Arts and Humanities Commons^™

Anacalypsis, Kristopher David Bendrick

Masters Theses

The title of this piece, Anacalypsis, takes its name from the text Anacalypsis: An Attempt to Draw Aside the Veil of the Saitic Isis or an Inquiry into the Origin of Languages, Nations and Religions, written by Godfrey Higgins in 1836. The word anacalypsis is an antonym to the word apocalypse and comes from the Greek word ανακάλυψης which translates to find or discovery. In his two-volume treatise, Higgins attempts to unveil "a most ancient and universal religion from which all later creeds and doctrines sprang.”

Reading through Higgins’ text brought me to the intriguing idea of a time before …

Mal_Functions For String Quartet And Live Electronics, Elliott Andrew Lupp

Masters Theses

Mal_Functions is a four-movement work for string quartet and live electronic that takes as its subject the timbrally rich and expansive acoustic capabilities of a string quartet and twists, warps, and expands upon them with the addition of the live electronic processing. The addition of electronics acts as only an extension of the performer, and therefore, appears to be generated by the performers themselves - as opposed to the computer. The overall goal of this piece is to take a well-established object of the musical past (the string quartet) and add to it something from the present day (live electronic …

A Collection Of Three Pieces For Solo Instrument And Electronics, Carolyn Borcherding

Masters Theses

This collection of three musical compositions for solo instruments and electronics explores the interaction between acoustic instruments and electronic media with a specific focus on musical form. The musical form is apparent due to clear musical segmentations, and the coherence of each work is maintained by the inter-contextual relationships evident in the musical material. Each piece is divided into three parts: beginning, middle, and end. Each beginning sets up a strong relationship between the two media by using closely timed action-reaction gestures. The middle section diverges away from these reactionary gestures, while the ending then brings about a short return …