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Full-Text Articles in Arts and Humanities

Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt Jan 2016

Don't Let The World Rot: Anarchism, Hardcore Music, And Counterculture, Pearson Bolt

Electronic Theses and Dissertations

Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life. In this study, I identified the ways music and lyrics craft attitudes and environments for revolt and rebellion, cultivating critical thinking and disobedience in equal measures. In order to understand the hardcore community, I …


Romantic Ideals In Contemporary Folk Music, Brett Schwartz Jan 2015

Romantic Ideals In Contemporary Folk Music, Brett Schwartz

Electronic Theses and Dissertations

This thesis examines contemporary folk music from no earlier than 2006, specifically music of the bands The Decemberists, Fleet Foxes, and Bon Iver. Providing a close reading of select songs, I prove that modern music is seeing a revival in the Romantic Era and Transcendentalist ideals and philosophy. The works and philosophy of Samuel Taylor Coleridge (1772-1834), William Wordsworth (1770-1850), John Keats (1795-1821), as well as Henry David Thoreau (1817-1862), Ralph Waldo Emerson (1803-1882), among others and their critics are all considered for points of comparison to the modern lyrics. The reason for this revival is considered in the conclusion …


Stefano Landi's Arie A Una Voce And Early Seventeenth-Century Italian Guitar Music With Alfabeto Notation, Nicholas Galfond Jan 2015

Stefano Landi's Arie A Una Voce And Early Seventeenth-Century Italian Guitar Music With Alfabeto Notation, Nicholas Galfond

Electronic Theses and Dissertations

In the first few decades of the seventeenth century countless songbooks were published in Italy, more than 300 of which included the notation system for guitar accompaniment known as alfabeto. This early repertoire for the five-course Spanish guitar was printed mostly in Naples, Rome, and Florence, and was a pivotal precursor to our modern tonal musical understanding. The very nature of both the instrument and its characteristic dance-song accompaniment style led composers to create block harmonies in diatonic progressions long before such concepts bore any semblance to a functioning theory. This paper uses the 1620 publication Arie a una voce …


The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey Jan 2015

The Forging Of Modern Broadway Sound Design Techniques Amid The Fires Of The Rock Musicals In The Late 1960s And 1970s., Timothy Tracey

Electronic Theses and Dissertations

From the ancient Greek theater, through the dawn of the Renaissance, beyond the development of Shakespearean theater, to the Broadway theater boon in the 1920s, sound reinforcement within the theater remained virtually unchanged. Through Broadway's Golden Age, directors and producers relied on architectural acoustics to carry sound throughout the theaters. This is not surprising given that most of the theaters were built in the early 1900s, before the invention of any electric sound reinforcement technology. Moreover, early attempts at amplification in the 1940s yielded dismal results. Eventually, the maturation of the integrated book musical and the invasion of the rock …


A Discussion Of Robert Schumann's Compositional Process In The Song Cycle Frauenliebe Und -Leben, Brittany Monique Denham Jan 2012

A Discussion Of Robert Schumann's Compositional Process In The Song Cycle Frauenliebe Und -Leben, Brittany Monique Denham

Electronic Theses and Dissertations

Robert Schumann’s compositional work during 1840 stands out as an unexpected turn of events. With relatively no background composing songs, Schumann suddenly produced a plethora of widely successful and monetarily lucrative songs all within one year. Perhaps most fascinating was the amount of detail Schumann placed into each song. This detail can be seen in the sketches which include the composer’s handwritten edits in both the piano and vocal scores. With a focus on Schumann’s song cycle, Frauenliebe und -leben the qualities of Schumann’s songs and the compositional process used to create the songs’ final versions are examined through this …


The Legacy Of Civil Rights Protest Music: Sweet Honey In The Rock's "The Ballad Of Harry T. Moore", Thomas Hyder Jan 2012

The Legacy Of Civil Rights Protest Music: Sweet Honey In The Rock's "The Ballad Of Harry T. Moore", Thomas Hyder

Electronic Theses and Dissertations

This study investigates the role music played in the Civil Rights Movement as a form of political protest. The first part of the studies analyzed how political protest music was used in the early part of the twentieth-century leading up to the Civil Rights Movement of the 1960s. An analysis of the role of music in African-American culture also provides a historical background to the music-making of the Civil Rights Movement. Specific musical forms such as topical ballads, freedom songs, and spirituals are examined. In addition, musical influences of African culture as well as religious influences on music-making during the …


Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas, Rachel Hammond Jan 2011

Rhythmic And Metric Structure In Alberto Ginastera's Piano Sonatas, Rachel Hammond

Electronic Theses and Dissertations

Alberto Ginastera (1916-1983) was one of the leading South American composers of the twentieth century. Born in Argentina at a time when his country was striving to achieve a national identity and culture, Ginastera was recognized for combining the techniques of Western European art music with elements of Argentine folk music. His piano sonatas, composed during both his early and late periods, serve as excellent examples of this cultural synthesis throughout the course of his career. The Sonata No. 1 for Piano Op. 22 (1954), Sonata No. 2 for Piano Op. 53 (1981), and Sonata No. 3 for Piano Op. …


Steve Blackwell: A Florida Folk Musician, Brian Haymans Jan 2010

Steve Blackwell: A Florida Folk Musician, Brian Haymans

Electronic Theses and Dissertations

This study investigates the life of Steve Blackwell (1947-2006), a Florida folk singer/songwriter from Punta Gorda, FL, located where the Peace River meets the Gulf of Mexico. The study examines his biographical history, his performance career, musical output, and the impact he and his music had on the surrounding community. The first part of the study documents Blackwell's history and the major events that shaped his life while, at the same time, describing what kind of person Steve Blackwell was. The second part of the study examines Blackwell's career as a musical performer, the bands he played with, how those …


The Dresden School Of Violoncello In The Nineteenth Century, Adriana Venturini Jan 2009

The Dresden School Of Violoncello In The Nineteenth Century, Adriana Venturini

Electronic Theses and Dissertations

Until the nineteenth century, the violoncello was considered a background accompaniment instrument. By 1900 however, over eighty method books had been published for cello, and Richard Wagner and Richard Strauss were composing orchestral cello parts equal in difficulty to those of the violin, traditionally the only virtuosic string part. The emancipation from the ties of bass ostinato for the cello began with Bernhard Romberg in Dresden. The group of cellists, who came to be known as the Dresden School, included Kummer, Lee, Goltermann, Cossmann, Popper, Grutzmacher, Davidov, and other cellists that were students and colleagues of this group. The Dresden …