Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

2001-2002, Middle Eastern Music Ensemble’ Sep 2001

2001-2002, Middle Eastern Music Ensemble’

Ephemera Materials

No abstract provided.


The Qur'Ân In Indonesian Daily Life: The Public Project Of Musical Oratory, Anne K. Rasmussen Jan 2001

The Qur'Ân In Indonesian Daily Life: The Public Project Of Musical Oratory, Anne K. Rasmussen

Articles

In Indonesia, amidst a plethora of unique Southeast Asian popular and folk music, Western music, and traditional gamelan styles, the recitation of the Qur'an pervades daily life as an archetype of Muslim authenticity. Removed by thousands of miles and hundreds of years from the source of Islam, Indonesians perform and experience the Qur'an in allegedly the same way as Muslims did during the time of the prophet, Muhammad. This article distills eight months of research as a student of professional male and female reciters of the Qur'an in Jakarta, Indonesia, the capital city of the country that is home to …


Ya 'Udhaibal Marshaf Jan 2001

Ya 'Udhaibal Marshaf

Sheet Music

No abstract provided.


"Gershwin Gone Native!": The Influence Of Primitivism And Folk Music On "Porgy And Bess", Katherine Dacey Jan 2001

"Gershwin Gone Native!": The Influence Of Primitivism And Folk Music On "Porgy And Bess", Katherine Dacey

Dissertations, Theses, and Masters Projects

No abstract provided.


Two Steps From The Blues: Creating Discourse And Constructing Canons In Blues Criticism, John M. Dougan Jan 2001

Two Steps From The Blues: Creating Discourse And Constructing Canons In Blues Criticism, John M. Dougan

Dissertations, Theses, and Masters Projects

This dissertation examines the development of blues criticism in its myriad forms from the 1920s to 1990s, its role in the emergence of a blues discourse and history, and the codification of a blues canon. I analyze blues discourse principally as the creation of critics, historians, and musicologists, but also as the result of series of complex, imbricated relationships among writers, musicians, fans, record collectors, and independent entrepreneurs.;Beginning in the 1920s, I outline a pre-history of blues discourse by examining the metamorphosis of the blues as a cultural text shaped by the folklore scholarship, criticism and reportage in the popular …