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Full-Text Articles in Arts and Humanities

A Theory Of Text Setting Contour: A Proposed Theory That Places Text At The Structural Foreground Of The Analysis Of Vocal Music, Grace K. Weaver Jul 2022

A Theory Of Text Setting Contour: A Proposed Theory That Places Text At The Structural Foreground Of The Analysis Of Vocal Music, Grace K. Weaver

Music ETDs

How can contour theory be used to analyze a composer’s setting of a poem? Can this approach provide insights that lead to an interpretation of the composer’s setting of the text? This study presents a new contour theory on text setting by examining two different settings of the same text. This theory examines one aspect of the music, the vocal line, and plots syllable’s locations in two dimensions of music: pitch space and duration. Using these data points, one can suggest an interpretation of the poem. Through the application of this theory to Fanny Hensel and Franz Schubert’s setting of …


Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D. May 2022

Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D.

Teacher Education, Educational Leadership & Policy ETDs

The purpose of this study was to capture the student voice regarding the value, importance, and relevance of visual and performing arts education in public schools. The host institution for the study was an urban school district in the southern central United States serving 75,000 students, with 55% students identified as Hispanic, and 52% of students experiencing poverty. Graduating seniors responded via questionnaires with forced choice and open-ended items regarding several topics, including what they do in their free time, how they perceive the value of arts classes at school, access to arts classes and the match of their interests …


'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting, Eduardo Garcia May 2022

'Ahora Estamos Más Unidos': Claiming Resilience In The Musical And Visual Aftermath Of The El Paso Mass Shooting, Eduardo Garcia

Music ETDs

The El Paso Wal-Mart Mass Shooting on August 3, 2019, prompted swift response from the local community to create artistic spaces of remembrance. This study examines the musical (mariachi and corrido) and visual (altares, murals, and memorials) manifestations present at makeshift and formal memorials for the victims. I analyze how members of the El Paso-Ciudad Juárez borderland situated their artistic work in the aftermath of the shooting. I argue that these artists responded to the attack with symbolic acts of resilience rooted in cultural and collective memory, embodiment of trauma, and the lived experience of corporeal …


Composition Portfolio, Jose E. Orea Dominguez May 2022

Composition Portfolio, Jose E. Orea Dominguez

Music ETDs

This composition portfolio consists of a series of works written during my master’s degree at the University of New Mexico. Each chapter in this collection includes a brief structural and aesthetic description as well as specific annotations regarding its instrumentation, writing style/system, and pitch collection (if existent). The compositions featured in this portfolio are: Orbits (Interstellar Cloud 1, 2021) for amplified large ensemble, Centaurus (2021) for amplified variable ensemble from 2 to 8 performers, Prisma (2020) for amplified modified Pierrot quintet, Sirius (2022) for amplified vocal ensemble, Wormhole (2021) for amplified solo violin, Space-Time Burst (2021) for amplified solo trombone …


Jesus Woodlą́Ą́Jí Sin: Sounding A Self-Determined Navajo Christian Church, Renata Yazzie Apr 2022

Jesus Woodlą́Ą́Jí Sin: Sounding A Self-Determined Navajo Christian Church, Renata Yazzie

Music ETDs

Jesus Woodlą́ą́jí’ Sin: Navajo Hymns of Faith, the first and only extensive Navajo hymnal, was published in 1979. This hymnal contains 365 hymns for congregational singing, translated into the Navajo language. The Navajo Hymnal Committee, responsible for the seven years of intensive translation work, formed in 1972 under the direction of Reverend Dr. Paul Redhouse (1925-2019), an ordained Navajo minister within the Christian Reformed Church. Redhouse wholeheartedly believed that Navajo people had the right to worship in their own language and argued that pre-issued English hymnals by outside church leaders were not suitable for obvious reasons—a language barrier. Through …