Arts and Humanities Commons^™

The Eudemonic And Hedonic Impacts Of Attending Live And Virtual Music And Art Events, Philippa Kirwan, Samantha Morris

Articles

This paper examines the under-investigated well-being impacts of arts and music events attendance, in both a live and virtual capacity. Using eudaimonia and hedonia as a measure for well-being, three objectives were investigated; 1) Do live arts and music events meet attendees eudemonic and hedonic needs? 2) Do virtual arts and music events meet attendees eudemonic and hedonic needs? 3) How do live and virtual music and art events compare in meeting attendees eudemonic and hedonic needs? The study focused on attendee’s experiences having attended both live and virtual events. Using nine semi-structured interviews this research found that live music …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …

Ann Flood, Mairéad Farrell, And The Representation Of Armed Femininity In Irish Republican Ballads, Seán Ó Cadhla

Articles

This article critically considers the representation of armed femininity within the attendant song tradition of Irish physical-force Republicanism, with specific focus on the personal and cultural consequences for two prominent female Republican activists, both of whom successfully traverse the gender demarcation lines of war. While noting the didactic, often misogynistic, trajectory of works narrating ‘transgressive’ females within the broader ballad tradition, this article seeks to determine whether or not the interwoven essentialist tropes of death, martyrdom and resurrection — all deeply-embedded ideological constructs within the framework of Irish Republicanism — successfully supersede calcified patriarchal mores and in so doing, facilitate …

Are Literary Agents (Really) Fiduciaries?, Jacqueline Lipton

Articles

2018 was a big year for “bad agents” in the publishing world. In July, children’s literature agent Danielle Smith was exposed for lying to her clients about submissions and publication offers. In December, major literary agency Donadio & Olson, which represented a number of bestselling authors, including Chuck Palahnuik (Fight Club), filed for bankruptcy in the wake of an accounting scandal involving their bookkeeper, Darin Webb. Webb had embezzled over $3 million of client funds. Around the same time, Australian literary agent Selwa Anthony lost a battle in the New South Wales Supreme Court involving royalties she owed to her …

Retrieving The Real Frederick May, Mark Fitzgerald

Articles

Although Frederick May (1911–85) is seen as holding an important position in the history of twentieth-century composition in Ireland, writing about May has been sporadic. There exists no serious biographical study to date and most of the commentary on the music has been superficial and frequently misleading. Utilizing the recently re-catalogued collection of May’s manuscripts in the Manuscripts and Archives Research Library in Trinity College Dublin (TCD) and also libraries and public collections in Cork, the United States, London, the Czech Republic and Vienna as well as a number of private archives, this essay attempts to build a clearer picture …

'...Sometimes The Actual Sound Of The Voice Is My Own': An Interview With Garrett Sholdice, Mark Fitzgerald

Articles

This interview surveys the music of Garrett Sholdice, discusses influences and traces aspects of Sholdice's aesthetic and technical approach.

The Myers-Briggs Type Indicator (Mbti): Should Musicians Care About It?, Arun Rao

Articles

No abstract provided.

A Belated Arrival: The Delayed Acceptance Of Musical Modernity In Irish Composition, Mark Fitzgerald

Articles

The chronic lack of investment in the capital needed to foster the development of music during the period of colonial governance in Ireland and the early years of the Free State, combined with Ireland’s peripheral position in relation to the centres of musical modernism, resulted in composers in Ireland adopting modernist ideas at a very late stage, particularly in comparison with the chronology of Irish literary modernism. Previous literature on the subject of Irish musical modernism has frequently obscured any clear sense of the real extent of this delay through the conflation of the concept of “modernism” with styles that …

“Young Men Of Erin, Our Dead Are Calling”: Death, Immortality And The Otherworld In Modern Irish Republican Ballads, Seán Ó Cadhla

Articles

Irish physical-force Republicanism has long been noted for its tendency to promote the tropes of martyrdom and immortality as core tenets of its ideological belief system. This essay sets out to examine the genre of Republican death ballads so as to identify how such essentialist concepts are represented and promoted within the attendant song tradition. Particular attention will be paid to works that deploy overtly supernatural tropes in order to articulate the key Republican concept of heroic immortality. The present research will demonstrate the consistency with which such narrative devices have been retained within the Republican song tradition into the …

"Then To Death Walked, Softly Smiling": Violence And Martyrdom In Modern Irish Republican Ballads, Seán Ó Cadhla

Articles

This article critically considers the representation of death within the song tradition of modern Irish Republicanism. I explore how such representations have changed in parallel with the various ideological metamorphoses that Irish Republicanism has undergone, specifically in the twentieth century. I argue that the centrality of self-sacrifice has resulted in the development of ballad narratives that deliberately obfuscate on the issue of Republican violence, resulting in the deaths of all Republican militants (regardless of cause or context), ultimately portrayed as a form of heroic self-martyrdom.

