Arts and Humanities Commons^™

The History And Development Of Solo Tuba Repertoire, Vasilios Tidwell

Honors Theses

The tuba's solo repertoire increased in quantity and quality as a result of developments in the instrument’s design and usage. Following the invention of the tuba in 1835, instrument makers experimented with design concepts to maximize the versatility and potential of the bass brass voice. Composers explored the various uses of the instrument, eventually making the tuba part of the standard orchestral instrumentation by the mid-nineteenth century. Following the instrument's acceptance into bands and orchestras, the first solo works for tuba emerged in the late nineteenth century.

Evolving from novelty pieces accompanied by wind or brass bands, tuba solo music …

Effect Of Self-Evaluation On Jazz Improvisation Achievement, Ollie Eugene Liddell

Electronic Theses and Dissertations

No abstract provided.

The Band At Little Rock Central High School Before, During, And After Integration In 1957-1958, Brandon Earl Robinson

Electronic Theses and Dissertations

The purpose of this dissertation was to investigate the history of the Little Rock Central High School band before, during, and after integration in 1957-1958. A review of related literature in the areas of civil rights, Brown v. Board of Education, integration of schools, integration of Little Rock Central High School, and integration of school music programs provided the rationale for this study. Based on the related literature, research questions for this study included: What was the history of the Central Band before, during, and after integration in 1957-1958? Who was the first African American in the Central band? When …

Behavioral Analysis Of Directors Of High-Performing Versus Low-Performing High School Bands, Mark Dwayne Waymire

Electronic Theses and Dissertations

This study investigated the relationship between student performance levels and teacher behaviors. Ten high school band directors were classified into one of two categories, directors of high-performing bands or directors of low-performing bands, based on audio recordings of concert band performances. Directors from the two categories were matched in terms of years of experience, educational background, and current teaching environment in an effort to delimit possible causal relationships between these factors and student performance outcomes. Each director was observed and videotaped over a three-day period, within two weeks preceding a music festival performance. Field notes were taken during each rehearsal …