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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
Follow The Dotted Line: Composition Portfolio With Commentary., David Bremner
Follow The Dotted Line: Composition Portfolio With Commentary., David Bremner
Doctoral
This research consists of a portfolio of original musical compositions, accompanied by a commentary which examines the aesthetic and technical aspects of each piece and of the body of work as a whole. It traces the development of a mature and original compositional style. The works presented share a focus on the concept of line. This concept is explored in a range of diverse instrumentations (orchestra, choral, solo instrument/voice, chamber ensemble, electronics) and diverse compositional methods (fully-notated scores, graphic scores, devised improvised schemes). The emphasis is on lines that are constrained within a particular pitch register, while being explored fully …
In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish
In Process And Practice: The Development Of An Archive Of Explicit Stylistic Data For Irish Traditional Instrumental Music, Martin Tourish
Doctoral
The study of style in Irish traditional music is very much in its infancy. Although current authors locate its beginnings in the 1980s, valuable information can be found from as far back as the eighteenth century. While style is a much-discussed topic, to date it has not been the subject of a major study. Through what is termed ‘the oral tradition’, much of the genre’s stylistic features are transmitted as implicit knowledge. This type of knowledge is difficult to measure, consciously use and share and while these difficulties have been highlighted in one EU-level report, they are also well known …
Pierrots Fâchés Avec La Lune: Debussy, Fauré And Ravel During World War 1, Arun Rao
Pierrots Fâchés Avec La Lune: Debussy, Fauré And Ravel During World War 1, Arun Rao
Dissertations
This dissertation proposes to consider the music of French composers Claude Debussy, Gabriel Fauré and Maurice Ravel written during the Great War, under tremendous professional, personal and cultural pressures. These pressures are examined largely through these composers’ correspondence and the writings of contemporary critics, composers and artists in the first two chapters; a selection of their output from the war years, in particular their piano works and their chamber music, is the subject of the third chapter. The aim of the dissertation is to reveal certain aspirations common to all three, aspirations that were motivated, dictated even, by the political …
The Influence Of Plainchant On French Organ Music After The Revolution, David Connolly
The Influence Of Plainchant On French Organ Music After The Revolution, David Connolly
Doctoral
The period after the 1789 French Revolution was one of turbulence, musically, socially, culturally and politically. The violence against both people and property meant that the nineteenth century was a time of renewal and regrowth. At all times this was uncertain as numerous political upheavals took place as the French attempted to define their future direction. As with all aspects of culture, organ music experienced a slow regrowth over the course of the long nineteenth century, perhaps being at a particular disadvantage due to its role in the church, an institution which also went through a period of difficulty from …
Redesigning A Performance Practice: Synergising Woodwind Improvisation With Bespoke Software Technology., Seán Mac Erlaine
Redesigning A Performance Practice: Synergising Woodwind Improvisation With Bespoke Software Technology., Seán Mac Erlaine
Doctoral
This research examines how the designing of a new performance practice based on the incorporation of custom digital signal processing software impacts on solo improvised woodwind performance. Through the development of bespoke software, I investigate how these new technologies can be integrated into solo woodwind performance practice. This research presents a new improvised music practice as well as a suite of new software tools and performance techniques. Through a workshop and performance-‐based research process, a suite of software processors are developed which respond, and are complementary, to a personalised style of improvised performance. This electronic augmentation of the woodwind instrument …
In Search Of The Original "Skewball", Seán Ó Cadhla
In Search Of The Original "Skewball", Seán Ó Cadhla
Articles
The well-known horseracing ballad ‘Skewball’ has been widely documented in oral tradition on both sides of the Atlantic, as well as on numerous English broadside printings. It recounts the tale of a mid-eighteenth-century horserace held at The Curragh of Kildare, in which a heavily-backed mare is comprehensively beaten by a relatively unknown skewbald gelding leaving the mare’s owner — along with much of the assembled onlookers — significantly out of pocket. The ballad became widely popularised in North America where it was first published in a song book in 1826 (Benton 1826:3-4). It was later subsumed into African-American song tradition, …
Composition Portfolio With Accompanying Comments And Analysis, Dermot Mcdermott
Composition Portfolio With Accompanying Comments And Analysis, Dermot Mcdermott
Masters
My M.Phil project consists of eight original musical compositions of varying genre and style, together with accompanying analysis and commentary on these works. The compositions include pieces for full symphony orchestra, string quartet, clarinet quartet, and a number of other chamber works with varying instrumental combinations. Together, the works represent approximately fifty minutes of music, together with over nine thousand words of commentary and analysis. Some of my compositions have already been performed by the contemporary music ensemble, Concorde, and I have also completed a commission, with funds supplied by the Arts Council, for a work which was publicly performed …
Gerald Barry, Mark Fitzgerald
Gerald Barry, Mark Fitzgerald
Books/Book Chapters
Gerald Barry (b 1952) Biography, List of Compositions, Bibliography