San alt seo, déantar anailís chriticiúil ar léiriú an bháis i dtraidisiún amhránaíocht Phoblachtach na …

Sonic Jihad — Muslim Hip Hop In The Age Of Mass Incarceration, Spearit

Articles

This essay examines hip hop music as a form of legal criticism. It focuses on the music as critical resistance and “new terrain” for understanding the law, and more specifically, focuses on what prisons mean to Muslim hip hop artists. Losing friends, family, and loved ones to the proverbial belly of the beast has inspired criticism of criminal justice from the earliest days of hip hop culture. In the music, prisons are known by a host of names like “pen,” “bing,” and “clink,” terms that are invoked throughout the lyrics. The most extreme expressions offer violent fantasies of revolution and …

On Constructing A Sonic Gangbang: System And Subversion In Gerald Barry’S Chevaux-De-Frise, Mark Fitzgerald

Articles

This paper examines Chevaux-de-frise by Gerald Barry. The work is from a transitional period in Barry's work forming a bridge between the work of the 1980s (most notably The Intelligence Park) and the more polyphonic work of the 1990s. The paper describes Barry's use of canonic devices and his manipulation of found material before making some brief links to later works from Barry's output.

Was That A Song?, Donald J. Herzog

Articles

Jazz constantly spins off new possibilities, seizing on fusion with rock, new rhythms from Brazil and then "world music," astringent harmonies and atonal combinations from "new" music or twentieth-century "classical," and more. [...]jazz musicians have been relaxing constraints since the beginning. Piano players might keep "comping" or accompanying the soloists with well-chosen chords, but they might roam free or just stop playing.\n Again you can wonder how much of this was deliberately plotted out before the trio hit the stage, how much developed on the spot.

In Search Of The Original "Skewball", Seán Ó Cadhla

Articles

The well-known horseracing ballad ‘Skewball’ has been widely documented in oral tradition on both sides of the Atlantic, as well as on numerous English broadside printings. It recounts the tale of a mid-eighteenth-century horserace held at The Curragh of Kildare, in which a heavily-backed mare is comprehensively beaten by a relatively unknown skewbald gelding leaving the mare’s owner — along with much of the assembled onlookers — significantly out of pocket. The ballad became widely popularised in North America where it was first published in a song book in 1826 (Benton 1826:3-4). It was later subsumed into African-American song tradition, …

The Flap-O-Phone, A Site-Specific Turntable, Christopher Delaurenti

Articles

This article gives an overview of the author's site specific turntable, the flapophone. Supplemental attached files include images, audio, and video of the flapophone being played by the author.

Horses For Discourses?: The Transition From Oral To Broadside Narrative In “Skewball”, Seán Ó Cadhla

Articles

The well-known horse-racing ballad ‘Skewball’ (hereafter, SB) has a well-established oral tradition in Ireland, with versions documented throughout the eighteenth-,nineteenth- and twentieth-centuries. The latest is a 1979 field-recording of Derry folksinger and storyteller, Eddie Butcher (Shields 2011:58-9). The ballad was also assimilated into African-American oral tradition, in which it was reconstructed and renamed ‘Stewball’ (Scarborough 1925:61-4; Lomax 1994:68-71), and was still being documented in American folk tradition as late as the 1930s (Flanders 1939:172-4). In common with countless other folk songs, SB was appropriated by broadside printers and subsequently enjoyed widespread public appeal throughout England in the early- to …

New Tools In Improvised Music Performance., Seán Mac Erlaine

Articles

This paper looks at the synthesis of computer technology and instrumental practice in improvised music performance. The emerging field of performers who use real-time signal processing as a technological extension of their instrument is discussed. How do new tools affect musical practice? Does the use of computers impose an associated aesthetic?

A number of key players are scrutinised including Evan Parker, La Monte Young, Terry Riley, Jon Hassell, Miles Davis, Pauline Oliveros, David Behrman. The research provides a historical context to these practices and explores how pre- and post-digital technologies have shaped their work.

This article identifies an innovative and …

Encyclopedia Of Music In Ireland: Siobhán Cleary, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Siobhán Cleary

Encyclopedia Of Music In Ireland: Michael Holohan, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Michael Holohan

Encyclopedia Of Music In Ireland: John Mclachlan, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer John McLachlan

Encyclopedia Of Music In Ireland: Crash Ensemble, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Crash Ensemble

Encyclopedia Of Music In Ireland: Deirdre Gribbin, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Deirdre Gribbin

Encyclopedia Of Music In Ireland: Rob Canning, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Rob Canning

Encyclopedia Of Music In Ireland: Kevin Volans, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on Kevin Volans

Encyclopedia Of Music In Ireland: Jonathan Nangle, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Jonathan Nangle

Encyclopedia Of Music In Ireland: Gráinne Mulvey, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Irish composer Gráinne Mulvey

Encyclopedia Of Music In Ireland: Point Theatre, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Point Theatre

Encyclopedia Of Music In Ireland: Royal Hospital Kilmainham, Adrian Smith

Articles

Encyclopedia of Music in Ireland entry on the Royal Hospital Kilmainham

Poldowski Rediscovered, David Mooney

Articles

This is a brief magazine article, commissioned to celebrate the 75th anniversary of the death of Poldowski. It contains a biographical sketch and a description of compositions.

The Harper's Legacy: National Airs And Pianoforte Music., Una Hunt

Articles

No abstract provided.