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Full-Text Articles in Arts and Humanities
Contributors To Issue 2, Music & Musical Performance: An International Journal Digitalcommons.Fiu.Edu/Mmp
Contributors To Issue 2, Music & Musical Performance: An International Journal Digitalcommons.Fiu.Edu/Mmp
Music & Musical Performance
No abstract provided.
Christopher Luna-Mega: Time’S Arrow. Other Minds Om 1031-2, 2022 [Review], Rob Haskins
Christopher Luna-Mega: Time’S Arrow. Other Minds Om 1031-2, 2022 [Review], Rob Haskins
Music & Musical Performance
No abstract provided.
Sylvie Bodorová: Snow And Stars. Cesky Rozhlas Cr 1117-2, 2021 [Review]., Tom Moore
Sylvie Bodorová: Snow And Stars. Cesky Rozhlas Cr 1117-2, 2021 [Review]., Tom Moore
Music & Musical Performance
No abstract provided.
Christopher Fox: Trostlieder. Kairos 0220005kai, 2022 [Review], Rob Haskins
Christopher Fox: Trostlieder. Kairos 0220005kai, 2022 [Review], Rob Haskins
Music & Musical Performance
No abstract provided.
‘Brillez, Astres Nouveaux!’ Arias And Other Excerpts From Eighteenth-Century French Operas By Rameau, Leclair, Boismortier, And Others. Aparte Cd Ap223, 2020 [Review], Ralph P. Locke
Music & Musical Performance
No abstract provided.
Romances For Voice And Guitar, Arranged By Hector Berlioz. Atma Classique Acd2 2800, 2020 [Review], Peter Bloom
Romances For Voice And Guitar, Arranged By Hector Berlioz. Atma Classique Acd2 2800, 2020 [Review], Peter Bloom
Music & Musical Performance
No abstract provided.
Ludwig Van Beethoven: Leonore. Harmonia Mundi 902414, 2019 [Review], Ralph P. Locke
Ludwig Van Beethoven: Leonore. Harmonia Mundi 902414, 2019 [Review], Ralph P. Locke
Music & Musical Performance
No abstract provided.
Defying The Conventional: Musical Performance, Embodied Cognition, And The Reconfiguration Of Institutional Discourse, Dillon Parmer
Defying The Conventional: Musical Performance, Embodied Cognition, And The Reconfiguration Of Institutional Discourse, Dillon Parmer
Music & Musical Performance
This essay confronts the dialectic between theory and practice through a comparison of an idea basic to how we understand music (the notion that pitch moves up and down in vertical space) with how pitch is thought of in actual music-making. The comparison leads to both a new conceptual model for thinking about pitch, what might be called Pitch Horizontality, as well as a proposal for how to bring institutional discourse about music into sync, not with how scholars in other disciplines think about their subject matter, but with the thinking that goes on in contexts of real-world artistic production.
A “Free Artist Of Color” In Late-Eighteenth-Century Saint-Domingue: The Life And Times Of Minette, Bernard Camier
A “Free Artist Of Color” In Late-Eighteenth-Century Saint-Domingue: The Life And Times Of Minette, Bernard Camier
Music & Musical Performance
This article sets forth, for the first time in detail, the life and career of Minette, who was the main female opera singer in Port-au-Prince at the end of the eighteenth century. The city was the capital of the thriving and wealthy French colony of Saint-Domingue (which, upon gaining independence in 1804, took the name Haïti). Theatrical activity in Port-au-Prince was comparable to what one could find in any large provincial city, and the success that Minette gained was all the more remarkable for her being categorized as colored (mestive). The details of Minette’s origins, life, and career …