Franz Liszt: The Sonata In B Minor As Spiritual Autobiography, Jonathan David Keener May 2011

Franz Liszt: The Sonata In B Minor As Spiritual Autobiography, Jonathan David Keener

Dissertations, 2014-2019

Many composers, particularly in the 19th century, have attempted to write “autobiographical” music. Although Franz Liszt never explicitly mentioned that any of his works were autobiographical, the facts we have about his life and the symbolism within his Sonata in B Minor suggest that this piece may serve this purpose, either intentionally or subconsciously. Liszt, having strong ties to the Catholic Church, may have also consciously or unconsciously incorporated religious symbolism into the work. Works that exerted influence on the formal structure and the possible extra-musical meaning of the Sonata in B Minor include Charles-Valentine Alkan’s Grande Sonate, Robert …