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Articles 1 - 12 of 12
Full-Text Articles in Arts and Humanities
An Examination Of The Requirements And Preparation Required Fortubists Desiring A Career In The Military, With Emphasis On Premier Band Auditions, Patrick Charles Rettger
An Examination Of The Requirements And Preparation Required Fortubists Desiring A Career In The Military, With Emphasis On Premier Band Auditions, Patrick Charles Rettger
Dissertations
The purpose of this research was to explore the differences between the various military bands in the United States with respect to tuba players. Fourteen military tuba players were interviewed. Based on their responses, each branch’s similarities and differences are presented. The research then focuses specifically on the audition process for premier band tuba players. These positions are highly coveted; yet they are not ideal for everyone. A survey was sent to all of the current and a number of prior service premier band tuba players asking them to list important band excerpts for tubists to know for military band …
A Stylistic Analysis And Performance Guide For James Sclater's "Variations And Toccata On A Theme By Paganini", David Michael Ward
A Stylistic Analysis And Performance Guide For James Sclater's "Variations And Toccata On A Theme By Paganini", David Michael Ward
Dissertations
This document exists as a resource for understanding and performing the piano music of the American composer James Sclater. It focuses specifically on the Variations and Toccata on a Theme by Paganini (2002), his most important solo piano composition. Sclater’s extensive output includes works for orchestra, voice, opera, band, chorus, as well as compositions for soloists and chamber music.
After a brief biographical summary and some historical background for the subjects under discussion, the main portion of the study provides a stylistic analysis of Sclater’s Variations and Toccata on a Theme by Paganini, a significant and heretofore unexamined piano work …
Preparation And Performance Of A Twentieth Century Operatic Monologue, Danielle L. Adams
Preparation And Performance Of A Twentieth Century Operatic Monologue, Danielle L. Adams
Honors Theses
Celebrated as having written “songs for the ages”, twentieth century American composer Lee Hoiby is known for having composed tonal, lyrical music in a time when his peers were exploring serialism and atonality. Now regarded as a monumental contributor to American music, he composed songs, operas, and choral works as well as instrumental and chamber music. Hoiby’s compositions are especially revered by singers, many of whom state that Hoiby was gifted at writing highly crafted songs because he “knew the voice”. Although his works did not achieve as much fame in his lifetime as the atonal works of his contemporaries, …
Beethoven's Opus 96: The Sonata For Piano And Violin Perfected, Paul S. Roberts
Beethoven's Opus 96: The Sonata For Piano And Violin Perfected, Paul S. Roberts
Honors Theses
This thesis attempts to shed light on Beethoven's final sonata for Piano and Violin, the Sonata for Piano and Violin op. 96 in G major. Presented first is a survey of music for violin and piano throughout previous centuries (in itself a valuable resource for those who want to approach this ambiguous and disorganized subject) followed by a discussion of Beethoven's sonatas leading up to the composition of Opus 96. Then follows a more detailed discussion of the piece itself as seen through the eyes (more accurately, heard through the ears) of one who has prepared a performance of it …
Performing Jonathan Newman's "Symphony No. 1: My Hands Are A City", Joseph Corey Francis
Performing Jonathan Newman's "Symphony No. 1: My Hands Are A City", Joseph Corey Francis
Dissertations
The purpose of this document is to provide analysis for interpretation of and rehearsal suggestions for Jonathan Newman’s Symphony No. 1: My Hands Are a City (2009). This document serves as the first significant scholarly work on the entire composition and is intended to be a resource for musicians seeking to gain information about the work. Included in the document is a biography of Jonathan Newman, as well as history concerning the commissioning of Symphony No. 1, a formal analysis of the work, and insight to conducting concerns. Information was gathered through formal interviews with Jonathan Newman, Jeff Gershman (Associate …
The Published Choral Folk Songs Of Cyrillus Kreek, Estonian Nationalist, Jonathan Patrick Rodgers
The Published Choral Folk Songs Of Cyrillus Kreek, Estonian Nationalist, Jonathan Patrick Rodgers
Dissertations
This research will trace the development and productivity of Cyrillus Kreek (1889-1962) as a composer of choral folk songs and his influence on Estonian culture. The core of the study provides a chronological examination of Kreek’s published choral folk song arrangements. Kreek’s work is the summation of direct and indirect influences in his life, such as Estonian folk music and the Estonian national awakening that began in the late nineteenth century and flourished in the early decades of the twentieth century; conversely, his music, along with that of his contemporaries, impacted the process of defining what it meant to be …
The Musical Ear: Oral Tradition In The Usa, Chris Goertzen
The Musical Ear: Oral Tradition In The Usa, Chris Goertzen
Faculty Publications
No abstract provided.
Instrument-Specific Music Performance Anxiety, Aaron L. Manning
Instrument-Specific Music Performance Anxiety, Aaron L. Manning
Honors Theses
For the musician, the occurrence of Music Performance Anxiety is a certainty. The extent, severity, and type of symptom of Music Performance Anxiety experienced vary depending on the performer. The instrument’s role in Music Performance Anxiety, however, might also be a factor in the type of symptom experienced by a performer. Does the type of instrument played lend itself to certain physical symptoms of Music Performance Anxiety? By studying the students of the University of Southern Mississippi’s School of Music, this thesis explores the relationship between instrument types and physical symptoms of Music Performance Anxiety. Its ultimate goal is to …
Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena
Adapting J.S. Bach's Solo Violin Sonatas And Partitas For The Marimba: Broken Chord And Arpeggio Performance Practices, Jason Eugene Mathena
Dissertations
This purpose of this study is to provide the keyboard percussionist with information and examples for breaking chords and properly executing arpeggio passages in J. S. Bach’s solo violin Sonatas and Partitas. Primary sources included Baroque treatises on performance practice and recent scholarship of the past one hundred years. Various editions of the Sonatas and Partitas were surveyed for this document but, in the end, only Bach’s autograph manuscript and Gunther Hausswald’s critical edition were used for the musical examples as well as the marimba transcriptions included in appendices.
Topics covered are appropriate places to break chords and the various …
When I Get My New House Done, Western North Carolina Fiddle Tunes And Songs Sfc Cd-100 (M Martin), Chris Goertzen
When I Get My New House Done, Western North Carolina Fiddle Tunes And Songs Sfc Cd-100 (M Martin), Chris Goertzen
Faculty Publications
No abstract provided.
An Exploratory Study Of Adult Amateur Musicians' Identification Of Instrumental Timbre, Amanda L. Schlegel, Jeremy S. Lane
An Exploratory Study Of Adult Amateur Musicians' Identification Of Instrumental Timbre, Amanda L. Schlegel, Jeremy S. Lane
Faculty Publications
In this exploratory study, members of an adult community band (N = 38) completed a listening task in which they attempted to identify instruments performing single-tone excerpts and determine the level of expertise of the performer (professional or beginner). We created two different conditions (tones that included initial attack and tones with sustain only and no initial attack) among tones produced by four different instruments (flute, clarinet, alto saxophone, trumpet) on two different pitches (F4 and B-flat4). Results of data analysis indicated that participants were more successful identifying tones that included the initial attack (as opposed to tones consisting of …
Driving The Bow: Fiddle And Dance Studies From Around The North Atlantic, 2nd Edition, Chris J. Goertzen
Driving The Bow: Fiddle And Dance Studies From Around The North Atlantic, 2nd Edition, Chris J. Goertzen
Faculty Publications
No abstract provided.